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Articles - Piano Building

 
 

300 Years of Piano Building:
A Comprehensive Bibliography

Compiled by Edward E. Swenson


If you are looking for a specific author or piano builder, please use your browser's search function.

  1. "The Piano Technician."Houston: American Society of Piano Technicians, 1958.

  2. "The Piano Technicians Journal. Official Journal of the Piano Technicians' Guild."Kansas City, MO: The Piano Technicians Guild, Formed by merging The Tuner's Journal and The Piano Technician .
  3. "The Piano Trades Magazine."Chicago.

  4. Aanstad, Odd. Some examples for piano building in Norway and Denmark. Michaelstein/Blankenburg, Germany: Institut für Aufführungspraxis.

  5. Abbot, Frank D. and C. A. Daniell editors. "International Music Trade Directory 1897-1898."Chicago: Presto Co., 1897.

  6. Abbott, Djilda and Ephriam Segermann. Strings in the 16th and 17th centuries.

  7. Abendroth, Walter. Vindication of the piano Ehrenrettung des Klaviers.

  8. Abondance, Florence. "Restauration Des Instruments Des Musique." Restoration of musical instruments Fribourg: Office du Livre, 1981.

  9. Abondance, Florence & Michel Robin. "Érard. Du Clavecin Mechanique Au Piano En Forme De Clavecin."Paris: Musee Instrumental de conservatoire de Paris, 1979.

  10. Académie des sciences. "Des Machines Et Inventions Approuvées...." Specifications for five early pianos and a bellows organ invented 1708 and 1716 Paris: Académie des Sciences, 1735-1977.

  11. Adlam, Derek. The anatomy of the piano. Oxford: Phaidon, 1981.

  12. ---. Restoring the vaudry.

  13. Adlam, Derek and Cyril Ehrlich. Broadwood.

  14. Adlerstein, Johann Janotyckh Ritter von. Industrial news [the Ofner piano builder Strobel] Industrielles [Der Ofner Klavierbauer Strobel].

  15. ---. Freskobilder aus Pesth XXII. (VII) Industrielles [Klavierbauer Bereghszaszy].

  16. Adlerstein, R. v. Correspondence (VII) Industrial news [Piano builder Bereghszaszy] Korrespondenz: (VII) Industrielles [Klavierbauer Bereghszaszy].

  17. Adlung, Jakob. "Anleitung Zu Der Musikalischen Gelahrtheit."Erfurt: J. D. Jungnicol, 1758.

  18. Adlung, Joseph. "Musica Mechanica Organoedi, Das Ist: Gründlicher Unterricht Von Der Struktur, Gebrauch Und Erhaltung Der Orgeln, Clavicymbel, Clavichordien, Und Andere Instrumente."Berlin: Friedrich Wilhelm Birnstiel, 1768.

  19. Aeolian Piano Co. "Aeolian Grand Regulation Standards."East Rochester, NY: Aeolian, n.d.

  20. ---. "Aeolian Piano Service Manual."Memphis: Aeolian, 1975.

  21. Aeolian Piano Company. "How to Choose the Right Piano for Your Home."New York: Aeolian, 1930.

  22. Agricola, Francesco. "Trattenimenti Sulle Vernici, Ed Altre Materie Utili, e Dilettevoli Sparse Nelle Opere Di Molti Accreditati Autori." Treatise on varnishes, and other useful materials Ravenna: Stamperia Roveri, Fratelli Favi, 1788.

  23. Ahrens, Christian. Once again: Regarding the early history of the fortepiano Nochmals: Zur Frühgeschichte des Hammerklaviers.

  24. ---. Nochmals: Zur Frühgeschichte des Hammerklaviers.

  25. ---. Vom Versuch zur Schöpfung--das Clavichord und Fortepiano in Deutschland, 1750-1800. Herne, 1989.

  26. ---. "Pantaleon Hebenstreit Und Die Frühgeschichte Des Hammerklaviers."Pantaleon Hebenstreit and the early history of the fortepiano.

  27. Ahrens, Christian ed. "170 Jahre Klavierbau in Eisenberg,Thüringen: Pianos Solidester Konstruktion." 170 years of piano building in Eisenberg, Thüringen: The most solidly built pianos Frankfurt: Bochinsky, 1993.

  28. ---. "Cembalo Und Hammerflügel: 10. Tage Alter Musik in Herne: Eine Musikinstrumentenausstellung Der Stadt Herne Und Eine Konzertreihe Des Westdeutschen Rundfunks Köln Vom 5. Bis 8. Dezember 1985."Der Oberstadtdirektor: 1985.

  29. Albarda, Jan H. "Wood, Wire and Quill. An Introduction to the Harpsichord."Toronto: Coach House Press, 1968.

  30. Albrechtsberger, Johann Georg. "Sämtliche Schriften Über Generalbass, Harmonie-Lehre, Und Tonsetzkunst; Zum Selbstunterrichte, Dritter Band."Vienna, 1837.

  31. Allen, Frederick. Steinway: Where high tech does only the simplest jobs.

  32. Allihn, Max. "Die Hausinstrumente Klavier Und Harmonium, Ihr Bau, Ihre Stimmung, Pflege Und Besserung. Zur Unterweisung Des Besitzers. Mit Dreiundzwanzig Abbildungen." The domestic instruments piano and harmonium, their construction, tuning, care and improvement. For the instruction of the owner. With twenty-three illustrations Quedlinburg: C. F. Vieweg, 1892.

  33. Allwood, John. "The Great Exhibitions."London: Studio Vista, 1977.

  34. Altberg, Emma. Piano forte.

  35. Altmütter, Georg. "Beschreibung Der Werkzeug Sammlung Des K. K. Polytechnischen Instituts." Description of the tool collection of the imperial and royal polytechnical institute Vienna: Wallishauser, 1825.

  36. Ampico Co. "Ampico Service Manuals. For the Reproduction Player Pianos."Seattle: Frank Adams, 1974.

  37. Ancelet, F. N. "Observations Sur La Musique, Les Musiciens Et Les Instruments." Observations on music, musicians and instruments Amsterdam: Aux dépens de la Compagine, 1757.

  38. Anders, G. E. Exposition of industrial products: pianos Exposition des produits de l'industrie: Pianos.

  39. ---. Pianos. MM. Woelfel et Laurent.

  40. ---. Pianos M. de Girard.

  41. ---. Pianos.--M. Pape.

  42. ---. Pianos. M. Pleyel.

  43. Anderson, David. "The Piano Makers."New York: Pantheon, 1982.

  44. Anderson, Gillian. B. "Music in New York During the American Revolution: An Inventory of Musical References in Rivington's New York Gazette."Boston: Music Library Association, 1987.

  45. Anderson, Robert. "Elgar's Broadwood Piano." The Cobbe Collection of Historic Keyboard Instruments : The Cobbe Collection, 1991.

  46. Anderson, Robert G. "Dealer's Handbook of Pianos and Their Makers Including Organs and Their Makers."Tulsa, Oklahoma: Published by the author, 1958.

  47. Andés, Louis Edgar. "Die Technischen Vollendungs-Arbeiten Der Holz-Industrie: Das Schleifen, Beizen, Poliren, Lackiren, Anstreichen Und Vergolden Des Holzes."Wien, Pest, Leipzig: A. Hartleben's Verlag, 1895.

  48. Andrade de Silva, Tomás. The piano in the history of music El piano en la historia de la música. Oviedo: Universidad de Oviedo, 1946.

  49. André, Karl August. "Der Clavierbau in Seiner Geschichte, Seiner Technischen Und Musikalischen Bedeutung." Piano building in its history, its technical and musical importance Offenbach am Main: J. André, 1855.

  50. Andrejewski, Egon. Do we still have a standard tuning pitch? Haben wir noch einen Normstimmton?

  51. Andres, Robert. Frederic Horace Clark: A forgotten innovator.

  52. Angermüller, Rudolph. The restoration of Mozarts grand piano in the year 1937 Die Restaurierung von Mozarts Flügel im Jahre 1937.

  53. Anonymous. Wurlitzer acquires Aeolian assets. Vol. 133: (July 1985), pp. 18 & 23.

  54. ---. "Aeolian Piano Co. Service Manual."Memphis, Tennessee: Aeolian Corp., n.d.

  55. ---. "Alerte à L'Escroquerie.".

  56. ---. Regarding the pianofortes of Mr. Pape in Paris Über die Pianoforte des Herrn Pape in Paris.

  57. ---. Report of the pianos at the exhibition in Paris in 1844. Eighty-nine manufacturers display 200 pianofortes. Feuilleton.

  58. ---. Regarding Streicher's accomplishments on the occasion of the first industrial exhibition in Vienna in the year 1835 Ueber Streicher's Leistungen bei Gelegenheit der ersten Gewerbsproducten-Ausstellung zu Wien im Jahre 1835.

  59. ---. Descriptions of three of Müllers 'Ditanaklasis' uprights Ditanaklasis.

  60. ---. Fortepianos with pedals Fortepianos mit Pedalen.

  61. ---. [Suggestions for purchasing a fortepiano].

  62. ---. Two trio for piano, violin and violoncello...by Louis van Beethoven Deux Trios pour Pianoforte, Violon et Violoncelle...par Louis van Beethoven
    [comments on the quality of fortepiano tone].
  63. ---. [Ausstellung der Kunstwerke der königl. Akademie der bildenden Künste].

  64. ---. Report about a new grand piano by Henri Herz in Paris Feuilleton [Bericht über ein neues Flügelpiano von Henri Herz in Paris].

  65. ---. Report on a fortepiano with a parchment soundboard [Bericht über ein Fortepiano mit pergamentnem Resonanzboden].

  66. ---. Report about a pianoforte without strings from the factory of Pape [Bericht über ein Pianoforte ohne Saiten aus der Papeschen Fabrik].

  67. ---. Obituary of the piano builder Johann Wilhelm Freudenthaler in Paris [Nekrolog des Klavierbauers Johann Wilhelm Freudenthaler in Paris].

  68. ---. Report about an eight-octave pianoforte by Pape in Paris [Bericht über ein achtoktaviges Pianoforte von Pape in Paris].

  69. ---. Report on testing and purchasing a fortepiano [Bericht über das Probiren und Ankauf eines Fortepianos].

  70. ---. Overview of the condition of music in England (Report on a grand pianoforte built by the deceased Earl of Stanhope and a pianoforte by Mr. Broadwood) Übersicht des Zustandes der Musik in England (Bericht über ein Grand Pianoforte vom verstorbenen Grafen Stanhope und ein Pianoforte des Herrn Broadwood).

  71. ---. Vienna. Musical chronicle of the third quarter. (Report on a spring-string-pianoforte constructed by the instrument builder Wilhelm Schwab from Pest) Wien. Musikalische Chronik des dritten Quartals.
    (Bericht über ein Feder-Saiten-Pianoforte von dem Instrumentenmacher Wilhelm Schwab aus Pest).

  72. ---. Industrial journal [Bretschneider's pianos] Industrielle Zeitung [Bretschneiders Klaviere].

  73. ---. Neue Definition eines Fortepianos.

  74. ---. Bei der Gewerbsproducten-Ausstellung in Berlin [Klavierbauer].

  75. ---. Notices: A [new] grand piano by Érard Notizen: Ein [neuer] Flügel von Érard.

  76. ---. The pianoforte builder Ignaz Heinrich in Olmütz Der Pianoforteverfertiger Ignaz Heinrich in Olmütz.

  77. ---. For fortepiano tuners Für Fortepianostimmer!

  78. ---. Eduard Seifert, Fortepiano builder in Vienna Eduard Seifert, Fortepianomacher in Wien.

  79. ---. The imperial and royal court fortepiano builder Streicher [business journey to Pest] Der k. k. Hofpianofortemacher Streicher (Geschäftsreise nach Pest).

  80. ---. Fortepiano builders in Vienna. Joseph Brodman and Ignaz Bösendorfer Fortepianomacher in Wien. Joseph Brodman & Ignaz Bösendorfer.

  81. ---. Local instrument builders: Clavier Fortepiano and Organ builders Sich befindenden Instrumentenmacher. Klavier-Fortepiano- und Orgelmacher.

  82. ---. For fortepiano tuners [in British Guianna] Für Fortepianostimmer!! [im britischen Guianna0.

  83. ---. Fortepiano makers and organ builders in Vienna, an index Fortepiano-Verfertiger und Orgelbauer (in Wien, Verzeichnis).

  84. ---. The pianoforte maker Ignaz Heinrich in Olmütz Der Pianoforteverfertiger Ignaz Heinrich in Olmütz.

  85. ---. May 1847 in the salon of Mr. J. Bösendorfer, imperial and royal court piano builder Mai 1847 im Salon des Hrn. J. Bösendorfer, k. k. Hofpiano-Verfertigers.

  86. ---. From the acknowledged, outstanding fortepiano factory of Mr. Seufert & Sons Aus der anerkannt trefflichen Fortepiano Fabrik der H. Seufert & Sohn.

  87. ---. Industrial news [Ecks discourse on instrument building] Industrielle Zeitung [Ecks Abhandlung über Instrumentenbau].

  88. ---. Industrial news: A new invention for tuning the pianoforte [signal] Industrielle Zeitung: Eine neue Erfindung beim Stimmen der Pianoforte [Signale].

  89. ---. Musical letters: Paris (The pianoforte factory of Érard) Musikalische Briefe: Paris (Die Pianofortefabrik von Érard).

  90. ---. Industrial journal: Seuffert and Son, imperial and royal exclusive fortepiano factory in Vienna. (Neue Wieden, Wienstraße Nr. 817) Industrielle Zeitung: Seuffert et Sohn, k. k. ausschl. priv. Fortepianofabrik in Wien (neue Wieden, Wienstraße Nr. 817).

  91. ---. Industrial journal: Pianoforte-manufacturing Industrielle Zeitung: Pianoforte-Fabrikation.

  92. ---. From Industry. A new patent-repetition-action [pianoforte] Industrielles: Neuer Patent-Repetitions-Mechanismus [Pianoforte].

  93. ---. Pape's eight-octave pianoforte in Paris Pape's acht-octavige pianoforte in Paris.

  94. ---. Industrial news: statistical notes on musical instrument construction in Austria. Industrielle Zeitung: Statistische Notizen über die musikalische Instrumenten-Fabrikation in Österreich.

  95. ---. Notices: Richer new piano Notizen: Richer (neues Piano).

  96. ---. Beyer's pianoforte with glass strings Beyers Pianoforte mit gläsernen Saiten.

  97. ---. A monster fortepiano Ein ungeheueres Fortepiano.

  98. ---. The pianofortes in this year's industrial exhibition Die Pianofortes auf der dießjährigen Industrie-Ausstellung.

  99. ---. From Industry: An index of the instrument builders resident in Vienna. (b) piano, fortepiano and organ builders Industrielles: Verzeichniß der in Wien sich befindenden Instrumentenmacher. (b) Klavier-, Fortepiano- und Orgelmacher.

  100. ---. Honors [Bösendorfer] Auszeichnung [Bösendorfer].

  101. ---. Notices: Fortepiano manufacturers and organ builders [in Vienna: an index] Notizen: Fortepiano-Verfertiger und Orgelbauer [in Wien: ein Verzeichnis].

  102. ---. Industrial Journal [A piano by Carl Schmidt in Raab] Industrielle Zeitung [Klavier von Carl Schmidt in Raab].

  103. ---. Industrial news [Miller's production of steel strings for pianos] Industrielles [Millers Erzeugung von Stahlsaiten für Klaviere].

  104. ---. Zu den trefflichsten Erfindungen (Fortepiano-Buffet von Seiffert, Hr. Carl Mechetti und Hr. Fr. Schott).

  105. ---. Industrial journal [Piano by Carl Schmidt in Raab] Industrielle Zeitung [Klavier von Carl Schmidt in Raab].

  106. ---. Industrial journal: [Viennese pianofortes] The instrument builder Schröder. A Mr. Mattau ["Hydromattauphone"] Industrielle Zeitung. [Wiener Pianofortes] Der Instrumentenmacher Schröder. Ein Herr Mattau ["Hydromattauphone"].

  107. ---. Notes: From the acknowledged, superb fortepiano factory of Seuffert & Son [Pianos for the Turkish sultan] Notizen: Aus der anerkannt trefflichen Fortepiano-Fabrik der HH. Seuffert & Sohn [Klaviere für den türkischen Sultan].

  108. ---. Industrial news [Pape's method for tuning the piano] Industrielles [das System Papes zum Stimmer des Klaviers].

  109. ---. Industrial news [Miller's privilege for the invention of the manufacture of steel strings for pianos and other string instruments] Industrielles [Millers Privilegium auf die Erfindung in der Verfertigung von Stahlsaiten für Klaviere und andere Saiteninstrumente].

  110. ---. Industrial news [Fortepiano manufacturers and organ builders in Vienna] Industrielle Zeitung [Fortepianoverfertiger und Orgelbauer in Wien].

  111. ---. Notizenblatt: Hr. Schmidt [Klavierbauer in St. Petersburg].

  112. ---. A musical evening at Schweighofer's [A piano with a new type of action] Musikalische Soirée bei Schweighofer [Klavier mit neuartiger Mechanik].

  113. ---. Industrial news: Index of of the instrument builders located in Vienna.
    (b) Piano, fortepiano and organ makers. Industrielles: Verzeichniß der in Wien sich befindenden Instrumentenmacher. (b) Klavier-, Fortepiano- und Orgelmacher.

  114. ---. Geht hin und handelt eben so [Pleyels Entlassung von Arbeitern].

  115. ---. Beyer's pianoforte with glass strings Beyers PIanoforte mit gläsernen Saiten.

  116. ---. Montal [blind piano builder and pianist] Montal [blinder Klavierbauer and Pianist].

  117. ---. Mälzel [mute keyboard] Mälzel [stumme Klaviatur].

  118. ---. New inventions: Mr. Quérin [Stenochiv, new lever for piano tuning, Pianograph] Neue Erfindungen: Herr Quérin [Stenochiv, neuer Schlüssel zum Klavierstimmen, Pianograph].

  119. ---. The new pianos with extension of the tone by H. Herz Die neuen Piano's mit Verlängerung des Tones, von H. Herz.

  120. ---. Notices: The piano-organ, a new invention by Issaurat-Leroux Notizen: Die Piano-Orgel, eine neue Erfindung von Issaurat-Leroux.

  121. ---. Pape in Paris [a new grand piano with eight octaves] Pape in Paris [neuer Flügel mit acht Oktaven].

  122. ---. Miscellaneous: Pape's eight-octave pianoforte in Paris Miscelle: Pape's acht-octavige Pianoforte in Paris.

  123. ---. The fortepiano strings [by Sanguinède in Paris] Die Fortepiano-Saiten [von Sanguinède in Paris].

  124. ---. Notices: The local manufacturer Joseph Dietmayr [strings from steel] Notizen: Dem hiesigen Fabrikanten Joseph Dietmayr [Saiten aus Stahl].

  125. ---. New inventions: Mr. Quérin [Stenochiv, a new hammer for piano tuning, pianograph] Neue Erfindungen: Herr Quérin [Stenochiv, neuer Schlüssel zum Klavierstimmen, Pianograph].

  126. ---. Correspondence: Geht hin und handelt eben so [Pleyel's lay off of workers] Korrespondenz: Geht hin und handelt eben so [Pleyels Entlassung von Arbeitern].

  127. ---. Industrial News: [The new grand piano by the instrument builder Schönemann in Berlin] [From the Neuen Berliner Musik Zeitung] Industrielle Zeitung [die neuen Flügel des Berliner Instrumentenmachers Schönemann] [Neuen Berl. M. Ztg].

  128. ---. Industrial news: The new de luxe instrument (upright piano) by Mr. Seuffert in Vienna intended for his serene highness Prince Liechtenstein Industrielle Zeitung: Das neue Prachtinstrument (Pianino) des Hrn. Seuffert in Wien für Se. Durchlaucht den Fürsten Liechtenstein bestimmt.

  129. ---. Award: [Schrimpf & Son fortepianos ] Auszeichnung: [Schrimpf, Sohn].

  130. ---. Notices: Fortepiano makers and organ builders [in Vienna; an index] Notizen: Fortepiano-Verfertiger und Orgelbauer [in Wien; Verzeichnis].

  131. ---. Industrial journal [a new pianoforte] Industrielle Zeitung [neues Pianoforte].

  132. ---. Notices: Berlin [Obituary of the instrument builder Kisting] Notizen: Berlin [Todesnachricht der Instrumentenbauer Kisting].

  133. ---. Pianoforte. New York: 1889.

  134. ---. "American Musical Directory ."New York, 1861.

  135. ---. "American Musical Directory of the United States and Provinces 1885."Syracuse, 1885.

  136. ---. "Anleitung Zu Einer Richtigen Kenntnis Und Behandlung Der Fortepiano in Bezeihung Auf Das Spielen, Stimmen Und Erhalten Derselben." Method for a correct understanding and treatment of the fortepiano in relation to performance, tuning and maintenance Stuttgart: Löflund & Sohn, 1824.

  137. ---. American pianos.

  138. ---. American Piano.

  139. ---. "Anweisung Der Mechanischen Behandlung Das Klavier Nach Einer Vorgeschlagenden Neuen Temperature Zu Stimmen." Method for the mechanical maintenance and tuning of the piano in accordance with a recommended, new temperament Dresden: Hilscher, n.d. (before 1815).

  140. ---. Some early keyboard instruments.

  141. ---. The piano factory of the Broadwoods in London (reconstructed after a fire) Fabbrica di pianoforti dei Signori Broadwood a Londra (ricostruita dopo un incendio).

  142. ---. "Art Du Faiseur D'Instruments De Musique Et Lutherie." The art of making musical instruments and violin building Encyclopédie Méthodique: arts et métiers méchaniques. Paris, 1785.

  143. ---. The piano as a piece of furniture.

  144. ---. The Audio interview: Henry Z. Steinway; a grand tradition.

  145. ---. "Bartolomeo Cristofori Inventore Del Pianoforte: Pubblicazione Ufficiale Del Comitato Per La Celebrazione Del III Centenario Della Nascita Di Bartolomeo Cristofori." Bartolomeo Cristofori inventor of the pianoforte. Official publication of the committee for the celebration of the third centennial of the birth of Bartolomeo Cristofori Padua, 1955.

  146. ---. "Beiträge Zur Praktischen Akustik Als Nachtrag Zur Fortepiano- Und Orgelbaukunst." Contributions of practical acoustics as a supplement to the art of fortepiano and organ building Chur & Leipzig, 1838.

  147. ---. "Bericht Über Die Dritte Allgemeine Österrichische Gewerbe-Ausstellung in Wien 1845." Report on the third Austrian industrial exhibition in Vienna in 1845 Vienna: k. k. Hof- und Staats-Druckerei, 1846.

  148. ---. "Bericht Über Die Erste Allgemeine Österreichische Gewerbs-Produkten-Ausstellung Im Jahre 1835." Report on the first general Austrian industrial products exhibition in the year 1835 Vienna: Gerold, 1836.

  149. ---. "Bericht Über Die Zweite Gewerbs-Produkten-Ausstellung Im Jahre 1839." Report on the second industrial products exhibition in the year 1839 Vienna: k. k. Hof- und Staats-Aerarial-Druckerei, 1840.

  150. ---. New inventions (from French papers), A fortepiano with a tone meter "Sono-Metre" by Montu Neue Erfindungen (aus französischen Blättern), Fortepiano mit Tonmesser "Sono-Metre" von Montu.

  151. ---. Mixed news (Leipzig). Exhibit and sale of a selection of Viennese pianofortes in the Bureau de Musique of Kühnel Vermischte Nachrichten (Leipzig). (Austellung und Verkauf einer Auswahl der Wiener Pianofortes im Bureau de Musique von Kühnel).

  152. ---. "Beschreibung Der Erfindungen Und Verbesserungen Für Welche in Den Kaiserlich-Königlichen Österreichischen Staaten Patente Ertheilt Wurden, Und Deren Privilegiumsdauer Jetzt Erloschen Ist."Vienna, 1847.

  153. ---. "Bösendorfer."Vienna: Gutenberg, n.d.

  154. ---. "Bösendorfer and Vienna. A 160-Year-Old Synonym.".

  155. ---. America's first piano-made in the town of Milton.

  156. ---. Funeral of Jonas Chickering.

  157. ---. Death and funeral of Jonas Chickering.

  158. ---. "The Cabinet-Maker's Guide or Rules and Instructions in the Art of Varnishing, Dying, Staining, Jappaning, Polishing, Lackering and Beautifying Wood, Ivory, Tortoise-Shell and Metal."Concord, Massachusetts: Moore, 1827.

  159. ---. "A Catalogue of the Early Keyboard Instruments. The Benton Fletcher Collection (Fenton House)."London, 1976.

  160. ---. Pianos: Fine-tune your choices.

  161. ---. Chicago's music industry is huge.

  162. ---. "Collections of Tools for Making Keyboards and Working Ivory."Connecticut State Library Museum, Hartford, CT; Eli Whitney Museum, Hamden CT; Stone House Museum, Deep River CT.

  163. ---. "Constitution and by-Laws of the Boston Cabinet and Piano-Forte Makers's Mutual Aid Association."Boston, 1884.

  164. ---. "Courses of Instruction in Piano Making, Together With a Section on Player Pianos, Pneumatic Actions, Piano Actions, and Keys."Washington, D.C.: Government printing office, 1919.

  165. ---. "Das Kind Am Klavier." The child at the keyboard Leipzig, 1980.

  166. ---. Ibach.

  167. ---. "Description Du Clavi-Harpe, Inventé Par M. Dietz Père. Estrait Des Annales De L'Industrie Nationale Et Étrangère Et Du Musée De L'Exposition Au Louvre En 1819." A description of the clavi-harp, invented by M. Dietz the elder Paris, 1821.

  168. ---. What's inside a piano?

  169. ---. 'Walking piano' draws crowds to Design News booth.

  170. ---. The gangsters of the old piano Les gangsters du vieux piano.

  171. ---. " The Digitorium, or Miniature Dumb Piano."London: Chappell & Co., n.d.

  172. ---. Jonas Chickering.

  173. ---. Piano-Fortes.

  174. ---. Musical instruments at the fair.

  175. ---. A tale of two pianos.

  176. ---. The electric piano as a field for central stations.

  177. ---. Electricity in the manufacture of pianos.

  178. ---. Modern electrical piano: a triumph of musical expression.

  179. ---. The evolution of the piano.

  180. ---. "Esposizione Industriale Italiana Del 1881 in Milano. Relazione Dei Giurati...Sezione XXVI, Classe 54a: Istromenti Musicali e Loro Parti."Milan, 1881.

  181. ---. Stewart and Osborn's Piano Fortes.

  182. ---. "Explanation of the Ocular Harpsichord, Upon Shew to the Public."London: Hooper and Morley, 1757.

  183. ---. "A Few Words About the Pianoforte, Hints for Preserving the Instrument."Cambridge, 1891.

  184. ---. "The First Annual Piano Exhibition Held at Dorland Hall Sept. 12-26, 1936."London: Colman, Parentis & Varley, 1936.

  185. ---. "Formularisches Handbuch Für Stimmer." "Formularisches" handbook for tuners Dresden: Hilscher, n.d. [before 1815].

  186. ---. Pianofortissimo: In 1935 the piano industry discovered style.

  187. ---. "Four Hundred of the Best Ads of 1911 Devoted to Pianos and Player-Pianos."New York: The Player-Piano, 1912.

  188. ---. Alfred Dolge. Newark, N. J.

  189. ---. "Ganz Neue Und Vollständige Anleitung, Nach Welcher Man Clavierinstrumente Temperiren...Nach Asioli, Pizzati, D'Alembert, Rameau, Kirnberger, Vogler, Weller, Fritzen." An entirely new and complete introduction, according to which one can temper keyboard instruments...according to Asioli, Pizzati, d'Alembert, Rameau, Kirnberger, Vogler, Weller, Fritzen. Vienna: Artaria Verlag, n.d.

  190. ---. "General History of the Music Trades of America."New York: Bill and Bill, 1891.

  191. ---. Boardman & Gray's dolce campana attachment piano-fortes.

  192. ---. "Great Exhibition of the Works of Industry of All Nations, 1851. Official Descriptive and Illustrated Catalogue."London: Spicer and Clowes, 1851.

  193. ---. "Gründliche Anleitung Zum Klavierstimmen." Thorough introduction to piano tuning Leipzig: Andrè, n.d. [before 1815].

  194. ---. "Handbuch Für Fabrikanten, Künstler, Handwerker Und Oekonomen, Oder Die Neuesten Und Nützlichsten Erfindungen, Entdeckungen Und Beobachtungen, Besonders Der Engländer, Franzosen Und Deutschen in Der Chemie, Fabrik-Wissenschaft Und Oekonemie."Nuremberg: Allgemeine Handlungszeitung, 1808.

  195. ---. Memoir of Sebastian Érard.

  196. ---. The terpodion, a keyboard instrument invented by Buschmann of Gotha.

  197. ---. The aeoline, a keyboard instrument invented by Keller Königsberg.

  198. ---. Venice. The Abbate Trentin's metogophonic piano, a pianoforte with two keyboards, one played with the feet.

  199. ---. "How to Tune Your Own Pianoforte; or the Way to Keep Your Pianoforte in Order."Manchester: Heywood, 1885.

  200. ---. The piano and organ industry.

  201. ---. The piano action is also a work of art. Regarding the collaboration between hand and key Auch die Klaviermechanik ist ein Kunstwerk. Vom Zusammenspiel zwischen Hand und Taste.

  202. ---. A new machine for leading piano keys Ein neues Klaviertasten-Bleichgerät.

  203. ---. Piano actions made of plastic materials Pianomechaniken aus plastischem Material.

  204. ---. 100 years of Bechstein 100 Jahre Bechstein.

  205. ---. Der Boesendorfer der Kaiserin Eugenie.

  206. ---. Piano manufacturer Karl Müller, 60 Years Pianofabrikant Karl Müller 60 Jahre.

  207. ---. "International Exhibition 1862. Reports of the Juries and Illustrated Catalogue. Class XVI, Musical Instruments.", 1862.

  208. ---. "An Introduction to the Collection at the National Musical Museum Brentford, Middlesex."Brentford: Piano Museum Trust, 1973.

  209. ---. Regarding an early patent by Jonas Chickering Mechanics' register: List of American patents which issued in October, 1840.

  210. ---. Synthetic ivory for piano keys.

  211. ---. "Méthode La Plus Facile Pour Accorder Les Clavecins Et Forte-Piano." The easiest method for tuning the harpsichord and the forte-piano Paris: Imbault, 1789.

  212. ---. The finest art and industry establishments in Austria Die vorzüglichsten Kunst- und Industrie-Anstalten Oesterreichs.

  213. ---. The most superb art and industry establishments in Austria. The workshop of Mr. J. B. Streicher for the manufacturing of the piano pianoforte Die vorzüglichsten Kunst- und Industrie-Anstalten Oesterreichs. Das Atelier des Herrn J. B. Streicher zur Verfertigung von Pianoforte. Vienna: 1835.

  214. ---. Piano makers struggle to survive shrinking market.

  215. ---. "Moyens De Diviser Les Touches Des Instruments à Cordes....Un Moyen D'Accorder Les Clavessins."Paris: Mérigot le jeune, 1780.

  216. ---. "Musée Rétrospectif...Instruments De Musique, Matérial, Procédés Et Produits à L'Esposition Universelle Internationale De 1900 à Paris."Paris, 1900.

  217. ---. The Jankó Keyboard. Messrs. Decker Bros. acquire the exclusive right for its manufacture and sale.

  218. ---. Art in piano making.

  219. ---. Facts about ivory.

  220. ---. Restringing old pianos.

  221. ---. The making of a piano plate.

  222. ---. Bad fires in Boston. The factories of the New England Organ Co. and of the Guild Piano Co. destroyed by fire on Christmas Eve.

  223. ---. New companies and firms (Smith and Barnes Piano Co., The Nelson Piano Co., Henning Piano Co., The Dunham Piano Co.).

  224. ---. T. Shriver & Co. leaders in the manufacture of piano plates.

  225. ---. Derived from an article in the Leipzig Zeitschrift für Instrumentenbau German versus French pianos.

  226. ---. Women as piano tuners.

  227. ---. The manufacture of pianos in Canada. The Gerhard Heintzman piano mfg. co. to make high grade pianos in Toronto.

  228. ---. Cheap pianos in Australia.

  229. ---. The Piano Manufacturers' Association. First annual meeting and election of officers.

  230. ---. The Wheelock factories (From the new catalogue of messrs. Wm. E. Wheelock & Co.).

  231. ---. Another substitute for ivory.

  232. ---. Allmendinger Piano and Organ Co.

  233. ---. The Janko keyboard. It will soon be put upon the market in an extensive way.

  234. ---. Pianomaking in the west.

  235. ---. The W. W. Kimball Co.

  236. ---. Decker Brothers. What some of their agents in the west and northwest say about them and their pianos.

  237. ---. Napoleon and John Haines. What these well-known pianomakers think of several subjects now under discussion in the trade.

  238. ---. T. M. Antisell & Co. Their new piano factory at Mattawan, N. J.

  239. ---. Frank Conover.

  240. ---. Wing & Son. Description of their new factory.

  241. ---. Failure of the Atlanta Piano Co.

  242. ---. Messrs. Herrburger-Schwander, their new junior action.

  243. ---. of James and Holmstrom Piano Co. Our sketch book. Amos C. James.

  244. ---. The trade abroad. Pianoforte improvements, Herr Kaiser's invention, glass panels for piano cases, the German musical instrument trade, the coming Vienna exhibition.

  245. ---. of Strauch Brothers Piano Action Co. Our sketchbook. William E. Strauch.

  246. ---. A great house. Some of the changes made in Chickering & Sons--resources, equipment and the output of the Boston factory.

  247. ---. Robert W. Webb. The punching manufacturer.

  248. ---. A uniform pitch . The piano manufacturers' association hold a meeting. The committee present a report and advise the adoption as a standard musical pitch that A which gives 435 double vibrations in a second of time. The meeting adjourns to November 6, so that manufacturers from all over the country can attend and discuss the matter.

  249. ---. Our sketch book. Samuel Hazelton. Vol. 4, No. 5 (October 31, 1891), p. 7 and cover photograph.

  250. ---. A special instrument with an art case made for Lord Mount Stephen. A Decker Bros. piano.

  251. ---. Obituary for Frederick Mathushek.

  252. ---. Standard pitch. The piano manufacturers' association meet and adopt 435 A as standard pitch. It will be known as "International Pitch." An enthusiastic meeting. Colonel Fuller's remarkable address, the great feature of the meeting. Association forkes [sic] to be distributed all over the U.S. July First named as the day when the new pitch is to go into effect.

  253. ---. Of the Holmstrom piano co. Our sketch book. Andres Holmstrom.

  254. ---. With a photograph of the new factory. The new Emerson factory.

  255. ---. Shall the pitch be lowered?

  256. ---. Female tuners.
    What some of the pianomakers think of the idea.

  257. ---. Our sketch book. H. Paul Mehlin.

  258. ---. An electric piano.

  259. ---. Charles L. Collard. Death of the head of the great English firm of pianomakers.

  260. ---. Wrest pins and restringing.

  261. ---. James W. Vose (Vose Piano Co.).

  262. ---. Schiedmayer-Hlavac. The two principal members of the jury at the World's fair speak.

  263. ---. The failure of Hardman, Peck & Co. The head of the house neither a good pianomaker nor a successful business man.

  264. ---. The Kimball awards. Something about the high honors the W. W. Kimball Co. won at the World's fair.

  265. ---. The Vose piano with a portrait of James W. Vose.

  266. ---. The iron frame. Something about its early history, development and present condition.

  267. ---. Francis Connor. For the past fifteen years a maker of honest and reliable pianofortes of excellent tone.

  268. ---. Henry Steinway. He gets a bad setback in his suit against his uncle, William Steinway and the Steinway corporation.

  269. ---. Pratt, Read acquires Sohmer & Co.

  270. ---. The Baldwin story.

  271. ---. Harrison & Smith acquire Baldwin.

  272. ---. Pratt-Read and Baldwin form Pratt-Win Corp. to manufacvture keys and actions in Mexico.

  273. ---. Yamaha's first century.

  274. ---. Everett marks 100th with townwide celebration.

  275. ---. Steinway's landmark 500,000th piano.

  276. ---. Aeolian closes East Rochester division.

  277. ---. Ex-Steinway head Perez buys Aeolian.

  278. ---. Mason-Hamlin Co. W.G. Heller 1889-1974.

  279. ---. Pratt Read sells Sohmer; Campbell remains as Pres.

  280. ---. Recreating the famed Mason & Hamlin piano.

  281. ---. Sohmer acquires Chas. Ramsey Corp.

  282. ---. Sohmer, Mason & Hamlin Piano sold to Washington investor.

  283. ---. Sohmer production moves to Pennsylvania plant.

  284. ---. Story and Clark pianos Norlin sells piano manufacturing plant.

  285. ---. Baldwin acquires Wurlitzer keyboard business.

  286. ---. Falcone Piano donates Mason & Hamlin records to Smithsonian.

  287. ---. Industry forefront: Kimball pianos R.I.P.

  288. ---. "The Music Trades. Important Facts Concerning the Manufacture of Piano Felts in America and Germany."New York, 1885.

  289. ---. A beautiful painting by Dewing for the top of the white house piano.

  290. ---. The American pianoforte manufacture.

  291. ---. The American pianoforte manufacture.

  292. ---. The rise, development and triumph of Wm. Knabe & Co.

  293. ---. The transposing pianoforte.

  294. ---. The old square.

  295. ---. A practical tuner: first lesson in piano tuning.

  296. ---. A practical tuner: first lesson in piano tuning.

  297. ---. "Musical Pitch: Letters, Articles and Comments in the Press on the Proposal to Adopt the Low Pitch Throughout the Pianoforte Trade."London: Waterlow and Sons, 1899.

  298. ---. Original designs for modern pianos Originalentwürfe für moderne Pianos.

  299. ---. Upright and grand piano, yesterday and today Klavier und Flügeln, Gestern und Heute.

  300. ---. The profession of the piano builder: A craft with a future Der Beruf des Klavierbauers-ein Handwerk mit Zukunft.

  301. ---. Perfectionnements aux pianos.

  302. ---. Le British connection.

  303. ---. The Jesse French Organ and Piano Co. Reprinted in Music Trades Vol. 1, No. 6 (February 7, 1891).

  304. ---. "Nerves of Steel; the Story of American Piano Wire and of Its Development."New York: American Steel & Wire Co., 1936.

  305. ---. Obituary for Ignaz Bösendorfer Nekrolog für Ignaz Bösendorfer.

  306. ---. "A New and Easy Method for Tuning the Grand and Small Piano-Forte, and Harpsichord, With Proper Instructions, and Descriptions of the Rules to Be Observed in Performing the Same."London: A. Coblenz, 1797.

  307. ---. Japan's electronic copy of a Steinway grand piano.

  308. ---. The brothers Chickering [Description of the gigantic factory for pianofortes from the Bostom Transcript].

  309. ---. Dr. Schilling's newly contrived wrest-pin for the pianoforte.

  310. ---. Prize pianofortes [of C.A. André of Offenbach, Germany].

  311. ---. The story of a familiar friend [The harpsichord, early pianofortes and their builders].

  312. ---. Pierre Erard [Obituary of the pianoforte and harp manufacturer].

  313. ---. The brothers Chickering [Description of the gigantic factory for pianofortes from the Boston Transcript].

  314. ---. Uniform pitch.

  315. ---. Falcone pianos Widely acclaimed pianos symbolize old Massachusetts city's resurgence.

  316. ---. Herr Zumpe stiftete "ein Gedächtnis".

  317. ---. "Notes Sur Les Travaux De MM Erard." Comments on the work of Mr. Erard Paris, 1855.

  318. ---. "Numéros Des Pianos, Liste Attestée Par L'Association Des Facteurs Réparateurs De Pianos, Évreux."n.p., n.d.

  319. ---. The bill please L'addition s'il vous plait.

  320. ---. "The Piano-Forte Pocket Companion; or a Popular View of the Science and Practice of Music."London: Sherwood, Neely and Jones, 1815.

  321. ---. "Piano Men of to-Day."New York: Musical Age, 1901.

  322. ---. Aeolian corp. shortens name.

  323. ---. "Pianofortes."London: 1890.

  324. ---. "Pianos: a Pictorial Review (a Guide for the Piano Buyer and the Trade)."London: Tofts & Woolf, 1969.

  325. ---. Four-handed twin grand, last word in pianos.

  326. ---. Piano genealogy. Progress of the piano at a glance. From its invention in Padua
    [sic]to the present time.

  327. ---. "Presto Buyers Guide to Pianos.": Presto, 1926.

  328. ---. What the piano industry can learn from Kodak advertising.

  329. ---. Mr. Wornum's patent [for improvements in stringing the pianoforte].

  330. ---. Mr. Collard's patent [for the improvement of the pianoforte].

  331. ---. New patent for an improvement of the piano forte. Contrivance by Thon and Allen to prevent fluctuations in the pitch of strings.

  332. ---. Mr. H. Smith's improvements of the square piano forte.

  333. ---. New patent for improvements in the pianoforte granted to Messrs. Clementi & Co., London (The soundboard, dampers, raising the dampers, stringing).

  334. ---. "Repairing the Pianoforte. With Chapters on Regulating, Toning, Polishing, Case Repairing, Etc."London: Musical Opinion and Music Trade Review, 1917.

  335. ---. "Repairing the Player Piano. Information Useful to Pianoforte Tuners and Repairers."London: Musical Opinion and Music Trade Review, 1916.

  336. ---. "Reports of the Juries: Exhibition of the Works of Industry of All Nations."London: For the Royal Commission by William Clowes & Sons, 1852.

  337. ---. Fingertip control and piano tone.

  338. ---. Adjustable tension rods for pianos.

  339. ---. "Sébastien Erard, 1752-1831, Ou, La Recontre Avec Le Pianoforte: Luxeuil-Les-Bains, Du 3 Mai Au 29 Mai 1993."Luxeuil-les-Bains, 1993.

  340. ---. "Secrets of Piano Construction. Proceedings of the 1916-1918 Piano Technicians' Conferences Held at Chicago and the 1919 Conference at New York."Vestal, N.Y.: Vestal Press, 1985.

  341. ---. "A Short History of a Great House [Collard & Collard]."London, 1938.

  342. ---. "Short Instructions for Tuning a Piano-Forte."London, 1809.

  343. ---. "Simple Instructions for Tuning the Piano.", 1904.

  344. ---. "Souscription Pour Le Pneumacorde Ou Le Nouveau Clavessin Organisé."Paris: P. de Lormel, 1765.

  345. ---. "Steinway & Sons." Television Program: Pinnacle, CNN .

  346. ---. "Touches à Touches: Pianos Et Brevets D'Invention Au XIXe Siècle." Touches à touches: pianos and patents of the 19th century Paris: Edipso, 1997.

  347. ---. "The Tuner's Guide: Containing a Complete Treatise on Tuning the Piano-Forte, Organ, Melodian and Seraphine; Together With a Specification of Defects and Their Remedies."Boston: Ditson, 1852.

  348. ---. "Univers Du Pianoforte. Exposition Liège." The universe of the pianoforte. Exhibition at Liège Liège: Musée de la vie Wallone, 1970.

  349. ---. "Vollständiges Musterbuch Aller Eisen, Stahl, Metall Und Damit in Verbindung Stehenden Waaren."Schmalkalden: Varnhagen, 1829.

  350. ---. "Weltadreßbuch Der Gesamten Musikinstrumenten-Industrie."World address book of the entire musical instrument industry. Leipzig, 1906.

  351. ---. Interesting forms in the evolution of the pianoforte Interessante Typen der Entwicklungsgeschichte des Pianofortes.

  352. ---. On the origin of a piano action. From the manufacturing procedure of a large specialty firm in Stuttgart Vom Entstehen einer Piano-Mechanik. Aus dem Herstellungsprozess einer grossen Stuttgarter Spezialfirma.

  353. ---. A Blüthner grand piano in the Hindenburg dirigible Blüthner-Flügel im Luftschiff Hindenburg. 1990.

  354. Anonymous ["A Dilettante"]. Extracts from the diary of a dilettante. Small keyboard instrument with metal bars instead of strings invented by Vanderburgh in 1814.

  355. Anonymous ["Mehrere Musikfreunde"]. Industrielle Zeitung: Ein Pröbchen Charlatanerie! Höchst wichtige, patentisirte musikalische Erfindung [das einfache Klavier von Knaus]
    [aus der Kölner Zeitung].

  356. Anonynmous. Industrial journal fortepiano makers and organ builders in Vienna Industrielle Zeitung [Fortepianoverfertiger und Orgelbauer in Wien].

  357. Antes, John. Regarding the hammers of the fortepiano .

  358. Appleton, Edward. "Memoir of Thomas Appleton.", 1872.

  359. Appleton, Thomas. The music trade: The American pianoforte manufacture.

  360. Appleton, William Sumner. "The Family of Babcock of Massachusetts."Boston: 1881.

  361. Archimbaud, Michael. "Le Guide Du Piano." The piano guide Paris: Mazarine, 1979.

  362. Armellino, Giorgio. "Der Klavierstimmer." The piano tuner Leipzig: Friedrich Voigt, 1920.

  363. ---. "Die Kunst Des Clavierstimmens....Frei Bearbeitet Von Einem Vielerfahrenen Clavierstimmer." The art of piano tuning....freely interpreted by an experienced piano tuner. Weimar: Voigt, 1857.

  364. ---. "Die Kunst Des Klavierstimmens Nebst Einer Anleitung Zur Erhaltung....Sowie Zur Prüfung Neuer Instrumente." The art of piano tuning together with a guide to mainting as well as testing new instruments Weimar: Voigt, 1863.

  365. ---. "Manuel Simplifiè De L'Accordeur Ou, L'Art D'Accorder Le Piano..." Simplified manual for the tuner or the art of tuning the piano Paris: Roret, 1834.

  366. Armstrong, Jason R. Our sketch book. Frederick Mathushek. Noted inventor and distinguished piano manufacturer.

  367. Arnaut de Zvolle, Henry. "Instruments De Musique Du XVe Siecle. Les Traités D'Henry-Arnaut De Zvolle Et Des Divers Anonymes."Paris: Picard, 1932.

  368. Arnold, E. B. Measurement of decay curves of individual partials of excited piano and harpsichord strings.

  369. Arnold, Janice M. American pianos: revolution and triumph.

  370. Asioli, Bonifazio. "Anleitung, Clavierinstrumente Zu Temperiren Und Auf Die Leichteste Art Ohne Beihülfe Eines Meister Rein Und Richtig Zu Stimmen." Method for tempering keyboard instruments and tuning them purely and correctly in the easiest manner without the assistance of a master Vienna: Artaria, n.d. [c.1819].

  371. ---. "Osservazioni Sul Temperamento Proprio Degl'Istromenti Stabili: Dirette Agli Accordatori Di Pianoforte Ed Organo." Observations on the correct tempering of fixed instruments: directed to the tuners of pianos and organs Milan: G. Ricordi, 1816.

  372. Askenfelt, Anders and Erik U. Jansson. From touch to string vibrations.

  373. ---. From touch to string vibrations; string motion and spectra.

  374. Askenfelt, Anders editor. "Five Lectures on the Acoustics of the Piano."Stockholm: Royal Swedish Academy of Music, 1990.

  375. Asselin, Alin. "Musique Et Tempérament."Paris: Editions Costallet, 1985.

  376. Assfalg, Winfried. Conrad Graf (1782-1851) "Imperial and royal court fortepiano maker, Vienna Conrad Graf (1782-1851) "Kaiserl. kön. Hof-Fortepianomacher Wien".

  377. Astor & Co. "Astor Foundation Archives, New York.".

  378. Athenaeum of Philadelphia. 1856 catalogue of the Birgfeld & Ramm Piano Co., Philadelphia Philadelphia.

  379. Auerbach, Cornelia. "Die Deutsche Clavichordkunst Des 18. Jahrhunderts." The art of the German clavichord in the 18th century Kassel: Bärenreiter, 1930.

  380. Awraamoff, A. M. The other side of temperament and tonality Jenseits von Temperierung und Tonalität.

  381. Ax, Guillaume d'. "Les Mystères Du Piano; Ouvrage Indispensable a Toute Personne Qui Possède Cet Instrument." The mysteries of the piano; an indispensable work for all people who own this instrument Paris: Libraries du Messager de la Banlieue, 1869.

  382. Ayars, Christine Merrick. "Contributions to the Art of Music in America by the Music Industries of Boston 1640-1936."New York: H. W. Wilson, 1937.

  383. Azizbekova, Miriam Akimovna. "Fortepiannoe Isskustvo v Muzykal'Noi Zhizni Vil'Nuisa." Fortepiano art in the musical life of Vilnius Vilnius: Mokslas, 1976.

  384. B., A. A permanent exposition of pianos by A. and M. Ducci. Open on May 10, 1858 in Florence Esposizione permanente di pianoforti presso A. e M. Ducci. Aperto il 10 Maggio 1858 a Firenze. Cenni storici sullo strumento e ressengna dei maggiori costruttori contemporanei.

  385. Babbington, C. "Tuning and Repairing Pianos."London, 1902.

  386. Bach, Carl Phillip Emanuel. "Versuch Über Die Wahre Art Das Clavier Zu Spielen." Essay on the true art of keyboard playing Berlin: C.F. Henning, 1753.

  387. Backman, K. Stringing techniques of harpsichord builders.

  388. Bacon, Ernst. "Notes on the Piano."Syracuse: Syracuse University Press, 1963.

  389. Bacon, Francis. Uniform pitch (letter to the editor of the Music Trades).

  390. Badura-Skoda, Eva. Zur Frügeschichte des Hammerklaviers. Tutzing: Schneider, 1988.

  391. ---. Mozart's piano.

  392. ---. "Besaitete Tasten-Instrumente Um Und Nach 1700: Hämmer-Pantalone Und Lautenwerke.".

  393. ---. Prolegomena to a history of the Viennese fortepiano.

  394. ---. The Viennese fortepiano in the eighteenth century. New York: Oxford University Press, 1996.

  395. ---. Mozart and the compound pianoforte. Firenze: Olschki, 1994.

  396. ---. Domenico Scarlatti and the fortepiano Domenico Scarlatti und das Hammerklavier.

  397. ---. A fourth extant fortepiano owned by Beethoven Ein vierter erhaltener Hammerflügel aus dem Besitz Beethovens. Vienna: Böhlau Verlag, 1966.

  398. Badura-Skoda, Paul. Playing the early piano.

  399. ---. Pianist's View: Paul Badura-Skoda looks at the history of the piano.

  400. Baerwald, F. H. "Die Neuesten Erfindungen Und Verbesserungen an Den Musikalischen Instrumenten, Sowohl Saiten- Als Blasinstrumenten, Insbesondere Des Fortepiano Und Anderer Tasteninstrumente." The newest inventions and improvements of musical instruments, strings as well as wind instruments, particularly of the fortepiano and other keyboard instruments Quedlinburg/Leipzig, 1833.

  401. Baines, Anthony. "Storia Degli Strumenti Musicali."Milan: Rizzoli, 1983.

  402. Bainton, Herbert G. "The Piano, Its Construction and Care."Providence: Evans, 1915.

  403. Bak, David J. Analog-digital circuitry simplifies piano tuning.

  404. Bakeman, Kenneth. Stringing techniques of harpsichord builders.

  405. Baldassin, Rick L. "Voicing the Renner Hammer."Weston, CT: Renner, USA, 1992.

  406. Baldwin Co. "Baldwin: Today's Standard of Excellence."Cincinnati: Baldwin, 1981.

  407. Baldwin Piano Co. "Baldwin Bearing Gage [Sic] for Use in String Replacement on Baldwin Grand Pianos With Acu-Just Hitch Pins."Cincinnati: Baldwin, n.d.

  408. ---. "Baldwin Piano Co. Papers.".

  409. ---. "The D. H. Baldwin Company."The Baldwin Piano Co., 1987.

  410. ---. "Grand Piano Hammers, Design, Construction, Installation, Voicing."Cincinnati: Baldwin, 1971.

  411. ---. Baldwin enjoys robust health after leveraged buy-out.

  412. ---. "The Story of the Baldwin Piano."Cincinnati: Baldwin, 1960.

  413. Baldwin Piano Co. Archives at the Cincinnati Historical Society. 60 linear meters of materials (1865-1964) including the Wulsin family papers, documents concerning the manufacture and sale of pianos, publicity photos, contracts with performers, and correspondence with orchestras. Papers of the Baldwin family and of Lucien Wulsin and Lucien Wulsin II. Cincinnati, Ohio.

  414. Bales, Sumner L. Raison D'Etre.

  415. Ballantine, William. "The Piano. An Introduction to the Instrument."New York: Franklin Watts, 1971.

  416. Ballet, R. The history of French piano building Histoire de la facture française de piano et de ses grand réalisateurs.

  417. Bamberger, Louis. "Memoires of Sixty Years in the Timber and Pianoforte Trades."London: Sampson Low, 1929.

  418. Barassi, Elena Ferrari. A rare example of a Milanese fortepiano (1799) Un raro esemplare di fortepiano milanese (1799). Florence: Olschki, 1986.

  419. Barassi, Elena & Marinella Laini eds. "Per Una Carta Europea Del Restauro: Conservazione, Restauro e Riuso Degli Strumenti Musicali Antichi. Atti Del Convegno Internazionale (Venezia 16-19 Ottobre 1985)."Florence: Olschki, 1987.

  420. Barbieri, Patrizio. "Acustica, Accordatura e Temperamento Nell'Illuminismo Veneto." Acoustics, tuning and temperament in the Venetian enlightenment Rome: Edizioni Torre d'Orfeo, 1987.

  421. ---. The persistence of unequal temperaments in Italy in the 19th century Persistenza dei temperamenti inequabili nell'Ottocento italiano.

  422. Barbour, James Murray. "Equal Temperament, Its History From Ramis (1482) to Rameau (1737).", 1932.

  423. ---. Irregular systems of temperament.

  424. ---. Bach and the art of temperament.

  425. ---. "Tuning and Temperament, an Historical Survey."East Lansing: Michigan State College Press, 1953.

  426. Barbour, James Murray and Fritz A. Kuttner. "The Theory and Practice of Just Intonation." sound recording New York, N.Y.: Musurgia Records, 1958.

  427. Barclay, Robert L. ed. "The Care of Historic Musical Instruments."Edinburgh: Museums and Galleries Commission, 1997.

  428. Bardone, Aurora et al. "La Terza Mano Del Pianista." The third hand of the pianist [Essays in honor of the Turin piano technician Antonio Cuconato] Venaria (TO): Testo & immagine, 1997.

  429. Baresel, Alfred. Is a grand piano by Stein built in 1825 still useable in concert? Ist ein Stein-Flügel von 1825 noch konzertfähig?

  430. ---. The secret of a singing piano tone Das Geheimnis des gesangvollen Klaviertons.

  431. ---. Apotheosis of the piano Apotheose des Klaviers.

  432. ---. "Welche Klavierinstrumente Benützte Haydn?"." Which keyboard instruments did Haydn use?

  433. Barker, Charles V. "The Little Old Piano."Lowell, Mass, 1923.

  434. Barli, Olivier. "La Facture Française De Piano De 1849 à Nos Jours." French piano manufacturing from 1849 until our day Paris: La Flûte de Pan, 1983.

  435. ---. "La Facture Française Du Piano Sous La Monarchie De Juillet."Paris: Sorbonne, 1977.

  436. Barnes, John. Bach's keyboard temperament: Internal evidence from the Well Tempered Clavier.

  437. ---. Does restoration destroy evidence?

  438. ---. Covered strings for clavichords and square pianos.

  439. ---. The circulation of restoration reports: Restoration of a square piano
    c. 1820 by Christian Gaiser.

  440. ---. Early pianos at Ipswich.

  441. ---. Restoration reports for two Broadwood pianos.

  442. ---. Pitch variations in Italian keyboard instruments.

  443. ---. Italian string scales.

  444. ---. "Making a Spinet by Traditional Methods."Welwyn, Herts: Mac & Me, 1987.

  445. ---. Restoration. London: 1980.

  446. Barry, Wilson. The scaling of Flemish virginals and harpsichords.

  447. Barthold, Kenneth van and David Buckton. "The History of the Piano."London: British Broadcasting Corp, 1975.

  448. Basart, Ann P. "The Sound of the Fortepiano: a Discography of Recordings on Early Pianos."Berkeley: Fallen Leaf Press, 1985.

  449. Basu, Debidas. The effect of finite breadth of hammer striking a pianoforte string.

  450. Batel, Günther. Handbook of keyboard instruments and their music Handbuch der Tasteninstrumente und ihrer Musik. Braunschweig: Arbeitskreis für Klavierkunde, 1986.

  451. ---. "Geschichte Des Klaviers Und Der Klaviermusik." History of the piano and piano music Wilhelmshaven: F. Noetzel, 1992.

  452. Bates, Elizabeth and Jonathan L. Fairbanks. "American Furniture: 1620 to the Present."New York, 1981.

  453. Bau, J. A. van. The perfect piano Het volmaekte Klavier.

  454. Bauwens, Pierre. Jean Joseph Merlin, ne a Huy, inventeur genial a Londres (1735-1803).

  455. Beale Piano Co. "Archive of Materials Held by Australia Music Limited, Sydney.".

  456. Beard, Jonathan. Souped-up upright piano plays prestissimo.

  457. Bechstein Co. "Bechstein-Bilderbuch."Berlin: Bechstein, 1927.

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  564. Bonini, Victor. When wire meets wood: a grand combination.

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  572. Bordas Ibáñez, Cristina. Two piano builders in Madrid: Francisco Flórez and Francisco Fernández. Dos constructores de pianos en Madrid: Francisco Flórez y Francisco Fernández.

  573. Bordone, C. Il "La" Normale.

  574. Bosanquet, Robert. "An Elementary Treatise on Musical Intervals and Temperament With an Account of an Enharmonic Harmonium Exhibited in the Loan Collection of Scientific Instruments, South Kensington, 1876."London: Macmillan, 1876.

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  576. Bösendorfer Co. "Bösendorfer Service Manual."Vienna: Bösendorfer, n.d.

  577. ---. "Die Doppelscala." The Duplex Scale Vienna: Bösendorfer, 1874-1875.

  578. ---. "Die Geschichte Eines Flügels." The history of a grand piano Vienna: Bösendorfer, 1972.

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  580. Bosquet, Jean. "Quelques Éléments De L'Acoustique Du Piano." Some elements of piano acoustics .

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  582. Boutillon, Xavier. Model for piano hammers: experimental determination and digital simulation.

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  585. Boyd, Julian ed. "The Papers of Thomas Jefferson."Princeton, 1950.

  586. Boyk, James. The endangered piano technician.

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  591. Bradley, Van Allen. "Music for the Millions; the Kimball Piano and Organ Story (1857-1957)."Chicago: H. Regnery Co., 1957.

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  597. ---. The clavichord in Christian Friedrich Gottlieb Thon's keyboard manual Über Klavierinstrumente (1817).

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  600. Breuer, Bernh. Correspondence: Cologne September 10, 1844 [the pianoforte factory of Eck & Co.] [with an extract from a letter by Moscheles] Correspondenzen: Cöln den 10. September 1844 [die Pianofortefabrik von Eck et Comp.] [mit einem Auszug aus einem Brief von Moscheles].

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  617. Brodka, S. 100 Jahre Piano Hirsch mit Sonderausstellung im Münchner Stadtmuseum.

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  622. Brown, Robert. "Bauplan Des Johann-Schmid-Flügels Von 1794." Blueprint of the Johann Schmid grand piano from 1794 Salzburg: Museum Carolino Augusteum, 1988.

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  624. Bruckmann, Ferdinand. "Zusammenhänge Zwischen Klavierbau Und Klavierkomposition Im Schaffen Beethovens."Cologne-Rheinkassel: Dohr, 1993.

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  626. Bruni, Severino. "Succinto Di Teoria Fondamentale Per Lo Schiaramento Dell'Intonazione e Per L'Accordatura Istrumentale." Succinct....explanation for voicing and tuning instruments Genova: Tipografia de' Sordi-Muti, 1861.

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  628. Buch, Francis. "Du Piano. Simples Notions Sur Son Histoires, Sa Fabrication, Sa Conservation, Son Accord..." The Piano. Elementary primar on its history, construction, maintenance, tuning... Rouen: Chez Tous les Libraires, 1869.

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  653. Cannavò, Alessandro. Un grancoda d'autore. Il giovane Luigi Borgato l'ha construito da sé pezzo dopo pezzo, avendo in mente la voce della Callas.

  654. Cardwell, Donald Stephen Lowell. "Technology, Science and History: a Short Story of the Major Developments in the History of Western Mechanical Technology and Their Relationships With Science and Other Forms of Knowledge."London: Heinemann Educational, 1972.

  655. Carletti, Gabriele. "Vernici in Liuteria." Varnishes in instrument making Padova: G. Zanibon, 1985.

  656. Carmi, Avner and Hannah Carmi. "The Immortal Piano."New York: Crown Publishers, 1960.

  657. Caroli, Tina. A life in time: Piano man Paul Pannell.

  658. Carpenter, Kenneth E. European industrial exhibitions before 1851 and their publications.

  659. Carr, Dale C. A practical introduction to unequal temperaments.

  660. Carson, Gerald. The piano in the parlor.

  661. ---. The piano in the parlor, when there was a parlor.

  662. Cary, Tristam. "Illustrated Compendium of Musical Technology."London/Boston: Faber & Faber: 1992.

  663. Casaglia, F. "Memoria Per Le Onoranze a Bartolomeo Cristofori Che Avranno Luogo in Firenze Il Dì 7 Maggio 1876."Florence: Tip. della Gazzetta d'Italia, 1876.

  664. Casaglia, Ferdinando. "B. Cristofori Inventore Del Pianoforte." B. Cristofori inventor of the pianoforte Florence, 1876.

  665. Casella, Alfredo. "Il Pianoforte."Milan: Tumminelli & Co., 1937.

  666. ---. L'esthétique du piano.

  667. Casini, Claudio. Piano...fortissimo. History of the devine instrument from the inventor Cristofori to the refined technology of Steinway & Sons [Hamburg] Piano...fortissimo. Storia del divino strumento dall'inventore Cristofori alle raffinate techniche della Steinway & Sons [Hamburg].

  668. Caspers, Emile. "L'Accord Du Piano." Tuning the piano , 1866.

  669. Cavalliere, Giovanni Filippo alias Pollero. "Il Scolare Principiante Di Musica....Con Alcune Regole..Al Vero Modo Di Suonare, Et Accordare Ogni Sorte Di Stromento Di Tasti..." The beginning music student..with some rules... on the true method of playing and tuning every sort of keyboard instrument. Naples: Nucci, 1634.

  670. Ceccherini & Co. "La Casa Musicale G. Ceccherini & Co. Successori Ducci 1831-1981."Florence: Giuntina, 1981.

  671. Cervelli, Luisa. "Antichi Strumenti in Un Moderno Museo: Museo Nazionale Strumenti Musicali--Roma, 2nd Ed., Edited by Renato Meucci." Antique instruments in a modern museum: National musical instrument museum in Rome Rome: Gela, 1986.

  672. ---. Noterelle Cristoforiane.

  673. Cescinsky, Herbert. A step towards the perfect piano.

  674. Cesi, Beniamino. "Storia Del Pianoforte." History of the pianoforte Milan, 1903.

  675. Chaigne, Antoine and Anders Askenfelt. Numerical simulations of piano strings; comparisons with measurements and systematic exploration of some hammer-string paramaters.

  676. ---. Numerical simulations of piano strings; a physical model for a struck string using finite difference methods.

  677. Challis, John. New: A 20th century piano.

  678. Chapin, Miles. "The Making of a Steinway Piano." Illustrated by Rodica Prato New York: Clarkson Potter, 1997.

  679. Charrin, Stephane. "Le Clé Des Sons. Ou Comment Accorder Son Piano. Avec Collaboration De Attilio Scotto.".

  680. Chase, H. et al. Factors contributing to the multiple rate of piano tone decay.

  681. Chaumont, Lambert. "Pièces D'Orgue.....Et La Méthode D'Accorder Le Clavessin." Organ pieces...and a method of tuning the harpsichord Liège: Danielis, 1695.

  682. Chenaud, André. A return to the past Un retour su le passé. Évreux, 1977.

  683. ---. "Les Facteurs De Piano Et Leurs Recherches." The makers of the piano and their endeavors Paris: Neubourg, 1970.

  684. Chickering and Sons. "Catalogue of the Exhibition, Under the Auspices of Chickering & Sons, Horticultural Hall, Boston, January 11 to 26, 1902."Boston: Chickering, 1902.

  685. Chickering & Sons. "Achievement: An Ascending Scale."Boston: Chickering & Sons, 1920.

  686. ---. Chickering & Sons' Pianoforte Manufactory.

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  692. ---. "A New Illustrated Catalogue of Piano-Fortes Manufactured by Chickering and Sons."Boston, 1874.

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  694. ---. "The Romance of the Chickering."East Rochester, NY: Chickering & Sons, n.d.

  695. Chippendale, Thomas. "The Gentleman and Cabinet-Maker's Director."London, 1726.

  696. Chladni, Ernst F. F. Report of some (partly real, partly perhaps only imagined) recent inventions and improvements of musical instruments) Nachrichten von einigen (theils wirklichen, theils vielleicht nur angeblichen) neueren Erfindungen und Verbesserungen musikalischer Instrumente.

  697. ---. "Beiträge Zur Praktischen Akoustik Und Zur Lehre Von Instrumentenbau, Enthaltend Die Theorie Und Anleitung Zum Bau Des Clavicylinders Und Damit Verwandter Instrumente." Contributions to practical acoustics and to the instruction of instrument building, containing the theory and method for constructing the Clavicylinder and instruments related to it Leipzig: Breitkopf und Härtel, 1802.

  698. ---. "Entdeckungen Über Die Theorie Des Klanges." Discoveries in the theory of sound Leipzig: Weidmanns Erben und Reich, 1787.

  699. ---. "Nachricht Von Dem Clavicylinder, Einem Neuerfundenen Instrumente." Report about the Clavicylinder, a newly invented instrument Wittenberg, 1800.

  700. ---. "Neue Beyträge Zur Akustik, Nebst 10 Steingedruckten Tafeln." New contributions to acoustics, together with ten lithographed tables Leipzig: Breitkopf & Härtel, 1817.

  701. ---. "Traité D'Acoustique." Treatise on acoustics Paris: Courcier, 1809.

  702. ---. "Über Die Longitudinalschwingungen Der Saiten Und Stäbe." Regarding the longitudinal vibrations of strings and bars of metal Erfurt: Georg Adam Keyser, 1796.

  703. Chouquet, Gustave. "Exposition Universelle Et Internationale De Paris, Rapport Du Jury." Universal and international exposition at Paris, report of the jury Paris: Firmin-Didot, 1880.

  704. Christmann, Johann Friedrich. Antwort auf die Anfrage wegen Herrn Steins neuerfundener Saitenharmonica.

  705. Chrysander, Friedrich. A pianoforte from the year 1598 Ein Pianoforte aus dem Jahre 1598.

  706. Cieplik, Theobald. "Entwicklung Der Deutschen Klavier-Industrie Bis Zu Ihrer Heutigen Bedeutung Als Exportindustrie Unter Besonderer Berücksichtigung Der Nordamerikanischen Konkurrenz." The history of the German piano industry up to its present importance as an exporting industry with particular consideration of the North American competition : Ph.D. dissertation, University of Giessen, 1923.

  707. Cizek, Verena. "Die Geschichte Der Firma Seuffert Und Ehrbar, Nebst Der Geschichte Des Klaviers Als Ausführliche Einleitung."The history of the Seuffert and Ehrbar companies, including the history of the piano as a detailed introduction. Vienna, 1989.

  708. Clark, Sarah Wood. "The Tone Reflector of Resounding Piano Lid, Invented and Internationally Patented by Sarah Wood Clark."New York: S.W. Clark, 1902.

  709. Clark, Victor Seldon. "History of Manufacturers in the United States."Washington, 1916-1928.

  710. Claudius, Carl. "Carl Claudius' Samling Af Gamle Musikinstrumenter."Copenhagen, 1931.

  711. Clay, Reginald S. "The British Pianoforte Industry.".

  712. Cleeve, S. Montagu. The future of the piano.

  713. Clemen, Otto. Andreas Streicher in Vienna Andreas Streicher in Wien.

  714. Clinkscale, Martha Novak. "Makers of the Piano 1700-1820."Oxford & New York: Oxford University Press, 1993.

  715. Clinkscale, Martha Nowak. "Early Pianos 1720-1860: a Computerized Relational Database.", [forthcoming].

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  717. Closson, Ernest. "La Facture Des Instruments De Musique En Belgique." The manufacture of musical instruments in Belgium Bruxelles: Presses des établissements degrace à Hov, 1935.

  718. ---. "Histoire Du Piano." History of the piano Bruxelles: Édition Universitaires de Belgique, 1932.

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  721. ---. "History of the Piano. Translated by Delano Ames."London: Paul Eleck, 1947.

  722. ---. Histoire du piano.

  723. Closson, Ernst. Pascal Taskin, maker of pianos (1723-1793) Pascal Taskin, facteur de pianos (1723-1793).

  724. Clouston, R. S. Thomas Sheraton.

  725. Cobbe, Alec. "A Century of Keyboard Instruments, 1760-1860. Catalogue of the Exhibition at the Fizwilliam Museum, Cambridge 5 July--31 August 1983."Cambridge: Fitzwilliam Museum, 1983.

  726. Cohen, Albert. Jean Marius' clavecin brisé and clavecin à maillets revisited: Thedossier Marius' at the Paris Academy of Sciences.

  727. Colbert, Warren E. "Piano Tuning for Piano Players."Linthicum Heights, Maryland: Lyn-Lee-Lou Publishing Co., 1985.

  728. Cole, Michael. Johann Socher's square piano of 1742.

  729. ---. Adam Beyer, pianoforte maker.

  730. ---. Tafelklaviere in the Germanisches Nationalmuseum: some preliminary observations .

  731. ---. "The Pianoforte in the Classical Era."Oxford: Clarendon Press, 1998.

  732. Cole, Warwick Henry. The early piano in Britain reconsidered.

  733. ---. Amerikcus Backers: original pianoforte maker.

  734. ---. Collections--Finchcocks.

  735. Colt, C. F. "The Colt Clavier Collection."Bethersdon, Kent.

  736. ---. Early pianos, their history and character.

  737. ---. An interesting early forte-piano.

  738. ---. Restoration of square pianos.

  739. Colt, C. F. & Anthony Myall. "The Early Piano."London: Stainer & Bell, 1981.

  740. Colturato, Annarita. "Il Pianoforte a Torino Nell'Ottocento." The pianoforte in Turin during the 19th century Turin: University Press, 1990.

  741. ---. L'industria dei pianoforti a Torino nell'Ottocento. Torino: Centro Studi Piemontesi, 1991.

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  743. Committee on technical Research. "Piano Action Handbook."Cincinnati: Cincinnati Chapter of the Piano Technicians Guild, 1958.

  744. Commons, J. R. ed. "A Documentary History of American Industrial Society."Cleveland: Clark, 1910.

  745. Comstock, Horace. "All Pianos Are Not Created Equal.", 1979.

  746. Confalonieri, Giulio. The history of Tallone and his pianoforte which speaks Italian. Cesare A. Tallone Storia di Tallone e del suo pianoforte che parla italiano.

  747. Conklin, Harold A. Design and tone in the mechanoacoustic piano. Part I: Piano hammers and tonal effects.

  748. Conklin, Harold A. Jr. Design and tone in the mechanoacoustic piano. Part II: Piano structure.

  749. ---. PIano strings and "phantom" partials.

  750. Conniff, Richard. When the music in our parlors brought death to darkest Africa.

  751. ---. The towns that ivory built.

  752. Conradsen, A. "Om Klaveret." At the piano Kopenhagen, 1896.

  753. ---. "Von Klaververdens Depravation."Köpenhaven, 1910.

  754. Constant, Pierre. "Les Facteurs D'Instruments De Musique, Les Luthiers Et La Facture Instrumentale."Paris, 1893.

  755. Cooke, James Francis. The piano as a home investment.

  756. Cooper, Kenneth. "The Clavichord in the Eighteenth Century."Ph.D. dissertation, Columbia University, New York, 1971.

  757. Coover, James. "Musical Instrument Collections: Catalogues and Cognate Literature."Detroit: Information Coordinators, 1981.

  758. ---. Victorian periodicals for the music trade.

  759. Corbes, H. The manufacture of pianos in Saint-Brieuc in the 19th century La facture des pianos à Saint-Brieuc au XIXe siècle.

  760. Cordier, Serge. "Piano Bien Tempéré Et Justesse Orchestrale:Le Tempérament Égal à Quintes Justes." The well-tempered piano and orchestral just intonation Paris: Buchet & Chastel, 1982.

  761. Cornelius, Charles O. "Furniture Masterpieces of Duncan Phyfe.": 1922.

  762. Costa, Italo producer and director. "The Piano [Motion Picture]."Canadian Broadcasting Corp., 1983.

  763. Costa, Susanne. "Glossar Über Cembalo-Ausdrücke." Glossary of harpsichord terms Frankfurt: Bochinsky, 1980.

  764. Court, Susan E. The fortepiano comes to the fore.

  765. Covell, Alwyn T. The piano as a piece of period furniture. The relation of the modern piano to different schemes of interior deocration.

  766. Crandall, Rick. Peerless: America's first coin piano maker.

  767. Cranmer, John. "Edinburgh-Based Piano Builders, 1780-1830."Edinburgh.

  768. Cranmer, Margaret. The English square piano.

  769. Cree Fischer, J. "Piano Tuning."Philadelphia: Presser, 1907.

  770. Crehore, Charles Frederic. "A Genealogy of the Crehore Family."Wellesley Hills, 1887.

  771. Crehore, Charles L. "The Benjamin Crehore Piano."Boston, 1926.

  772. Crombie, David. "Piano: a Photographic History of the World's Most Celebrated Instruments."San Francisco: Miller Freeman Books, 1995.

  773. ---. "Piano: Evolution, Design and Performance."London, 1995.

  774. Crow, David. "The Piano."New York: Franklin Watts, 1977.

  775. Crowder, Louis. Chopin, Mallorca, and pianos.

  776. ---. Electronic piano tuning.

  777. Cryseul, Géoffrion de. "Moyen De Diviser Les Touches Des Instruments à Cordes, Le Plus Correctement Possible...On y Voit La Manière Dont Les Artistes Doivent Considérer Les Loix Qu'Impose Le Tempérment...Et L'on Imagine Un Moyen D'Accorder Les Clavessins."Paris: Rodez, 1780.

  778. Culka, Zdenek. "Historii Jihlavské Klavírnické Vyroby." Concerning the history of piano production in Iglau .

  779. ---. The keyboard instruments by the firm August Förster in Czechoslovakia Klávesové nástroje znacky August Förster Czechkoslovakia.

  780. ---. Grand and upright pianos by the firm "Dalibor" Piana a pianina "Dalibor".

  781. ---. A contribution to the history of the Scholze piano co. Prispevek k historii firmy Scholze.

  782. ---. Anniversary of the production of pianos by the Rössler firm Vyrocí klavírnické vyroby zn. Rösler.

  783. D., J. J. Letter to the editor. French improvements in musical instruments.

  784. Dahlström, Fabian. Finländsk klavertillverkning före är 1900 samt beskrivning av Sibeliusmuseets inhemska klaversamling.

  785. Dal Fabbro, Beniamino. "Crepuscolo Del Pianoforte." Twilight of the piano Torino: Giulio Einaudi, 1951.

  786. Dale, William. The artistic treatment of the exterior of the pianoforte.

  787. ---. "Tschudi the Harpsichord Maker."London, 1913.

  788. Dallapiccola. Laura. History and bibliography of the piano in Italy Histoire et bibliographie du piano en italie.

  789. Daniell, Charles Addison. "The True Piano-Tuner: Containing Simple Directions for Tuning, Regulating and Remedying Defects of the Pianoforte, Together With a Description of the Theory of Sound...."Cincinnati: J. Church & Co., 1881.

  790. Dannemiller, Joanne Dilley. "The Development of the Importance of the Piano in America.", 1959.

  791. Darbyshire, John H. "The Constant K-18600: Its Use in Theory and Practice."London: Institute of Musical Instrument Technology, n.d.

  792. Darvas, Gábor. "Évezredek Hjangszerei."Budapest: Zenemukiado, 1975.

  793. Darwent, Charles. Piano forte. John Broadwood and Sons.

  794. Davis, Lionel and Ruth. "Keyboard Instruments. The Story of the Piano (Musical Books for Young People Series)."Minneapolis: Lerner Publications, 1963.

  795. Davis, Robert M. "History of the Code of Fair Competition for the Piano Manufacturing Industry."Washington, D.C.: National Archives Microfilm Publications, Document Series of the National Recovery Administration, 1933-1936, microcopy No. 213, roll No. 127, Code No. 91.

  796. Davy, H. & J. H. Littlewood. Force-time law governing impact of hammer on stretched string.

  797. Day, K. Pianos in the white house.

  798. De La Grandville, Frédéric. "Le Piano Dans La Vie Musicale De 1790 à 1830." The piano in musical life from 1790 to 1830 Paris: Sorbonne, 1975.

  799. De Rensis, Raffaello. "Cento Anni Di Casa Anelli. Organi e Pianoforti 1836-1936."Cremona: Cremona Nuova, 1936.

  800. De Val, Dorthy. "Gradus Ad Parnassum: the Pianoforte in London, 1770-1820."London: University of London Library Microfiche 102, 1994.

  801. Debaar, Mathieu. "Le Piano, Son Historique, Ses Maitres Et Sa Littérature." The piano, its history, its masters and its literature Pepinster: H. Thoumsin, 1945.

  802. Dee, Reg. "Restoration of Musical Instruments at the Victoria and Albert Museum, 1964-1968."London: United Kingdom Institute for Conservation, 1987.

  803. Defebaugh, George A. "Kawai Piano Co. Service Manual."Harbour City: Kawai Corp., n.d.

  804. Degiampietro, Donatella. Observations on a fortepiano signed by Vincenzo Cresci Considerazioni su un fortepiano firmato Vincenzo Cresci.

  805. Delafosse, Leon. "Le Piano Dans L'Art." The piano in art Geneva, 1928.

  806. Delemar, J. Study on the vibration of piano strings Étude su la vibration des cordes de piano.

  807. Demus, J. Von alten Klavieren.

  808. Denis, Jean. "Traité De L'Accord De L'Épinette." Method for tuning the spinet Paris: Ballard, 1643.

  809. Dent, Edward J. The pianoforte and its influence on modern music.

  810. Devie, Dominique. "Le Tempérament Musical: Philosophie, Histoire, Théorie Et Pratique."Béziers: Sociéte de musicologie du Languedoc, 1990.

  811. Devriès, Anik ed. "Dossier Erard."Genève: Minkoff reprint, 1980.

  812. Diakonov, Nikolai Andreevich. "Construction of Grand and Upright Pianos."Moscow: 1955.

  813. ---. "Grand and Upright Piano Design and Construction."Moscow: Wood industry publishers, 1964.

  814. Dickey, Albert W. "Practical Piano Tuning."Madison, NJ, 1959.

  815. Diderot, Denis and Jean le Rond d'Alembert. "Encyclopédie Méthodique. Vol. 4: Instruments De Musique Et Lutherie."Paris, 1785.

  816. Dietz, Franz. "Grand Voicing." Published in German, English, French, Swedish and Italian Frankfurt: Verlag Das Musikinstrument, 1968.

  817. Dietz, Franz Rudolf. "Das Regulieren Von Flügeln Bei Steinway." The regulation of the Steinway grand action Frankfurt am Main: Verlag das Musikinstrument, 1963.

  818. Diverse authors. "La Facture Instrumentale Européene: Suprématies Nationales Et Enrichissement Mutuel. Les Érard. Une Firme Franco-Anglaise Et Ses Innovations Méchanique."Paris: Musée instrumental du Conservatoire, 1985.

  819. Doan, Joseph. "A Musical Directory for the Year 1794...Containing the Names and Addresses of the Composers and Professors of Music..Also the Names and Addresses of the Principal Music-Sellers and Instrument-Makers."London: Westley, 1794.

  820. Dodd, George. "Days at the Factories."London: C. Knight & Co., 1843.

  821. Doderer, Gerhard. "Clavicórdios Portugueses Do Século Dezoito." Portuguese clavichords of the 18th century Lisbon, 1971.

  822. Doerschuk, Bob. Bösendorfer: Celebrating 150 years of piano-building excellence.

  823. ---. The Piano: Can it survive in the electronic age?

  824. Doerschuk, Robert L. Piano buyer's guide: Keyboard examines rumors of a piano giant's decline--Steinway.

  825. ---. Piano buyer's guide: Landmark dates in the history of the piano.

  826. ---. Piano buyer's guide: How to buy a piano.

  827. ---. Piano buyer's guide: Innovation in piano design survives among craftsmen and small manufacturers.

  828. Döhner. "Geschichte Der Eisendrahtindustrie." History of the iron wire industry Berlin: Verlag Julius Springer, 1925.

  829. Dolge, Alfred. "Autobiography.", 1906.

  830. ---. "Economic Theories As Practically Applied in the Factories of Alfred Dolge and Son at Dolgeville, N.Y."Dolgeville: Herald Publishing Co., 1896.

  831. ---. "History of a Crime."Los Angeles, 1900.

  832. ---. "The Men Who Made Piano History." original title, Pianos and their makers, Vol. 2, Development of the piano industry in America since the centennial exhibition at Philadelphia, 1876 Covina, California: Covin a Publishing Co., 1913.

  833. ---. Music Wire. Alfred Dolge & Sons publish the report of the official test made by the jury of sect. 1 on the music wire submitted for competition.

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  835. Donelson, James H. "Piano Rebuilder's Handbook of Treble String Tensions."Pleasant Hill, California: By the author, 1977.

  836. Dornberg, John. Beyond perfect pitch: how Ernest Kochsiek makes great pianists sound their best.

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  838. Dowd, William. The surviving instruments of the Blanchet workshop. Stuyvesant, NY: Pendragon Press, 1984.

  839. Drake, Kenneth. Behind the fallboard.

  840. Draper, D. Murray. "W.D.: The Story of Doherty and Sherlock-Manning."Clinton, Ontario: The author, 1986.

  841. Dreme, G. B. Christian. "Anleitung Zur Vortheilhaftesten Bereitung Der Besten Lack- Und Oel-Firnisse." Introduction to the most expedient preparation of the best lacquer and oil varnishes Brünn, 1821.

  842. Drier, Thomas. "Sheep's Wool and Pederewski."Boston, 1917.

  843. Drobisch, M. W. "Über Musikalische Tonbestimmung Und Temperatur." Concerning musical pitch determination and temperament Vienna: Abhandlung des Kaiserlichen Staates Gesellschaft des Wissens, n.d.

  844. Droysen, Dagmar. "Akustische Untersuchungen an Tasteninstrumenten Des 18.-20. Jahrhunderts." Acoustical investigations on keyboard instruments of the 18th to the 20th centuries. Investigations of instruments by Stein, Walter, Broadwood, Streicher, Erard, Pleyel, Blüthner. Kassel: Bärenreiter, 1970.

  845. Droysen-Reber, Dagmar. Carl Maria von Weber and his Brodmann fortepiano. A few thoughts on Weber's piano works and the technical capacities of contemporary instruments Carl Maria von Weber und sein Brodmann-Hammerflügel. Einige Gedanken zu Webers Klaverkompositionen und den spieltechnischen Möglichkeiten des zeitgenössischen Instruments. Michaelstein/Blankenburg: Institut für Aufführungspraxis, 1996.

  846. Droysen-Reber, Dagmar Martin Elste and Gesine Haase. "Handwerk Im Dienste Der Musik: 300 Jahre Berliner Musikinstrumentenbau." Craftsmanship in service of music: 300 years of musical instrument building in Berlin Berlin: Staatliches Institut für Musikforschung Preussischer Kulturbesitz, 1987.

  847. Dufau, Pierre Armand. "Claude Montal, Facteur De Pianos (Aveugle); Sa Vie Et Ses Travaux...Avec Une Introduction Par M. Möring." Claude Montal, builder of pianos (blind); his life and his work..with an introduction by M. Möring Paris: Firmin Didot Frères, 1857.

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  849. Dürer, C. Nicholaus Damm and his Bach grand piano copy Nicholaus Damm und seine Bach-Flügel-Kopie.

  850. Dussek, Jean-Louis & Ignaz Pleyel. "Méthode Pour Piano-Forte...On y Trouvera Aussi Une Nouvelle Manière D'Accorder Cet Instrument."Paris: Pleyel, 1797.

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  854. E., C. C. "Hints on How to Take Care of the Pianoforte."St. Leonardi, 1891.

  855. Edwards, Lynn and E. Michael Frederick. Two nineteenth-century grand pianos.

  856. Egert, P. Neue Antriebe im Klavierschaffen.

  857. Egerton, George. The mid-nineteenth century piano: "romantic" or "traditional"?

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  862. ---. "Social Emulation and Industrial Progress; The Victorian Piano."Belfast: Queen's University, 1975.

  863. Eichler, Heinz. "Praxis Der Holztrocknung." The technique of seasoning wood Leipzig: Fachbuchverlag, 1981.

  864. Eisenman, Alexander. On the science of musical instruments. The evolution of the piano Zur Instrumentenkunde. Die Entwicklungsgeschichte des Klaviers.

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  866. Eitel, G. Stereophotogrammetrische Vermessung eines historischen Hammerflügels.

  867. Eliason, Robert E. John and Horace Meacham The Meachams, musical instrument makers of Hartford and Albany.

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  870. Ellis, Alexander J. History of musical pitch.

  871. ---. Notes of observations on musical beats.

  872. Ellis, Alexander J. and Arthur Mendel. "Studies in the History of Musical Pitch."Amsterdam: Frits Knuf, 1968.

  873. Engel, Carl. "Musical Instruments."London: Chapman and Hall, 1875.

  874. Engelhardt, Jakob. "Tabellen Und Taschenrechner-Programme Für Den Klavierbauer. Eine Praktische Handreichung Für Freunde Einer Elektronisch Gelegenen Temperatur."Frankfurt: Bochinsky.

  875. Ennestube, J. O. Pianos konstruktion och tillverkning.

  876. Érard & Cie. Pianos, harpes & orgues manufacture Érard & Cie fondé en 1780 à Paris.

  877. Érard Co. "Catalogue Des Tableaux, Italiens, Flamands, Hollandais Et Francias, Des Anciennes Écoles, Qui Composent La Magnifique Galerie De M. Le Chevalier Érard."Paris, 1831.

  878. Érard & Co. "Dossier Érard."Perfectionnements apportés dans le méchanisme du piano par les Érard, depuis l'origine de cet instrument jusqu'à l'Exposition de 1834....Le piano d'Érard à l'Exposition de 1844. London & Paris: Érard, 1821.

  879. ---. "Érard & Co., Premiere Manufacture De Forte-Pianos & Harpes Fondee a Paris En 1780 Par Sebastien Érard."Paris: Erard, 1892.

  880. Érard Co. "Exposition Universelle De 1855. Notice Sur Les Travaux De MM. Érard, Facteur De Pianos Et Harpes De Leurs Majéstes Imperiales." Universal exposition of 1855. Account of the work of Mr. Érard, manufacturer of pianos and harps to his imperial majesty Paris: Firmin Didot Frères, 1855.

  881. ---. "La Maison Érard. Ses Origines, Ses Inventions, Ses Travaux (1780-1903)." The house of Érard. Its origins, its inventions, its work (1780-1903) Paris: Imprimerie Lemonie, 1903.

  882. ---. "Perfectionnements Apportés Dans Le Méchanisme Du Piano Par Les Érard, Depuis L'Origine De Cet Instrument Jusqu'a L'Esposition De 1834."Paris: Érard, 1834.

  883. ---. "Le Piano D'Érard à L'Exposition De 1844."Paris: Chez Firmin Didot Frères, 1844.

  884. Érard family. "A Catalogue of Fifty Capital Pictures, the Property of the Late Chevalier Sebastien Érard..Which Will Be Sold by Auction...by Messrs. Christe & Manson..June the 22d, 1833."London, 1833.

  885. Érard, Pierre. "Érard's New Patent Action Grand Pianoforte."London: Taylor, 1835.

  886. Ernst, Friedrich. Bach and the pianoforte Bach und das Pianoforte. Frankfurt: Verlag des Musikinstrument, 1961.

  887. ---. Beethoven's grand piano in Bonn Beethovens Flügel in Bonn.

  888. ---. Historical keyboard instruments among owners in Frankfurt Historische Tasteninstrumente im Frankfurter Besitz.

  889. ---. "Der Flügel Johann Sebastian Bachs. Ein Beitrag Zur Geschichte Des Instrumentenbau Im 18. Jahrhundert." Johann Sebastian Bach's grand piano. A contribution to the history of instrument building in the 18th century. Frankfurt: C.F. Peters, 1955.

  890. ---. Keyboard instruments in Germany around 1800 Tasteninstrument in Deutschland um 1800.

  891. ---. The instrument builder Johann Andreas Stumpff: Beethoven's friend Der Instrumentenbauer Johann Andreas Stumpff: Ein Freund Beethovens.

  892. ---. "Über Das Stimmen Von Cembalo, Spinett, Clavichord Und Klavier." On tuning the harpsichord, virginal, clavichord and piano Frankfurt: Verlag das Musikinstrument, 1971.

  893. ---. "Vom Cembalo." About the Harpsichord Zürich: Hug, n.d.

  894. Escalas, Roma. "Spaanse Musiekinstrumenten Van De 16de Tot De 19de Eeuw."Brussels: Catalogue of Europalia 85 España, 1985.

  895. Eschler, Thomas Jürgen. "Die Sammlung Historischer Musikinstrumente Des Musikwissenschaftlichen Instituts Der Universität Erlangen-Nürnberg."Wilhelmshaven: Florian Noetzel Verlag, 1993.

  896. Euting, Julius. "Handel Und Produktion in Der Musikinstrumentenindustrie." Trade and production in the music instrument industry Marburg, 1931.

  897. Everett Piano Co. "Buyers Guide for Professional-Quality Pianos."South Haven, Michigan: Everett Piano Co., 1976.

  898. F. Recommendations for the use of old, useless grand pianos and forte-pianos Vorschläge zur Benutzung alter, unbrauchbarer Flügel und Forte-Pianos.

  899. Fabbri, Mario. "L'Alba Del Pianoforte: Verità Storica Sulla Nascita Del Primo Cembalo a Martelletti." The dawn of the pianoforte: The true history about the birth of the first harpsichord with hammers Milan: Nuove edizioni Milano, 1968.

  900. ---. New light on the activity in Florence of Giacomo Antonio Perti, Bartolomeo Cristofori and George F. Handel Nuova luce sull'attività fiorentina di Giacomo Antonio Perti, Bartolomeo Cristofori e Giorgio F. Haendel.

  901. ---. The first piano of Bartolomeo Cristofori Il primo pianoforte di Bartolomeo Cristofori.

  902. Fabiano, Andrea. "Il Fortepiano." The fortepiano Turin and Florence: Associazione De Sono-Passigli, 1990.

  903. Faivre, Patricia. Érard's sales representative: Boisselot Un représant d'Érard: Boisselot. Luxeuil-les Bains: City Press, 1993.

  904. Falcon, Dorthe. C.C. Hornung and the single-cast iron frame: An early breakthrough in the Danish piano industry.

  905. Falcon Moller, Dorthe. A disregarded world sensation [piano builder Conrad Christian Hornung] En overset verdenssensation.

  906. Falkenberg, Georges. "Les Pédales Du Piano. Ouvrage Théorique Et Pratique." The pedals of the piano Paris, 1895.

  907. Falkener, Robert. "Instructions for Playing the Harpsichord....To Which Is Added Exact Rules for Tuning the Harpsichord; With All the Different-Sized Wires Used in That Instrument."London: The author, 1770.

  908. Farkas, Márta. Hungarian piano manufacturing in the 19th century. The path of Lajos Beregszászy from Békés to world fame Magyar zongoragyártás a 19 században. Beregszászy Lajos utja Békéstöl a világhirig.

  909. Farrell, Susan Caust. "Directory of Contemporary American Musical Instrument Makers."Columbia: University of Missouri Press, 1981.

  910. Fastnedge, Ralph. "Sheraton Furniture."London: 1962.

  911. Faust, Oliver C. "The Piano Tuner's Pocket Companion, for Use of Pupils of the Faust School. Compiled From the Lectures of Oliver C. Faust."New York: C. N. Potter, 1899.

  912. Feaster, C. Raymond. "The Dynamic Scale and How to Tune It."Louisville: Standard Printing Co., 1958.

  913. Fellerer, Karl Gustav. Music research and Klavier instruments Musikforschung und Klavierinstrumente.

  914. Fenner, Klaus. "Berechnung Der Spannung Umsponnener Saiten." On the calculation of the tension of wound strings. Published in English and German. Frankfurt: Verlag Das Musikinstrument, 1963.

  915. ---. "Bestimmung Der Saitenspannung Des Pianos. Fachbuchreihe Das Musikinstrument Bd. 3. 64 Tabellen Mit 11,000 Werten Für Sämtliche Spannungen, Längen Und Saitenstärken." The determination of piano string tensions. 64 tables with 11,000 values for total tensions, lengths and string strengths Frankfurt: Das Musikinstrument, 1959.

  916. ---. Colloquium on piano acoustics in Ludwigsburg and Frankfurt. Fuchs and Fenner report about their experimental work at the trade school for musical instrument builiding Colloquien über Klavierakustik in Ludwigsburg und Frankfurt. Fuchs und Fenner berichten über ihre Forschungsarbeiten an der Fachschule für Musikinstrumentenbau.

  917. ---. The out-of-tune overtones and their significance for the piano tuner Die Obertonverstimmung und ihre Bedeutung für den Klavierstimmer.

  918. ---. Über die Erstellung und Interpretation von Klanganalysen.

  919. ---. "Der Einfluß Der Zeit Auf Die Stimmhaltung Des Klaviersaitendrahtes." The influence of time on the tuning stability of piano wire Frankfurt: Bochinsky, n.d.

  920. ---. Something about quality characteristics of the piano Etwas über Qualitätsmerkmale des Pianos.

  921. ---. Good tuning stability--a question of the materials or of the construction Gute Stimmhaltung--eine Frage des Materials oder der Konstruktion?

  922. ---. Is a high-quality pinblock really the chief factor for good tuning stability? Ist ein Qualitätsstimmstock wirklich der Hauptfaktor für gute Stimmhaltung?

  923. ---. "Über Den Klang Des Klaviers Und Seine Wahrnehmung." On the sound of the piano and its maintenance Frankfurt: Verlag des Musikinstrument, 1975.

  924. ---. "Über Die Ursachen Der Unterschiedlichen Stimmbarkeit Von Klavieren. Vortrag Anläßlich Der Europiano-Studienreise Nach England Juni 1974 in London. Europiano Publications II." The causes of variable tuning characteristics of pianos. Published in German, English and French. Frankfurt: Bochinsky, n.d.

  925. ---. "Unterschiede in Der Stimmbarkeit Unserer Heutigen Klaviere." Differences in the tuning stability of our contemporary pianos Frankfurt: Das Musikinstrument, 1966.

  926. Ferguson, Eugene S. "Bibliography of the History of Technology."Cambridge, Mass.: 1968.

  927. Ferguson, Laura. Falcone pianos Creating the perfect, affordable piano.

  928. Ferrari, A. The problem of piano touch, i.e., of whether or not a pianist can, without change of loudness, control color of the tone he produces..many oscillographic records given and analyzed... Il problema del "tocco" nel pianoforte.

  929. Ferrari-Barassi, Elena. A rare example of the Milanese fortepiano (1799). Baldassare Pastore, and Christoph Friedrich Schmal, forte piano makers Un raro esemplare di fortepiano milanese (1799). Florence: Olschki, 1986.

  930. Ferrari-Barassi, Elena and Marinella Laini eds. "Per Una Carta Europea Del Restauro: Conservazione, Restauro e Riuso Degli Strumenti Musicali Antichi."Florence: Olschki, 1987.

  931. Fétis, François-Joseph. Fortepiano strings [from Sanguinède in Paris] Die Fortepianosaiten [von Sanguinède in Paris].

  932. ---. "Biographie Universelles Des Musiciens Et Bibliographie Générale De La Musique."Paris, 1878.

  933. ---. "Exposition Universelle De Paris, Rapport Du Jury." The universial exposition at Paris, jury report Paris, 1855.

  934. ---. Exposition internationale de Londres. Paris, 1862.

  935. Fétis, François Joseph. Improvements in the construction of pianos.

  936. Fétis, François-Joseph. "Instruments Du Musique, Exposition Universelle De 1867 à Paris: Rapports Du Jury International."Paris, 1867.

  937. ---. "Notice Biographique Sur Sebastian Érard." Biographical information about Sebastian Érard Paris, 1831.

  938. ---. Sur les perfectionnements importants qui ont été fait depuis peu d'années dans la fabrication des pianos.

  939. ---. Regarding the new pianos of M. Pape Sur la nouveau pianos de M. Pape.

  940. ---. Pianos by M. Pape Pianos de M. Pape.

  941. ---. Exposition universelle de Londres.

  942. ---. Decouverte d'un nouveau principe physique pour les perfectionnement des pianos.

  943. ---. Partly translated in the Harmonicon (London, 1830-31) Esquisse de l'histoire du piano et des pianistes.

  944. ---. Pianos. Nouveau perfectionnements.

  945. ---. Pianos de MM. Pfeiffer, Roller, et Blanchet, Pleyel, Dietz, Klepfer, etc.

  946. Feurich Piano Co. "Entwicklungsgeschichte Der Firma Julius Feurich Pianofortefabrik, Gegründet 1851." Developmental history of the Julius Feurich pianoforte company, founded in 1851 .

  947. ---. "Künstler Urteile Über Feurich Pianos." Artists' opinions about Feurich pianos Leipzig: Feurich, n.d. [circa 1916].

  948. ---. "Piano Und Flügel. Chronik Der Firma Julius Feurich." Upright and grand pianos. Chronicle of the Julius Feurich Co. Langlau: Feurich, n.d.

  949. Field, Werner. "How to Redecorate Your Old Piano and Make It Look Great."Dobret: Shinn Music, 1972.

  950. Fielden, Thomas. The influence of the pianoforte on musical progress.

  951. Fine, Larry. "The Piano Book. A Guide to Buying a New or Used Piano."Boston: Brookside Press, 1987.

  952. Finzio, Luigi. "Cenni Storici Sul Pianoforte, Con Aggiunta Di Biografie Dei Principali Compositori Antichi e Moderni, Elenco Schematico Dei Contemporanei, Note Sui Vecchi e Nuovi Sistemi D'Insegnamento." Historical notes about the pianoforte Milano: Edizioni Curci, 1957.

  953. Firth, Ian Mason. "Directory of Suppliers to Craftsman Musical Instrument Makers."Edinburgh: Scottish Development Agency, 1975.

  954. Fischer, E. J. "Versuche Über Die Schwingungen Gespannter Saiten, Besonders Zur Bestimmung Eines Sichern Maasstabes Für Die Stimmung." Tests on the vibrations of taut strings, particularly for establishing a certain scale the tuning n.p., n.d. (before 1825).

  955. Fischer, F. F. Pianforte strings from platinum. A recommendation Pianoforte-Saiten aus Platina. Ein Vorschlag.

  956. Fischer, Hermannh and Theodor Wohnhaas. Piano and organ builders in 19th-century Augsburg Ausgsburger Klavier- und Orgelbauer im 19. Jahrhundert. Vol. 36 (1973), pp. 61-62.

  957. Fischer, J. Cree. "Piano Tuning, Regulating and Repairing."Philadelphia: Presser, 1907.

  958. Fischer, Johann Philipp Albrecht. "Kort En Grondig Onderwys Van De Transpositie......Waer Noch Begevoegt Is, Eene Korte En Gemakkelyke Methode Om Een Klavier Gelyk Te Stemmen."Utrecht: Stouw, 1728.

  959. Fischer, Karl August. Johann Andreas Stein, piano and organ builder from Augsburg Johann Andreas Stein, der Augsburger Orgel-Klavierbauer.

  960. Fischhof, Joseph. "Versuch Einer Geschichte Des Clavierbaues. Mit Besonderem Hinblicke Auf Die Londoner Grosse Industrie-Ausstellung Im Jahre 1851." Treatise on the history of piano building. With particular regard to the great industry exhibition at London in 1851 Vienna: J.B. Wallishauser, 1853.

  961. Flade, Ernst. "Der Orgelbauer Gottfried Silbermann." The organ builder Gottfried Silbermann Leipzig: Breitkopf und Härtel, 1952.

  962. Flecker, E. Two grand pianos from the firm Eck and Lefebvre, Cologne, rediscovered Zwei Flügel der Firma Eck und Lefebvre, Cöln aufgefunden.

  963. Fleischauer, Günther Walther Siegmund-Schulze and Eitelfriedrich Thom. "Zur Entwicklung Der Tasteninstrumente in Der Zweiten Hälfte Des 18. Jahrhunderts." About the development of keyboard instruments in the second half of the 18th century Blankenburg: Kultur- und Forschungsstätte Michaerlstein, 1986.

  964. Fleischer, Oskar. "Führer Duch Die Sammlung Alter Musik-Instrumente." Guide to the collection of early musical instruments Berlin: A. Haack, 1892.

  965. Flemming, H. F. "Pianoforte-Mechaniken-Fabrik Gegründet 1874 Ein Überblick." Piano action factory founded in 1874 an overview Leipzig, 1896.

  966. Fletcher, H. et al. Quality of piano tones.

  967. Fletcher, Neville H. and Thomas D. Rossing. "The Physics of Musical Instruments."New York: Springer-Verlag, 1993.

  968. Flood, Grattan W. H. Dublin harpischord and pianoforte makers of the eighteenth century.

  969. Foesel, Karl. "Untersuchungen Zur Spielmethodik Der Hammerklaviere."Erlangen: Ph.D. Dissertation, 1942.

  970. Foldes, Lili. The other masters of the keyboard. They are the unsung heroes of the concert stage, and the piano is their forte.

  971. Foley, Edwin. "The Book of Decorative Furniture."New York, 1911.

  972. Follett, E. A. "Construction of Pianos."London, 1905.

  973. ---. "The Piano: How to Buy and Understand One."London, 1904.

  974. Fontana, Eszter. Mozart's travel piano Mozarts Reiseclavier. Vienna: Kunsthistorisches Museum, 1991.

  975. ---. Beethoven's London piano and the Viennese piano makers.

  976. ---. Piano building in Pest and Buda 1817-1872 Der Klavierbau in Pest und Buda 1817-1872. Tutzing: Schneider, 1987.

  977. Fontana, Eszter Friedemann Hellwig and Klaus Martius. "Historische Lacke Und Beizen Auf Musikinstrumenten in Deutschsprachigen Quellen Bis 1900." Historical finishes and stains for musical instruments in German-language sources until 1900 Nuremberg: Germanisches Nationalmuseum, 1992.

  978. Forcaux, Louis de. "Pleyel, Wolff Et Cie." Pleyel, Wolff and Co. Paris: Librairie-Imprimerie réunies, 1883.

  979. Ford, Charles. "Making Musical Instruments. Strings and Keyboard. With a Foreward by A. Baines."London: Faber & Faber, 1979.

  980. Ford, Karen Elizabeth. The pedal piano in America 1875-1900.

  981. ---. The pedal piano; after Schumann.

  982. Ford, Karrin Elizabeth. The pedal piano: A forgotten instrument.

  983. ---. The pedal piano-- a new look.

  984. Foster, Rodney. A piano of pioneers.

  985. Fostle, D. W. Henry Z. Steinway, a grand tradition.

  986. Fostle, D W. "The Steinway Saga. An American Dynasty."New York: Scribner, 1995.

  987. Foucard, T. de. "La Salle Pleyel." Pleyel Hall Paris, 1893.

  988. Foulcher, Trevor. "Piano Building in Australia."Sydney international piano competition programme.

  989. Fourneaux, Napoléon. "Instrumentologie. Traité Théorique Et Pratique De L'Accord Des Instruments à Sons Fixés, L'Harmonium, L'Orgue à Tuyaux Et Le Piano." Organology. Theoretical and practical treatise on tuning fixed-pitch instruments: the harmonium, the pipe organ and the piano Paris: Repos, 186?

  990. Fox, George. Running repairs.

  991. ---. Looking after the piano.

  992. Frankel, F. "Beschreibung Vom Metalrezonanzböden Für Klaviere." A description of metal soundboards for pianos Stockholm, 1912.

  993. Franz, Eleanor. "Dolge."Herkimer, New York: Herkimer County Historical Society, 1980.

  994. Franz, Gottfried von. Mozart's piano builder Anton Walter Mozarts Klavierbauer Anton Walter. Regensburg: Gustav Bosse, 1941.

  995. Fréchet, A. Pianos "1937".

  996. ---. Apparences.

  997. Frederick, Edmund M. Performers and instruments: the "romantic" sound in four pianos of Chopin's era.

  998. French, Anne and Frances Palmer. John Joseph Merlin. London: Greater London Council, The Iveagh Bequest, Kenwood, 1985.

  999. Freund, John C. An inspiring memorial tribute to Alfred Dolge.

  1000. ---. The Trade in Chicago. The developement of Chicago's Musical Industries.

  1001. ---. Among the Music Trades {Thomas F. Scanlan, his opinion of fires in factories; What Weber said, George Steck in Chicago, The great strides made by the house of Knabe, Some handsome pianos in the Hazelton warerooms}.

  1002. ---. Albert Weber, our youngest piano-maker .

  1003. ---. How many pianos in 1891?

  1004. ---. Among the trades. Is the medium grade piano improving?, Who was the inventor of automatic instruments? The pianos of to-day. A compliment to Decker Brothers. Does it pay to buy pianos with cheap actions? The World's fair. The Musical Exhibit.

  1005. ---. C. F. Chickering.

  1006. ---. A day in Boston. The New England Piano Co., The Smith American Company, The Hallet & Davis Co., George Guild, The New England Co., Vose & Sons, The Ivers & Pond Co., The Emerson Co., The Everett Piano Co., The Mason & Hamlin Organ and Piano Co., The Henry F. Miller & Sons Piano Co.

  1007. ---. Among the Music Trades [Alfred Dolge's work attracting more and more attention from the big dailies--Something about his great scheme for solving the labor question].

  1008. ---. Napoleon J. Haines. Mechanic, piano manufacturer, fanancier.

  1009. ---. Our sketch book. Peter D. Strauch. Practical piano and piano-action maker.

  1010. ---. The Auffermann system. The new color process for treating piano veneers, boards, etc.

  1011. ---. Up the Naugatuck River. A visit to the Homer D. Bronson Co. {Beacon Falls, Connecticut} Something about electro-bronze art work--Bronze panels and centre-pieces [as used in piano building].

  1012. ---. Nonsense about the tariff. A professional "reformer" lectures on that part of the McKinley bill which affects articles used in the making of pianos. He runs riot before an audience composed largely of journeymen pianomakers. His statements a tissue of falsehoods--A few plain facts.

  1013. ---. Our great piano firms. Decker Brothers.

  1014. ---. Our Sketch Book--George W. Seaverns. Boston's leading pianoforte action-maker.

  1015. ---. Another day in Boston [Henry F. Miller and the recent action of the pianomakers' association, The New England piano, Mr. Vose and the overloading of the piano with decoration, Mr. Furbush on the stencil question, the Emerson Co., Their large output, O.J. Faxon & Co.].

  1016. ---. Among the Music Trades [The death of Mr. Chickering--Mr. Steinway at the funeral. The Behr pianos].

  1017. ---. In Memoriam Charles Francis Chickering.

  1018. ---. Among the music trades. The honors paid by the piano-trade in Boston, to the late Mr. Chickering, The future of the Chickering business, etc.

  1019. ---. Our great piano firms. The house of Behr Bros.

  1020. ---. A visit to Colonel Moore. A round trip through the Everett Co.'s factories.

  1021. ---. Otto Wessell.

  1022. ---. Henry Hazelton.

  1023. ---. A work of art. The magnificent upright cabinet grand, lately made by Decker Brothers for Mr. Lewis Ginter, Mayor of Richmond, Va.

  1024. ---. Our Sketch Book. George H. Chickering.

  1025. ---. The house of Behr Bros. & Co.

  1026. ---. The trade in Boston.

  1027. ---. Among the Music Trades [Why do not some of the smaller pianomakers move to towns away from New York?, Xaver Scharwenka and the Behr Bros. grand, Madame Hopekirk and the Knabe piano].

  1028. ---. "Purchaser's Guide to the Music Industries With Which Is Incorporated the Piano and Organ Purchaser's Guide."New York: Music Trades, 1921.

  1029. Freund, John C. editor and founder. "The Music Trades Magazine.".

  1030. Freygang, H. "Die Produktions Und Absatzbedingungen Der Deutschen Klavierindustrie." The production and sales requirements of the German piano industry Berlin: Ph.D. dissertation, Humboldt University, 1949.

  1031. Freyhan, Michael. Sentimental journey. Beethoven's Broadwood piano makes an encore appearance in London.

  1032. Freytag, H. "Die Produktions- Und Absatzbedingungen Der Deutschen Klavierindustrie.", 1949.

  1033. Frick, Rudolf. The piano key and the harp pedal Klaviertaste und Harfenpedal.

  1034. Fricke, Jobst Peter. Sound characteristics of two fortepianos at the Musicology Institute of Cologne University, explained by touch motion and string excitation Die Klangcharakteristik von zwei Hammerflügeln des Musikwissenschaftlichen Instituts der Universitäts zu Köln, erklärt durch Anschlagsbewegung und Saitenanregung. Michaelstein/Blankenburg: Forschungsstätte Michaelstein.

  1035. Friedrich, F. "Wie Lernt Man Schnell Und Gründlich Das Klavierstimmen? Anleitung Zum Selbstunterricht Für Angehende Stimmer Und Musikfreunde." How does one learn piano tuning thoroughly and quickly? An introduction for self training for budding tuners and music enthusiasts Dresden: J. G. Seeling Verlag, n.d.

  1036. Frimmel, Theodor von. About Beethoven's pianos Von Beethovens Klavieren.

  1037. Fritsch, Philippe. "Les 'Claviers' Des Ateliers Alsacien Et Saxon De La Dynastie Des Silbermann. Etude Des Instruments Et Du Répertoire Musical: Leur Influence Réciproque." The "Claviers" from Alsatian and Saxon workshops during the dynasty of Silbermann. A study of instruments and musical repertory and their reciprocal influence. Ph.D. dissertation, University of Tours, In progress.

  1038. Fritzen, Barthold. "Anweisung, Wie Man Claviere, Clavecins, Und Orgeln Nach Einer Mechanischen Art in Allen Zwölf Tönen Gleich Rein Stimen Könne." Instruction on how one can tune clavichords, harpsichords and organs according to a mechanical method equally pure in all twelve keys Leipzig: Breitkopf, 1756 A.D.

  1039. Fuhrmann, Franz. A new Mozart piano in the Museum Carolino Augusteum in Salzburg Ein neues Mozartklavier im Salzburger Museum Carolino Augusteum.

  1040. Fuller, Levi and William Steinway. Uniform pitch. Piano Manufacturers' Association Circular No. 10
    (November 2, 1891).

  1041. Fuller, Richard A. Andreas Streicher's notes on the fortepiano. Chapter 2: "On tone".

  1042. Funke, Otto. "Das Intonieren Von Pianos and Flügeln Mit Besonderer Berücksichtigung Der Beziehung Von Hammerkopf, Resonanzboden, Saitenbezug Zur Intonation." Voicing upright and grand pianos with particular emphasis on the relationship among hammer head, soundboard, and string scaling to voicing Berlin: Otto Krause, 1953.

  1043. ---. "Das Klavier Und Seine Pflege; Theorie Und Praxis Des Klavierstimmens." The Piano and how to care for it; Piano tuning in theory and practice Frankfurt: Verlag das Musikinstrument, 1958.

  1044. ---. "Theorie Und Praxis Des Klavierstimmens." Theory and practice of piano tuning Dresden: Verlag von Baensch Druckerei, 1940.

  1045. Furey, J. "The Building of the Piano."London: Musical Opinion, 1929.

  1046. Furness, Rex and Keith Furness. "The History of Furness Limited.": Printed by the Furness Family, 1986.

  1047. G. F. T. "Gedanken Über Die Temperatur Des Herrn Kirnberger, Mit Stimmanweisung." Thoughts about the temperament of Mr. Kirnberger with tuning instructions Berlin/Leipzig: George J. Decker, 1775.

  1048. Gábry, György. "Old Musical Instruments."Budapest: Corvina, 1976.

  1049. ---. The piano that belonged to Beethoven and Liszt Das Klavier Beethovens und Liszts.

  1050. ---. Franz Liszts Klaviere.

  1051. Gai, Vinicio. "Gli Strumenti Musicali Della Corte Medicea e Il Museo Del Conservatorio "Luigi Cherubini" Di Firenze: Cenni Storici e Catalogo Descrittivo." The musical instruments from the Medici court and the museum of the conservatory "Luigi Cherubini" in Florence: Historical notes and descriptive catalogue Firenze: Licosa, 1969.

  1052. ---. Note storiche e descrittive sul più antico pianoforte verticale costruito da Domenico Del Mela.

  1053. Gaines, James R. ed. "The Lives of the Piano. A Consideration, a Celebration, a History and a Genealogy of Pianos and Their Friends."New York: Holt, Rinehart & Winston, 1981.

  1054. Gale, Walter Keith Vernon. Iron and steel. London, 1969.

  1055. ---. "The Iron and Steel Industry: a Dictionary of Terms."Newton Abbot: David & Charles, 1971.

  1056. Gall, Joseph ed. "Clavier-Stimmbuch, Oder Deutliche Answeisung Wie Jeder Musikfreund Sein Clavier-Flügel, Fortepiano Und Flügel-Fortepiano Selbst Stimmen, Repariren Und Bestmöglichst Gut Erhalten Könne, Nebst Einer Nachricht Von Einigen Neuerfundenen Musikalischen Instrumenten Des Herrn Joseph Wachtl." Piano tuning book, or clear instructions on how every friend of music can tune, repair and maintain his Clavier-Flügel, fortepiano and grand fortepiano, along with a report about several newly invented instruments by Mr. Joseph Wachtl. Wien: Carl Kupffer, 1805.

  1057. Gallini, Natale. "Mostra Di Antichi Strumenti Musicali Della Collezione N. Gallini. Maggio 1953, Villa Comunale Milano." Exhibition of antique musical instruments from the collection of N Gallini. May 1953, Villa Communale, Milan Milan: Rizzoli, 1953.

  1058. Gallini, Natale and Franco. "Civico Museo Di Antichi Strumenti Musicali: Catalogo Descrittivo." Descriptive catalogue of the museum of musical instruments in Milan Milano: Commune di Milano, 1963.

  1059. Galloway, David. The Ibach Chronicle.

  1060. Galpin, Francis William. "Old English Instruments of Music."London, 1978.

  1061. ---. "A Textbook of European Musical Instruments, Their Origin, History, and Character."London: Williams & Norgate, 1937.

  1062. Gamet, Vera. The pianos of Jonas Chickering.

  1063. Gardien, Jacques. "Les Érard, Thèse Ès Lettres Dactylographiée Soutenue à L'Université De Paris Sorbonne."Paris, 1962.

  1064. Garnault, P. "Histoire Et Influence Du Tempérament."Nice: 1829.

  1065. Gát, József. "A Zongora Története." The history of the piano Budapest: Zenemükiadó, 1964.

  1066. Gates, Willey Francis. "Pipe and Strings. Three Historic and Descriptive Sketches....the Evolution of the Pianoforte..."Cincinnati: J. Church Co, 1895.

  1067. Gatjen, Bram. The fortepiano--an acoustic link between the clavichord, harpsichord, and the modern grand piano? Investigations of the reciprocal relationship between hammer and string Das Hammerklavier--akustisches Bindeglied zwischen Clavichord, Cembalo und modernem Flügel? Untersuchungen zur Wechselwirkung zwischen Hammer und Saite. Michaelstein/Blankenburg: Kultur und Forschungsstätte Michaelstein, 1996.

  1068. Gatti, Andrea ed. "Museo Degli Strumenti Musicali [Milano]." Museum of musical instruments [Milan] Milan: Electra, 1997.

  1069. Gaumer, S. B. The modern piano.

  1070. Gaveau Co. "Gaveau 1847-1947, Cent Ans Au Service De La Musique." Gaveau 1847-1947: One hundred years of service to music Paris: Imprimerie Lafayette, 1947.

  1071. ---. "Les Pianos De Concert Gaveau." Gaveau concert pianos Paris: Imprimerie Diéval, n.d.

  1072. Gebler, Robert. A letter from Berlin. The Jankó keyboard.

  1073. Geers, C. A. "Installation of a Falconwood Pin Block."Cleves, Ohio: The author, n.d. [c. 1975].

  1074. Geib, William. "A Treatise on Practical Harmonic Intonation. Also a Synopsis of Popular Harmony, Including a Description of the Intervals and Chords, and Examples From Standard Authors, Designed Especially to Secure the Correct Intonation of the Piano-Forte and Organ."L. Johnson & Co.: 1859.

  1075. ---. "Tuning the Pianoforte. A New and Easy Method of Harmonizing the Piano-Forte by a Circle of Perfectly Consonant Fifths."Philadelphia: Lee and Walker, 1857.

  1076. Geipel, Inge. The piano in the 19th century Das Piano im neunzehnten Jahrhundert.

  1077. Geiringer, Karl. "Alte Musik-Instrumente Im Museum Carolino-Augusteum in Salzburg." Early musical instruments in the Carolino-Augusteum museum in Salzburg Leipzig: Breitkopf & Härtel, 1932.

  1078. Geiser, Samuel. Ein Beethoven-Flügel in der Schweiz. Bern.

  1079. Gellerman, Robert F. "The American Reed Organ and the Harmonium: a Treatise on Its History, Restoration and Tuning, With Descriptions of Some Outstanding Collections, Including a Stop Dictionary and a Directory of Reed Organs."Vestal, NY: Vestal Press, 1973.

  1080. Genika, Rostislavo. "Istoria Fortepiano."Moscow: Musikalnaia, 1896.

  1081. Geoffrion De Cryseul. Moyens de diviser les touches des instruments a cordes le plus correctement que possible. Paris, 1972.

  1082. George, B. "A Series of Views on Stone Illustrative of a Walk Through C. Cadby's Patent Pianoforte Manufactory.", 1854.

  1083. Geppert, William. "Piano Quality. A Textbook for Piano Salesmen."New York, 1905.

  1084. Gerber, Ernst Ludwig. "Historisch-Biographisches Lexikon Der Tonkünstler."Leipzig, 1790-1977.

  1085. ---. "Neues Historisches-Biographisches Lexikon Der Tonkünstler."Leipzig: 1812-1814. Reprint: Graz: 1966.

  1086. Gerhardt, K. "Die Wichtigsten Stimmungsarten Der Bach-Zeit, Ihre Praktische Durchführung Und Ihr Musikalischer Wert--Aus Der Sicht Des Musikinstrumenten-Restaurators." The most important types of tuning from the Bach era, their practical application and their musical worth, from the view of a musical instrument restorer Leipzig: VEB Deutscher Verlag für Musik, 1977.

  1087. Germann, Sheridan and Paul Guglietti. "Early Keyboard Instruments: a Bibliography of Published Works on Harpsichords, Clavichords, Early Pianos and Related Instruments."New York: Garland, 1981.

  1088. Gernerth, Franz. Musikalische Daguerrotypen: Clavierfieber in und um Wien.

  1089. Gernhardt, Klaus, and drawings by Ute Singer. Observations on the Cristofori fortepiano from the holdings of the Musical instrument Museum of the University of Leipzig Bemerkungen zum Hammerflugel Cristoforis aus dem Besitz des Musikinstrumenten-Museums der Universität Leipzig. Michaelstein/Blankenburg, Germany: Kultur- und Forschungsstätte Michaelstein, Institut für Aufführungspraxis der Musik des 18. Jahrhunderts, 1996.

  1090. Gerry, Roger G. Some early pianos in Philadelphia.

  1091. Gess, Albert G. Notes on the transition from harpsichord to piano in England and France.

  1092. Ghosh, R. N. Elastic impact of a pianoforte hammer.

  1093. ---. On the tone quality of the pianoforte.

  1094. Gianasi, Mimina. "Il Pianoforte. Note Illustrative." The pianoforte. Illustrative notes Bologna: Edizione Musicali, Alga, 1960.

  1095. Gil-Marchex, Henri. Some remarks on the beginnings of the piano in France.

  1096. Gildersleeve, Alger C. "John Geib and His Seven Children."New York: The author, 1945.

  1097. Gill, Dominic ed. "The Book of the Piano."Oxford: Phaidon Press, 1981.

  1098. Gillessen, Klaus. The perfect fifths tempered scale, a proposal or already a practice?

  1099. Giordano, N. Motion of a piano string: longitudinal vibrations and the role of the bridge.

  1100. ---. Simple model of a piano soundboard.

  1101. ---. Mechanical impedance of a piano soundboard.

  1102. ---. Sound production by a vibrating piano soundboard: experiment.

  1103. Giulini, Steno. "Il Pianoforte."Ancona: Bèrben, 1973.

  1104. Givens, Larry. "Re-Enacting the Artist: a Story of the Ampico Reproducing Piano."New York: Vestal Press, 1970.

  1105. ---. "Rebuilding the Player Piano."Vestal: Vestal Press, 1963.

  1106. Gleich, Clemens J. von. "A Checklist of Pianos: Musical Instrument Collection Haags Genmeentemuseum."The Hague: Haags Gemeentemuseum, 1986.

  1107. ---. "Literatuur Betreffende De Vroege Piano in De Muziekbibliotheek Van Het Haags Gemeentemuseum."s'Gravenhage: Haags Gemeentemuseum.

  1108. ---. The piano builders Meincke and Pieter Meyer of Amsterdam De pianobouwers Meincke en Pieter Meyer te Amsterdam. s'Gravenhage: Haags Gemeentemuseum, 1973.

  1109. ---. Wann wuchs das Faible fürs Klavier? Geschichten aus den Jugendjahren des Pianofortes in Paris.

  1110. ---. "Pianofortes Iut De Lage Landen." Pianofortes from the Low Countries Den Haag: Frits Knuf, 1980.

  1111. Glover, Ellye Howell. "How the Piano Came to Be."Chicago: Browne & Howell, 1913.

  1112. Goddard, William Trow. "A Handbook on the Strings of the Pianoforte and Other Keyboard Instruments With Design Formulae."Stockton-on-Tees: W.T. Goddard, 1985.

  1113. Godfroid, Stéphane. "Muziekinstrumentenbouw Te Geraardsbergen Van De 15de Eeuw Tot Heden." Musical instrument building in Geraardsbergen from the 15th century to the present Geraardsbergen: Stedelijke Culturele Raad, 1986.

  1114. Goebel, Josef. "Grundzüge Des Modernen Klavierbaues; Ein Hand- Und Lehrbuch, Umfassend Die Theorie Und Praxis Des Klavier- Und Flügelbaues, Sowie Eine Abhandlung Über Tropenklaviere, Dritte, Erweiterte Auflage." Foundations of modern piano building; a hand- and textbook embracing the theory and practice of upright and grand piano construction, as well as a discussion about the piano in the tropics. Berlin: Deutsches Instrumentenbau Zeitung, 1921.

  1115. ---. Die Klaviertypen in ihren technischen und akustischen Anlagen.

  1116. Goebels, Franzpeter. "Man Beachte Das Pianoforte. Gedanken Zu Den 'Clavieren' Des 18. Und 19. Jahrhunderts." One esteems the pianoforte. Thoughts on the keyboard instruments of the 18th and 19th centuries .

  1117. ---. The harpsichord and grand piano in the present Cembalo und Klavier in der Gegenwart.

  1118. Goebl-Streicher, Uta and Jutta Streicher and Michael Ladenburger. "Beethoven Und Die Wiener Klavierbauer Nannette and Andreas Streicher. Eine Ausstellung Im Beethoven-Haus Bonn." Beethoven and the Viennese piano builders Nannette and Andreas Streicher. An exhibit in the Beethoven house in Bonn Bonn: Verlag Beethoven-Haus, 1999.

  1119. Goehlinger, Franz August. "Geschichte Des Klavichords (Mit Einem Biographisch-Lexikalischen Anhang Über Die Klavierbauer Von 15-19 Jahrhunderts)." History of the clavichord with a biographical lexicon of builders from the 15th to the 19th centuries Basel: Birkhauser, 1910.

  1120. Goffstein, M. B. "Two Piano Tuners."New York: Farrar, Straus and Giroux, 1977.

  1121. Goldenberg, Susan. "Steinway From Glory to Controversy: the Family, the Business, the Piano."Oakville, Ontario & Buffalo: Mosaic Press, 1996.

  1122. Goldsche, Johannes. "Das Klavier Auf Dem Prüfstand: Eine Neuartige Klavierkunde in Beispielen."Frankfurt am Main: Haag & Herchen, 1990.

  1123. Golightly, John Wesley. "The Piano Between 1800 and 1850: the Instruments for Which the Composers Wrote."Columbus, 1980.

  1124. Gollmick, Carl Mitglied des Frankfurter Orchesters. A world about the differences in the use of the grand pianos patented by Streicher and C.[onrad] Graff [sic] Ein Wort über den wesentlichen Unterschied im Gebrauch der Patentstreicher und C. Graff'schen [sic] Flügel.

  1125. Gonterhausen, H. Welcker von. "Der Klavierbau."Frankfurt am Main, 1870.

  1126. Gonterhausen, Heinrich Welcker von. "Der Flügel Oder Die Beschaffenheit Des Pianos." The grand or the constitution of the piano Frankfurt am Main: Bröner, 1853.

  1127. Good, Edwin M. "The Eddy Collection of Musical Instruments."Berkeley: Fallen Leaf Press, 1985.

  1128. Good, Edwin M. "Giraffes, Black Dragons, and Other Pianos: a Technological History From Cristofori to the Modern Concert Grand."Stanford: Stanford University Press, 1982.

  1129. Goodway, Martha. Phosphorus in antique iron music wire.

  1130. Goodway, Martha and Jay Scott Odell with contributions from Robert M. Fisher et al. The Metallurgy in 17th- and 18th-century music wire. Stuyvesant, NY: Pendragon Press, 1987.

  1131. Goodway, Martha and Robert M. Fisher. Phosphorus in low-carbon iron: its beneficial properties.

  1132. Goodwin, Robert and Alan Mills. Computer programmes for the conversion of cents-hertz.

  1133. Gottdank, Fried. Hora's [Friedrich Hoxa's] Claviere .

  1134. Gottesman, Rita Susswein. "The Arts and Crafts in New York 1726-1804."New York, 1938-1965.

  1135. Gough, Hugh. The classical grand pianoforte, 1770-1830.

  1136. Gould, Brian Merton. "Buying a Square Piano."Birmingham: Naples Press, 1968.

  1137. Gould, Malcolm. Heintzman Pianos.

  1138. Grafing, Keith Gerhart. "Alpheus Babcock: American Pianoforte Maker (1785-1842): His Life, Instruments, and Patents
    .", 1972.

  1139. ---. Alpheus Babcock's cast-iron piano frames.

  1140. Graham, Lloyd. "The Story of the Rudolph Wurlitzer Family and Business.", 1955.

  1141. Grame, Theodore. The piano in Mozart's time.

  1142. Grandjean, Serge. "Empire Furniture, 1800-1825."New York: Taplinger, 1966.

  1143. Grangier, A. translated by Jean Fouqueville. "A Genius of France. A Short Sketch of the Famous Inventor Sébastien Érard, and the Firm He Founded in Paris in 1780."Paris: Maison Érard, 1928.

  1144. Grassi-Landi, Bartolomeo. Critical notes about the new chromatic pianoforte keyboard and about a new system of musical notation Cenno critico sulla nuova tastiera cromatica del pianoforte.

  1145. Graupner, Gottlieb. "Rudiments of the Art of Playing the Pianoforte...and a Plain Direction for Tuning, 2d Ed."Boston: G. Graupner, 1808.

  1146. Greeley, Horace ed. "The Great Industries of the United States: Being an Historical Summary of the Origin, Growth and Perfection of the Chief Industrial Arts of This Country."Hartford, 1872.

  1147. Greely, H. "The Great Industries of the United States."Chicago, 1872.

  1148. Greenfield, Jack. Cristofori's initial piano design.

  1149. ---. Cristofori's soundboard design: Cristofori becomes curator of Medici instrument collection.

  1150. ---. Cristofori's last work and his successors.

  1151. ---. A contemporary journalist's report on Cristofori and his work.

  1152. ---. Cristofori's initial piano design.

  1153. ---. Cristofori's soundboard design.

  1154. ---. Piano Actions--From Cristofori to Erard.

  1155. ---. The piano's century of progress.

  1156. ---. Home pianos-squares, uprights, and other verticals.

  1157. Grew, Sydney. "The Art of the Player Piano."London: K. Paul, Trench, Trubner, 1922.

  1158. ---. "The First Book of the Player-Pianist."London: Musical Opinion, 1925.

  1159. Groce, Nancy Jane. "Musical Instrument Makers of New York: a Directory of 18th- and 19th-Century Craftsmen."Stuyvesant, NY: Pendragon Press, 1990.

  1160. Gross-Athanasius. Gallery of the most excellent and distinguished men in instrument building (a) Joseph Brodmann, (b) Ignaz Bösendorfer, Fortepiano builders in Vienna Gallerie von um die Instrumenten-Fabrikation vorzüglich verdienten Männern (a) Joseph Brodmann- (b) Ignaz Bösendorfer, Fortepianomacher in Wien.

  1161. Gross, Athanasius. Gallerie von um die Instrumenten-Fabrikation vorzüglich verdienten Männern. A. Joseph Brodmann, B. Ignaz Bösendorfer, Fortepianomacher in Wien.

  1162. Gross-Athanasius. Gallerie von Meistern, die sich um die Musikinstrumente verdient gemacht haben: (II) Eduard Seifert, Fortepianomacher in Wien.

  1163. ---. Fortepiano-Buffets von Seuffert.

  1164. Groß-Athanasius. Local-Revue: Dr. C. Löwe [Privatunterhaltung beim Hofinstrumentenmacher Streicher].

  1165. Grossbach, Jan. "Ratgeber Für Den Klavierkauf." Advice for buying a piano Frankfurt am Main: Boschinsky, 1997.

  1166. Grossman, John. Steinway & Sons Grand pianos.

  1167. Grotrian-Steinweg Piano Company Archives, Braunschweig Germany. Extensive, unpublished collection of testimonials, autograph letters, catalogues and memorabilia.

  1168. Grotrian-Steinweg piano manufacturers. "The Truth About Grotrian-Steinweg Pianos Made in Braunschweig, Germany."Braunschweig, 1930.

  1169. Grove, Sir George. "Dictionary of Music & Musicians."London: Macmillan, 1879.

  1170. Groven, Eivind. "Equal Temperament and Pure Tuning."Oslo: The author, 1969.

  1171. Grover, David S. "A History of the Piano From 1709-1980."Macclesfield: Omicron, 1980.

  1172. ---. "The Piano: Its Story From Zither to Grand."London: Robert Hale, 1976.

  1173. Grundmann, Herbert. Per il clavicembalo o piano forte. Bonn: 1967.

  1174. Grunzel, J. "Das Wiener Clavier." The Viennese piano Vienna, 1898.

  1175. Grützmacher, M. and W. Lottermoser. New experiments on grand pianos Neuere Untersuchung an Flügeln.

  1176. Grützmacher, Martin and W. Lottermoser. Regarding the tuning of grand pianos Über die Stimmung von Flügeln.

  1177. ---. Electric-accoustical inquiries at the piano Elektro-akustische Untersuchungen am Klavier.

  1178. Guchtenaere, Marguerite de. "Le Piano, Son Origine, Son Histoire Sa Facture..." The piano, its origin, its history its construction... Gand: Editions Culture, 1926.

  1179. Gug, Rémy. Salted soundboards and sweet sounds Gesalzene Hölzer: süßer Klang.

  1180. ---. Growth rings and soundboard wood Drehwuchs und Resonanzholz.

  1181. ---. Wire drawing and working conditions. 18th century--England.

  1182. ---. English piano-forte wire: a controversy during the years 1823-1825.

  1183. ---. Historical tests on Pleyel's music wire. Paris 1811.

  1184. ---. Jobst Meuler or the secret of a Nuremberg wire drawer.

  1185. ---. Salted soundboards and sweet sounds.

  1186. ---. Historical wire-micrometers and diameter values. 1789-1850.

  1187. ---. European music-wire making places.

  1188. ---. The acoustics of mountain forests in early centures or a lost art of choosing resonance wood.

  1189. ---. En remontant la filiére de Thoiry à Nuremberg.

  1190. ---. The story of a harpsichord string, yesterday and today Histoire d'une corde de clavecin hier et aujourd'hui.

  1191. ---. En remontant la filiére de Thoiry á Nuremberg.

  1192. Gulbransen, Axel G. Gulbransen issues call to arms.

  1193. Gunji, Sumi. "The Collection of Musical Instruments."Tokyo: Kunitachi College of Music, 1986.

  1194. ---. Japan and its piano building Japan und sein Klavierbau.

  1195. Günther Fleischchauer, ed. "Stimmungen Im 17. Und 18. Jahrhundert: Vielfalt Oder Konfusion? 15 Musikinstrumentenbau-Symposium in Michaelstein Am 11. Und 12. November 1994."Michaelstein: Stiftung Kloster Michaelstein, 1997.

  1196. Günther, Philip and Bernhard Böttner. Regarding inferior concert grand pianos Von schlechten Konzertflügeln.

  1197. Gurlik, Philip. "The Piano. A Piano Technician's Guide for the Piano Owner."Houston: Bookman House, 1984.

  1198. Haacke, Walter. "Am Klavier (Werke Europäischer Maler Aus Sechs Jahrhunderten)." At the piano (works by European painters from six centuries) Königstein im Taunus: Hans Köster, 1968.

  1199. Haase, Gesine. Piano building in Berlin Der Berliner Pianofortebau. Berlin, 1987.

  1200. Haase, Gesine and Dieter Krickeberg. "Tasteninstrumente Des Museums: Kielklaviere, Clavichorde, Hammerklaviere." Keyboard instruments from the museum: harpsichords, clavichords and fortepianos Berlin: H. Heenemann, 1981.

  1201. Haase, R. J. H. Scheibler and his importance for acoustics J. H. Scheibler und seine Bedeutung für die Akustik. Cologne: Volk, 1957.

  1202. Habakkuk, Hrothgar John. "American and British Technology in the Nineteenth Century: The Search for Labour-Saving Inventions."Cambridge: Cambridge University Press, 1962.

  1203. Hafer, Howard W. "A Study in Equal Temperament: an Original, New and Practical Method of Laying the Bearings."Bay City, Texas: Tribune printing Co, 1940.

  1204. Hage, Volker. Royal artwork piano: the Ibach pianoforte factory Königliches Kunstwerk Klavier: Die Pianofortefabrik Ibach.

  1205. Hagemann, S. A just intonation piano.

  1206. Hagmann, Peter. "Das Welte-Mignon-Klavier, Die Welte-Philharmonie-Orgel Und Die Anfänge Der Reproduktion Von Musik." The welte-mignon piano, the welte-philharmonic organ and the beginnings of the mechanical reproduction of music University of Basel: 1988.

  1207. Hahn, J. H. Piano construction: development of the modern piano Pianofabricage: ontwikkeling der moderne piano.

  1208. Hahn, Kurt. Schumann's piano style and the pianos of his time Schumanns Klavierstil und die Klaviere seiner Zeit. Leipzig, 1956.

  1209. ---. "Über Die Zusammenhänge Von Klavierbau Und Klavierstil. Von Den Anfängen Im 18. Jahrhundert Bis Zur Gegenwart." Concerning the connection between piano building and piano style from the beginning of the 18th century to the present Ph.D. dissertation, East Berlin, 1952.

  1210. Haine, Malou. Piano makers in Paris in the nineteenth century: Contributions of the economic and social sciences to organology Les facteurs de pianos a Paris au 19e siècle: Apport des sciences economiques et sociales a l'organologie.

  1211. ---. "Les Facteurs D'Instruments De Musique à Paris Au XIXe Siècle: Des Artisans Face à L'Industrialisation." The manufacture of musical instruments at Paris in the !9th century Bruxelles: Editions de l'Université de Bruxelles, 1985.

  1212. ---. "Musica, Les Instruments De Musique Dan Les Collections Belges." Musical Instruments in Belgian collections Liège: Pierre Mardaga, 1989.

  1213. Haine, Malou and Nicolas Meeùs. "Dictionnaire Des Facteurs D'Instruments De Musique En Wallonie Et à Bruxelles Du 9e Siècle à Nous Jours." Dictionary of makers of musical instruments in Wallonia and at Brussels from the 9th century until today Liège: Pierre Mardaga, 1986.

  1214. Haines, Napoleon J. The iron frame. Napoleon J. Haines supplies some facts about its early history.

  1215. Halfpenny, Eric. The Lyrichord.

  1216. ---. The later history of the "square".

  1217. ---. Notes on the square pianoforte.

  1218. Hall, Donald E. Objective measurement of goodness-of-fit for tunings and temperaments.

  1219. ---. Piano string excitation.

  1220. ---. "Musical Acoustics."Pacific Grove, California: Brooks/Cole Publishing, 1991.

  1221. Hall, Donald E. and Anders Askenfelt. Piano string excitation: spectra for real hammers and strings.

  1222. Hall, Donald E. and Peter Clark. Piano string excitation: the question of missing modes.

  1223. Hamilton-Phillips, Martha. The magnificent keyboards of Colonial Williamsburg.

  1224. Hammer, L. K. "Illustrated Catalogue of Piano Fortes, Manufactured by Chickering & Sons."New York: n.p., n.d.

  1225. Hammer, Mick. Physics under the keyboard.

  1226. Handschin, Jacques. The pedal piano Das Pedalklavier.

  1227. Hansen, Christian J. Duties and results of physical research in piano and violin construction Aufgaben und Ergebnisse physikalischer Forschungen im Klavier- und Geigenbau.

  1228. Hansing, Siegfried. "Das Pianoforte in Seinen Akustischen Anlagen." The pianoforte and its acoustic properties Breslau: C. Laffert, 1888.

  1229. ---. "The Pianoforte and Its Acoustic Properties." Translated into English by Emmy Hansing-Perzina. New York, 1888.

  1230. Hanslick, Eduard. Musical instruments Musikalische Instrumente. Vienna: Braumüller, 1873.

  1231. Hansmann, Richard. The Jankó keyboard and its technical perfection Das Jankó-Klavier und seine technische Vervollkommnung.

  1232. Harajda, H. The correlation between the physical properties of spruce wood resonators and the amplitude of the reinforced sound and its partials Korrelation zwischen den physikalischen Eigenschaften des Fichtenholzresonators und der Amplitude des verstärkten Klanges und seiner Teiltöne. Budapest: Akademiai Kiadi, 1971.

  1233. Harbron, John D. At Heintzman hustle replaces history.

  1234. Harder, A. "Unterricht Das Pianoforte Zu Stimmen." Instruction in tuning the piano Leipzig: Lauffer, 1822.

  1235. Hardin, Donald C. "A New Method for Electronic Piano Tuning."Stockton, California: Hardin Piano Service, 1982.

  1236. Harding, Rosamond. Experimental pianofortes and the music written for them.

  1237. Harding, Rosamond E. "The Piano-Forte; Its History Traced to the Great Exhibition of 1851."Cambridge: University Press, 1933.

  1238. Harper, Tim. The Heintzman family: 110,000 pianos later.

  1239. Harris, G. A. Bi-century of the piano.

  1240. Harris, Reginald John. "How to Choose an Instrument: Piano and Strings."London: Fountain Press, 1953.

  1241. Harris, William Laurel. Musical instruments as an indication of refinement and culture: The unfortunate story of piano legs.

  1242. Harrison, Sidney. "Grand Piano."London: Faber and Faber, 1976.

  1243. Harscher, Friedrich von. "Der Klavierbauer." The piano builder Berlin/Charlottenburg: Reichsinnungsverb. der Musikinstrumentenmacher-Handwerks, 1936.

  1244. Hart, H. C. N. W. Fuller and W. S. Lusby. A precision study of piano touch and tone.

  1245. Hartmann-Bögl, Inge. Der Klavierbauer Mathias Schautz (1755-1831): Ein Beitrag zur Geschichte des Augsburger Klavierbaus.

  1246. Hasluck, Paul Nooncree ed. "Pianos: Their Construction, Tuning and Repair."London: Cassell & Co., 1905.

  1247. Hasselaar, Rien. Einige Amsterdamse fortepiano's nader bekeken.

  1248. Hatton, J. "How Pianos Are Made." Brinsmead piano co. London, 1912.

  1249. Haupert, Mary Ellen. "The Square Pianos of Jonas Chickering.", 1989.

  1250. Haupt, Helga. Viennese instrument builders from 1791-1815 Wiener Instrumentenbauer von 1791 bis 1815.

  1251. ---. "Wiener Instrumentenbau Um 1800." Viennese instrument building around 1800 .

  1252. Hauptmann, Moritz. Temperament Temperatur.

  1253. Häuser, Johann Ernst. "Kurze Faßliche Anweisung Zum Stimmen Des Fortepiano." Short, comprehensible introduction to tuning the fortepiano Quedlinburg & Leipzig: G. Basse, 1835.

  1254. Hautrive, G. M. The construction of the piano La facture du piano.

  1255. Haxby, David and John Malden. Thomas Haxby (1720-1796) --An extraordinary musician and musical instrument maker.

  1256. Hayashi, Eiji. Behavior of piano-action in a grand piano. I. Analysis of the motion of the hammer prior to string contact.

  1257. Hayes, Florence. Piano building. Toronto: University of Toronto Press, 1981.

  1258. Haynes, Bruce. "Musical Pitch Standards in the Baroque and Classical Periods."Montreal, 1992.

  1259. Hayslip, S. C. The trade in Cincinnati. D.H. Baldwin Co. A beautiful Decker upright. The Baldwin piano. Smith & Nixon. Lindeman pianos Co.

  1260. Hazelton, Samuel. He reviews the piano business.

  1261. Hdt. Contributions to practical acoustics. Regarding keyboard instruments with singing tone. Beiträge zur praktischen Akustik. Ueber Klaviaturinstrumente mit singendem Tone.

  1262. Heatherington, Avis. The American Piano, 1800-1840: A reflection of taste and style.

  1263. Heinitz, Wilhelm. On which pianos does one play Beethoven? Auf welchem Flügel spielen Sie Beethoven?

  1264. Helenius-Öberg, Eva. "Svenskt Klavikordbygge 1720-1820."Stockholm: Almquist & Wirksell, 1986.

  1265. Helffer, Claude and Catherine Michaud Pradeilles. "Le Piano." The piano Paris: Presse U. de France, 1985.

  1266. Hellas Piano Co. "85 Years Hellas Pianos "Made in Finland".": Hellas Piano Company, 1986.

  1267. Hellmesberger, Joseph. "Musikinstrumente Auf Der Allgemeinen Agrikultur- Und Industrieausstellung Zu Paris 1855." Musical instruments at the general agriculture and industry exhibition at Paris in 1855 Vienna, 1855.

  1268. Hellwig, Fridemann. Restoration: a problem of ideology, technology and personality Il restauro: un problema di ideologia, tecnologia e personalità. Florence: Olschki, 1986.

  1269. Hellwig, Friedemann. "Atlas Der Profile an Tasteninstrumenten Vom 16. Bis Zum Frühen 19. Jahrhundert." An atlas of moulding profiles in keyboard instruments from the 16th the the early 19th century in the Germanisches Nationalmuseum Nürnberg Frankfurt: Bochinsky, 1985.

  1270. ---. "Conservation-Restoration of Leather and Wood; Training of Restorers; Sixth International Restorer Seminar, 1987 Veszprém, Hungary." Conservation of wood from the point of view of acoustics Holzfestigung aus akustischer Sicht. Budapest: National Centre of Museums, 1988.

  1271. ---. Strings and stringing: contemporary documents.

  1272. ---. Historic musical temperaments and their tuning Historische musikalische Temperaturen und ihre Einstimmung. Graz: Akad. Druck- und Verlagsanstalt, 1973.

  1273. ---. Restoration and conservation of historical musical instruments. New York: Pantheon Books, 1979.

  1274. Hellwig Friedemann, ed. "Studia Organologia: Festschrift Für John Henry Van Der Meer Zu Seinem Fünf-Und-Sechzigsten Geburtstag. Wissenschaftliches Beiband Zum Anzeiger Des Germanischen Nationalmuseums, Vol. 6."Tutzing: H. Schneider, 1987.

  1275. Helmholtz, Hermann von. "Die Lehre Von Den Tonempfindungen Als Physiologische Grundlage Für Die Theorie Der Musik." On the sensations of tone Braunschweig: F. Vieweg und Sohn, 1863.

  1276. ---. "On the Sensations of Tone As a Physiological Basis for the Theory of Music."London: Longmans, Green, and Co., 1875.

  1277. Hemel, Victor van. "Het Klavier; Geschiedenis, Bouw...." The piano; history, construction... Antwerp: Cupido-uitgave, 1941.

  1278. Henck, Herbert. On wings of the future. Marginalia on Robert H.P. Platz's... über Tasten...and further suggestions on future piano construction Auf Flügeln der Zukunft. Marginalien zu Robert H. P. Platz ..über Tasten..und weitere Vorschläge zu künftigem Klavierbau.

  1279. Henkel, Hubert. "Bartolomeo Cristofori As Harpsichord Maker."Stuyvesant, NY: Pendragon Press, 1992.

  1280. ---. "Beiträge Zum Historischen Cembalobau." Contributions to historical harpsichord building Leipzig: Deutscher Verlag für Musik, 1979.

  1281. ---. Bach and the fortepiano Bach und das Hammerklavier.

  1282. ---. "Besaitete Tasteninstrumente."Frankfurt am Main: Bochinsky, 1994.

  1283. ---. "Besaitete Tasteninstrumente: Katalog-Band [Deutsches Museum-Musikinstrumentensammlung Clavichorde, Cembali, Hammerflügel, Klaviere]." Stringed keyboard instruments: Catalogue [German museum musik instrument collection. Clavichords, harpsichords, fortepianos, pianos] .

  1284. ---. "Clavichorde."Leipzig: VEB Deutscher Verlag für Musik, 1981.

  1285. ---. Bartolomeo Cristofori as harpsichord maker. Stuyvesant, NY: Pendragon Press, 1992.

  1286. ---. "Kielinstrumente. 69 Kielinstrumente: Spinette, Querspinette, Virginale, Cembali, Clavicytherien."Leipzig: Deutscher Verlag für Musik, 1979.

  1287. ---. The development of the fortepiano in the second half of the 18th century Die Entwicklung des Hammerflügels in der zweiten Hälfte des 18. Jahrhunderts.

  1288. ---. Fortepiano building at Munich in the 18th and early 19th centuries Münchens Hammerklavierbau im 18. und frühen 19. Jahrhundert.

  1289. Henrickson, Donald Gene. "The Harpsichord and Development of the Piano Prior to the Lieder of Schubert."Ph.D. dissertation, University of Missouri, Kansas City, 1970.

  1290. Hepplewhite, A. "The Cabinet-Maker and Upholsterer's Guide."London: 1794. Facsimile reprint, New York: 1969.

  1291. Herbert, L. Patent self-acting and keyed upright grand piano-fortes.

  1292. Herbst, Max C. "Das Klavier Und Seine Henker; Betrachtungen Und Belehrungen Über Stimm-Und Reparatur-Angelegenheiten, 3rd Ed." The piano and its executioners. Observations and advice about the tuning and repairing of pianos Frankfurt: Verlag das Musikinstrument, 1970.

  1293. Hermann, Heinrich. "Die Regensburger Klavierbauer Späth Und Schmal Und Ihr Tangentenflügel." The Regensburger piano builders Späth and Schmal and their Tangentenflügel Erlangen: K. Döres, 1928.

  1294. Hernried, Robert. The Jankó Keyboard Die Jankó-Klaviatur.

  1295. Hertz, Eva. "Johann Andreas Stein (1728-1792): Ein Beitrag Zur Geschichte Des Klavierbaues." Johann Andreas Stein (1728-1792): A contribution to the history of piano building Wolfenbüttel and Berlin: Kallmeyer, 1937.

  1296. Herz, Henri. "Mes Voyages En Amérique." My travels in America Paris: A. Fauré, 1866.

  1297. ---. "My Travels in America."Madison: The State Historical Society of Wisconsin, 1963.

  1298. Herzog, Hans Kurt. "Euro Piano Register 25 Jahren 1961-1986. Information & Service." Euro piano publications 25 years, 1961-1986. Information & Service Frankfurt am Main: Verlag Erwin Bochinsky, 1988.

  1299. ---. "Piano-Nummern Deutscher, Europäischer Und Überseeischer Instrumente: Klaviere, Flügel, Cembali, Harmonien." Piano serial numbers of German, European, and foreign uprights, grands, harpsichords, harmoniums Frankfurt am Main: Bochinsky, 1978.

  1300. ---. "Taschenbuch Der Piano-Nummern: Deutscher Und Europäischer Instrumente. Klaviere, Flügel, Cembali Und Harmonion." Pocketbook of piano serial numbers: German and European instruments... Frankfurt: Verlag das Musikinstrument, 1963.

  1301. Herzog, Hans Kurt and Grossbach Jan. "Atlas Der Pianonummern, 8. Auflage, Teil I: Piano-Nummern Deutscher, Europäischer Und Überseeischer Klaviere, Flügel, Cembali, Harmoniums Bis 1994. Teil II: Europäische Klavier- Und Cembalobauer 1700-1925 Ohne Seriennummern, Mit Daten. Über 1400 Namen." Atlas of piano numbers, 8th ed. Part I: Piano serial numbers of German, European and overseas uprights, grands, harpsichords, harmoniums until 1994. Part II Piano- and harpsichord makers 1700-1925 without serial numbers, with dates. Over 1400 names. Frankfurt: Boschinsky, 1995.

  1302. Herzog, Hans Kurt Eckart Rohlfs and Georg Preiss eds. "Europiano Kongress, Berlin, 1965: Dokumentation: Kongressbericht, Referate, Podiumgespräche, Arbeitsgemeinschaften, Schlussberichte." Europiano congress report Frankfurt am Main: Fordergemeinschaft Klavier, 1966.

  1303. Hess, Albert G. The transition from harpsichord to piano.

  1304. Hester, Richard. "Introduction to the Fortepiano in 20 Questions More or Less."Coeymans Hollow, New York: The author, 1987.

  1305. Hetzschel, Roland. Some observations on the leather used for hammer heads Eininge Bemerkungen zum Hammerkopfleder. Michaelstein/Blankenburg: Forschungsstätte Michaelstein.

  1306. Heyde, Herbert. A catalogue of the Reka Collection, Museum Viadrina, Frankfurt-an-der-Oder Historische Musikinstrumente. Leipzig, 1989.

  1307. ---. Instrument building in Leipzig at the time of J. S. Bach. Exhibit catalogue Der Instrumentenbau in Leipzig zur Zeit Johann Sebastian Bachs. Tutzing: Schneider, 1985.

  1308. ---. Regarding the transference relationship of the piano action Zum Übertragungsverhältnis der Klaviermechaniken.

  1309. ---. "Historische Musikinstrumente Des Händel-Hauses: Führer Durch Die Ausstellungen." Historical musical instruments of the Handel house. Guide to the exhibition Halle an der Salle, 1983.

  1310. ---. "Historische Musikinstrumente Im Bachhaus." Historical musical instruments in the Bach house Eisenach: Bachaus, 1976.

  1311. ---. "Musikinstrumentenbau, 15-19 Jahrhundert: Kunst, Handwerk, Entwurf." Musical instrument building, 15th -19th centuries: art,
    handicraft, design Weisbaden: Breitkopf & Härtel, 1986.

  1312. ---. "Musikinstrumentenbau in Preussen." Musical instrument building in Prussia Tutzing: Hans Schneider, 1994.

  1313. Higel, O. & Co. "Illustrated and Descriptive Catalogue of Grand and Upright Piano Actions, Keys & Hammers, Organ Keys, Reeds and Reed Boards, Piano and Organ Tools and Supplies." Supply co. illustrated catalogue Toronto: Higel, 1906.

  1314. Hildebrandt, Dieter. "Pianoforte: A Social History of the Piano."New York: Braziller, 1988.

  1315. ---. "Pianoforte: Der Roman Des Klaviers Im 19. Jahrhundert."Munich: Carl Hanser Verlag, 1985.

  1316. ---. "Pianoforte Oder Der Krieg Im Saal." Pianoforte or the war in the concert hall Munich: Hanser Verlag, 1985.

  1317. ---. "Pianoforte, Romance of the Piano." Translated from the German (Der Roman des Klaviers im 19. Jahrhundert) by Harriet Goodman. Introd. by Anthony Burgess. New York: G. Braziller, 1988.

  1318. Hilfiger, John Jay. "Musical Instruments in the Collections of the Geneva Historical Society."Geneva, NY, 1987.

  1319. Hill, Jackson. "The Harold E. Cook Collection of Musical Instruments."Lewisburg: Bucknell University Press, 1975.

  1320. Hill, William G. Noise in piano tone, a qualitative element.

  1321. Hiltner, B. Leipzigs bigger piano factories in the late 19th century Leipzigs größere Pianoforte-Fabriken im späten 19. Jahrhundert.

  1322. Himmelheber, Georg. "Biedermeier Furniture."London: Faber and Faber, 1974.

  1323. Hinckley, F. Lewis. "Directory of the Historic Cabinet Woods."New York: Crown, 1960.

  1324. Hipkins, Aldred J. "A Description and History of the Pianoforte and of the Older Keyboard Stringed Instruments."London: Novello, Ewer & Co., 1896.

  1325. ---. Pianoforte. Edinburgh: Black, 1885.

  1326. ---. The pianoforte and its precursors.

  1327. ---. Cantor lectures on musical instruments.

  1328. ---. History of the pianoforte with appendix. London.

  1329. ---. "Musical Instruments, Historic, Rare and Unique."Edinburgh and London: Black, 1888.

  1330. ---. Old clavier or keyboard instruments.

  1331. ---. Piano construction and capabilities.

  1332. ---. "The Story of the Pianoforte."London: Novello, 1896.

  1333. Hipkins Aldred J. and Kathleen Schlesinger. Pianoforte.

  1334. Hirt, Franz Josef. Viennese fortepianos by N. Streicher, 1819 Wiener Hammerflügel von N. Streicher, 1819.

  1335. ---. "Meisterwerke Des Klavierbaues: Geschichte Der Saitenklaviere Von 1440 Bis 1880." Masterpieces of keyboard instrument building: the history of stringed keyboard instruments 1440-1880 Olten: Urs Graf-Verlag, 1955 A.D.-1981.

  1336. ---. The development of stringed keyboard instruments Die Entwicklung der besaiteten Tasteninstrumente.

  1337. ---. "Stringed Keyboard Instruments, 1440-1880."Boston: Boston Book and Art Shop, 1968.

  1338. Hitzig, Wilhelm. Regarding Härtel's piano building since 1807 Zum Härtelschen Klavierbau seit 1807.

  1339. Hobbs, Henry. "The Piano in India; How to Keep It in Order. Practical Information on Repairing, Tuning, Packing and Treatment of Pianofortes in Tropical Climates."Calcutta: Spink & Co., 1914.

  1340. Hock, Emil. Recommendations for piano repairs Ratschläge für Klavierreparaturen.

  1341. Hoeren, Harald. "Untersuchung Über Die Zusammenhänge Zwischen Cembalobau Und Cembalostil in Italien, Flandern Und Frankreich." Investigation of the connection between harpsichord building and harpsichord style in Italy, Flanders and France Ph.D. dissertation, University of Cologne.

  1342. Hogarth, Dr. Musical instruments--the piano-forte.

  1343. Hohle, Edward. "Verzeichnis Der Sammlung Alter Musikinstrumente Im Bachhause Zu Eisenach." List of the collection of old musical instruments in the Bach house at Eisenach , 1913.

  1344. Holas, Vaclav. Josef Prach, a master of piano construction Josef Prach mistr konstrukter klaviru.

  1345. Holder, William. "A Treatise of the Natural Grounds and Principles of Harmony...to Which Is Added....Directions for Tuning an Harpsichord or Spinnet by the Late Mr. Godfrey Keller..."London: W. Pearson for J. Wilcox and T. Osborne, 1731.

  1346. Holland, John. "A Treatise on the Progressive Improvements and Present State of the Manufactures in Metal. Vol. 2, Iron and Steel."London: Longman, Rees, Orme, Brown and Green, 1833.

  1347. Hollebosch-Van Reck, Y. and Ignace de Kayser. "Ghent. Museum Van Oudheden Der Byloke. Catalogus Van De Musiekinstrumenten."Ghent: Oudheidkundige musea, Bijlokemuseum, 1978.

  1348. Holliday, Kent A. "Reproducing Pianos Past and Present: Studies in the History and Interpretation of Music."Lewiston, NY: Mellen, 1989.

  1349. Hollis, Helen Rice. Jonas Chickering: The father of American pianoforte-making.

  1350. ---. "The Musical Instruments of Joseph Haydn: An Introduction."Washington, D.C.: Smithsonian Institution Press, 1977.

  1351. ---. "The Piano: a Pictorial Account of Its Ancestry and Development."New York: Hippocrene books, 1975.

  1352. Hollis, Helen Rice. "Pianos in the Smithsonian Institution."Washington, D.C.: Smithsonian Institution Press, 1973.

  1353. Hollmann, T. "Lehrbuch Der Stimmkunst Und Allgemeinen Instrumentenbau-Technik Für Berufsstimmer." Textbook on the art of tuning and the general technique of instrument building for professional tuners Hamburg: Bockelmann, 1902.

  1354. Holmquist, Donald C. Pride of the pioneer's parlor; pianos in early Minnesota.

  1355. Holz, D. On some important properties of non-modified coniferous and leaved woods in view of mechanical and acoustical data in piano soundboards.

  1356. Honour, Hugh. "Cabinet Makers and Furniture Designers."London/New York, 1972.

  1357. Hood, Margaret. Nannette Streicher and her pianos.

  1358. ---. A trouble shooting guide: help for the action problems of your Viennese fortepiano.

  1359. Hoover, Cynthia. A musical portrait: The Chickering piano factory books, 1823-1850.

  1360. ---. Epilogue to secular music in early Massachusetts. Boston, 1980.

  1361. Hoover, Cynthia A. "The Steinways and Their Pianos in the Nineteenth Century."Lunenburg, VT: Stinehour Press, 1981.

  1362. Hoover, Cynthia Adams. Music and musical instruments. Washington, D.C.: Smithsonian Institution, 1976.

  1363. ---. "Harpsichords and Clavichords."Washington: Smithsonian Institution Press, 1969.

  1364. ---. The Steinways and their pianos in the nineteenth century. 1981.

  1365. ---. Baldwin piano & organ Co.

  1366. Hopfner, Rudolf. "Wiener Musikinstrumentenmacher 1766-1900. Adressenverzeichnis Und Bibliographie."Viennese musical instrument makers 1766-1800. Index of addresses and bibliography. Tutzing: Hans Schneider, 1999.

  1367. Hora, F. Friedrich Hoxa and Anton Tomaschek Repräsentanten der bürgerl. und befugten Pianoforte-Verfertiger und Orgelbauer. Erklärung [zugunsten des Klaviermachers Peter in Pest, seine angebliche Verfälschung eines Streicher'schen Namenschilds betreffend].

  1368. Hornung, C. C. "Et Haandvaerkerliv i Forrige Aarhundrede En Selvbiografi."Odense, 1904.

  1369. Hornung & Möller. "Klavepeet, Dets Oprindelse Bygning Og Vedligeholdelse."Kopenhagen, 1935.

  1370. Hoskins, Leslie J. For the record.

  1371. Hotz, Alfred. The repetition of the piano action Die Repetition der Piano Mechanik.

  1372. Howe, Alfred H. "Scientific Piano Tuning and Servicing."New York: Pinehurst, 1947.

  1373. Howe, Richard J. ed. "The Ampico-Reproducing Piano."St. Paul, Minn.: Musical Box Society International, 1987.

  1374. Howell, Walter Dean. "Professional Piano Tuning."Deep River: New Era Print Co., 1966.

  1375. Hoyler, Helmut. "Die Musikinstrumentensammlung Des Kölnischen Stadtmuseum." The musical instrument collection of the Cologne city museum Cologne: Stadtmuseum, 1993.

  1376. Hubbard, Elbert. "The Story of the Steinways."East Aurora: Roycrafters, 1911.

  1377. Hubbard, Frank. "Harpsichord Regulating and Repairing."Boston: Tuner's Supply Co., 1963.

  1378. ---. "Reconstructing the Harpsichord."Stuyvesant, NY: Pendragon Press, 1984.

  1379. ---. "Three Centuries of Harpsichord Making."Cambridge: Harvard University Press, 1965.

  1380. Huber, Alfons. Music wire gauge systems in Viennese piano building between 1780 and 1880 Saitendrahtsysteme im Wiener Klavierbau zwischen 1780 und 1880.

  1381. ---. Were the early Italian and Portuguese pianofortes strung entirely with brass?

  1382. ---. Measurements, stringing and pitch levels for 18th-century fortepianos Mensurierung, Besaitung und Stimmtonhöhen bei Hammerklavieren des 18. Jahrhunderts.

  1383. ---. Der österreichische Klavierbau im 18. Jahrhundert and Das "Clavier" im 18. Jahrhundert. Vienna: 1991.

  1384. ---. "Frühtechnische Verfahren Der Drahterzeugung." Early technical procedures of wire manufacture : Vienna, 1981.

  1385. ---. Principles of construction in clavichord building: Reflections on scaling, pitch and stringing in clavichords of the 15th to the 18th centuries Konstruktionsprinzipien im Clavichordbau: Überlegungen zu Mensurierung, Stimmtonhöhe und Besaitung bei Clavichorden des 15.-18. Jahrhunderts. Vienna: Vom Pasqualatihaus, 1994.

  1386. ---. Deckelstützen und Schalldeckel an Hammerklavieren. Tutzing: Schneider, 1987.

  1387. Huber, Hans. "Klaviere, Fachbericht Über Die 27. Gruppe Musikinstrumente Der Schweizerischen Landesausstellung in Bern." Pianos, professional report of the 27th musical instrument group of the Swiss national exhibition at Bern Bern, 1914.

  1388. Huber, Renate. "Verzeichnis Sämtlicher Musikinstrumente Im Germanischen Nationalmuseum Nürnberg." Index of all the musical instruments in the German national museum in Nuremberg Wilhelmshaven: F. Noetzel, Heinrichshofen-Bücher, 1989.

  1389. Huberson, M. G. "Nouveau Manuel Complet De L'Accordeur Et Du Réparateur Des Pianos."Paris: Manuels-Roret, 1858.

  1390. Hudson, Alec. On buying a square piano.

  1391. Huestis, Herbert L. The far side of the fortepiano.

  1392. Huether, Charles. The great piano bonfire.

  1393. Hughes, T. P. "The Development of Western Technology Since 1500."New York, 1964.

  1394. Hull, Anne. "Maestro Spinetti's Music Shop. Harpsichord, Clavichord, Piano." Young Readers' Series New York: Doubleday, 1971.

  1395. Hummel, Jörg-Dieter. "Friederich Ring. Der Vergessene Instrumentenbauer Aus Dem Elsaß Und Sein Clavicymbal Von 1700." Friedrich Ring. The forgotten instrument maker from Alsace and his clavicymbal of 1700. Augsburg: Himmer, 1976.

  1396. ---. "Nannette Streicher Née Stein à Vienne (Ein Instrument Von 1805)."Nannette Streicher née Stein in Vienna (an instrument from 1805). Stuttgart, 1975.

  1397. Hunt, Constance. "Chickering & Sons: Its Pianos, Its Commerical Enterprise and Its Relationship to America's Musical Development.".

  1398. Hunt, E. Tuning and temperament.

  1399. Hutterstrasser, Carl. "Hundert Jahre Bösendorfer, 1828-1928."One hundred years of Bösendorfer 1828-1928. Vienna, 1928.

  1400. Ibach, J. A. 175 years of the Ibach company--Germany's oldest pianoforte manufacturer 175 Jahre Firma Ibach--Deutschlands älteste Pianoforte-Fabrik.

  1401. Ibach, Rud. & Sohn Piano Co. "Das Haus Rud. Ibach Sohn, Barmen-Köln, 1794-1894 Ein Rückblick Beim Eintritt in Das Zweite Jahrhundert Seines Bestehens."Barmen/Köln: Ibach, 1894.

  1402. Illeck, Josef. "Richtiggestellte Theorie Der Schwingungen Gespannter Saiten Nebst Ihrer Anwendung Auf Zugehörige Probleme." Mentioned without place, date or publisher in the bibliography of Goebel's Grundzüge des modernen Klavierbaues. (1921) .

  1403. Illion, David. The story of the early upright pianoforte.

  1404. Incontrera, Carlo di ed. "Il Pianoforte Di Beethoven."Monfalcone: Teatro Comunale di Monfalcone, 1986.

  1405. Ivers & Pond Piano Co. "Practical Improvements in Ivers and Pond Pianos."Boston: Ivers & Pond, 1925.

  1406. Jackson, Jim. "Tuning and Repairing Your Own Piano."Blue Ridge Summit, Pa.: Tab Books, 1984.

  1407. Jakobs, Friedrich. The origins of the modern form of the keyboard Zur Genesis des neuzeitlichen Klaviaturbildes. Basel: Wiese, 1994.

  1408. James, Philip B. The square piano and its origin.

  1409. ---. "Early Keyboard Instruments, From Their Beginnings to the Year 1820."London: Davies, 1930.

  1410. Jankó, Paul von. Regarding equally beating temperaments with more than twelve tones. Über mehr als zwölfstufige gleichschwebende Temperaturen.

  1411. ---. "Eine Neue Claviatur. Theorie Und Beispiele Zur Einführung in Die Praxis." A new keyboard. Hypothesis and examples for its introduction into use Vienna: T. Rattig, 1886.

  1412. ---. "Piano Recitals [Programs] by Paul De Jankó With His Wonderful Invention, the Jankó Keyboard."Chicago: Society for the Cultivation of Music, 1891.

  1413. Janssen, Hans. Beethoven's fortepianos Beethovens Hammerflügel.

  1414. Jehle, Martin Friedrich. Piano builders and performers Klavierbauer und Musizierende.

  1415. ---. "Klavier- Und Cembalobauer (Handwerk). Klavierbauer. (Industrie) Blätter Zur Berufskunde Bd. 1."Nürnberg: Bundesanstalt für Arbeit, 1975.

  1416. ---. "Württembergische Klavierbauer Des 18. Und 19. Jahrhunderts." Württemberg's piano makers in the 18th and 19th centuries Frankfurt am Main: Verlag Das Musikinstrument, 1982.

  1417. Jemnitz, Alexander. Piano manufacturing as a cultural document Klavierfabrikation als Kulturdokument.

  1418. Jenkins, Jean ed. "International Directory of Musical Instrument Collections."Buren: Kunf, 1977.

  1419. Jensen, Søren. "Søren Jensen Pianofabrik, Københaven 1893-1918." Søren Jensen's piano factory in Copenhagen 1893-1918 Copenhagen, 1918.

  1420. Jepson, Barbara. Fortepiano: The born-again instrument.

  1421. Jílik, Zdenêk. "O Klavíru." The piano Prague: Státní pedagogické nakladatelství, 1967.

  1422. Jira, Martin. "Musikalische Temperaturen in Der Klaviermusik Des 17. Und Frühen 18. Jahrhunderts." Musical temperaments in the keyboard music of the 17th and early 18th centuries Tutzing: Hans Schneider, 1997.

  1423. Johnson, Allen and Dumas Malone editors. "Dictionary of American Biography."New York: 1928-1936.

  1424. Johnson, Axel P. ed. "Library of Advertising---Piano Advertising."Chicago: Cree Publishing Co., 1911.

  1425. Johnson, Benjamin Pierce. "Report on International Exhibition of Industry and Art, London, 1862."Albany: Steam Press of C. Van Benthuysen, 1863.

  1426. Johnson, Michael and Robin Mackworth-Young. "Tune and Repair Your Own Piano: a Practical and Theoretical Guide to the Tuning of All Keyboard Stringed Instruments and to the Running Repair of the Piano."London: Harcourt Brace Jovanovich, 1978.

  1427. Joppig, Gunther. Petrof--the founder of the Czech school of piano construction Petrof--der Begründer der tschechischen Klavierbauschule.

  1428. ---. Schimmel--innovation in piano making.

  1429. ---. Young Chang surge from zero to 700,000 in twenty years.

  1430. Joppig, Gunther and Sabine Matzenauer. Johann Andreas Stein's fortepianos in the Munich Stadtmuseum Johann Andreas Steins Hammerflügel im Münchner Stadtmuseum.

  1431. Jordan, Hanna. "Führer Durch Das Musikinstrumenten-Museum Markneukirchen." Guide through the musical instrument museum Markneukirchen Markneukirchen, 1975.

  1432. Jorgensen, Owen. "The Equal-Beating Temperaments: A Handbook for Tuning Harpsichords and Forte-Pianos, With Tuning Techniques and Tables for Fifteen Historical Temperaments."Raleigh, N.C.: Sunbury Press, 1981.

  1433. ---. Restoring forgotten temperaments.

  1434. ---. "Tuning: Containing the Perfection of Eighteenth-Century Temperament, the Lost Art of Nineteenth-Century Temperament and the Science of Equal Temperament: Complete With Instructions for Aural and Electonic Tuning."East Lansing, MI: Michigan State University Press, 1991.

  1435. ---. "Tuning the Historical Temperaments by Ear."Marquette, Michigan: Northern Michigan University Press, 1977.

  1436. Jorgenson, Owen. In tune with old tunings.

  1437. ---. Which tunings for which music? Applying the historical temperaments.

  1438. Josten, Hanns H. "Die Sammlung Der Musikinstrumente Im Württembergischen Landes-Gewerbe-Museum."Stuttgart, 1928.

  1439. Joubert de La Salette, Pierre Jean. "Lettre Sur Une Nouvelle Manière D'Accorder Les Forte-Pianos Ou Plus Généralement Les Instruments à Clavier.", 1808.

  1440. Journeyman piano-forte maker's society. "The New York Book of Prices for the Manufacturing of Piano-Fortes."New York, 1835.

  1441. Jung, Karl. Calculation of the metal plate of the piano Berechnung des Eisenrahmens des Klaviers.

  1442. ---. Harmonic and unharmonic overtones in piano strings Harmonische und unharmonische Obertöne bei Klaviersaiten.

  1443. ---. "Dehnbuch Klavierbau." Extended book of piano building Ludwigsburg: Selbstverlag, 1939.

  1444. Jung, Karl and Hubert Unverricht. History of the piano from 1850 to the present Geschichte des Klaviers von 1850 bis zur Gegenwart.

  1445. Junghanns, Herbert. "Der Piano- Und Flügelbau." Upright and grand piano building Leipzig: Max Jänecke, 1932.

  1446. Junghanns, Rolf. "Historische Tasteninstrumente. Katalog Der Sammlung Fritz Neumeyer, Bad Krozingen."Historical keyboard instruments. Catalogue of the Fritz Neumeyer Collection, Bad Krozingen. Waldkirch: Waldkircher Verlagsgesellschaft, n.d.

  1447. Juramie, Ghislaine. "Histoire Du Piano." History of the piano Paris: Édition Prisma, 1947.

  1448. Jüttemann, Herbert. "Mechanische Musikinstrumente: Einführung in Technik Und Geschichte." Mechanical musical instruments: An introduction in technology and history Frankfurt am Main: Bochinsky, 1987.

  1449. Kalinina, N. "Klavirnaia Muzyka Bakha v Fortepiannom Klasse."Leningrad: Muzyka, 1988.

  1450. Kammerer, Rafael. The Steinway dynasty: The story of the modern piano.

  1451. Kapell, William. "Omnibus I, Vol. 19, TV-Radio Workshop."Cristofori piano.

  1452. Karmarsch, K. Wire Draht. Stuttgart: Cotha, 1833.

  1453. Karp, Cary. "Contributions to the Study of Traditional Musical Instruments in Museums, Edited by Friedemann Hellwig, Et Al."An approach to the conservation and display of ethno-organological material. Bratislava: Slovenské národné múzeum, 1987.

  1454. ---. Restoration, conservation, repair and maintenance.

  1455. ---. Technological research and the conservation of musical instruments. Florence: L. S. Olschki, 1987.

  1456. ---. "The Pitches of 18th Century Strung Keyboard Instruments."Stockholm: SMS-Musikmuseet, 1984.

  1457. ---. "Studies in the Documentation and Technology of Musical Instruments."Uppsala: Institution för Musikvetenskap, 1984.

  1458. Karp, Gary ed. The conservation and technology of musical instruments. Marina del Rey, CA: Getty Conservation Institute and the International Institute for Conservation of Historic and Artistic Works.

  1459. Kasperkiewicz, Stanislaw. Polish pianos from Kalish Polskie pianina z Kalisza.

  1460. Kawai Corporation. Kawai at 60.

  1461. Kayser, Ernst. "Akustische Studien Am Klavier." Acoustic studies of the piano Danzig, 1875.

  1462. Keeling, Geraldine. The concert piano in Germany Konzertklavier in Deutschland. München: Katzbichler, 1993.

  1463. ---. "The Liszt Pianos--Some Aspects of Preference and Technology.".

  1464. ---. Liszt's pianos: Années de Pèlerinage.

  1465. Keeß, Stephan Edler von. "Darstellung Des Fabriks- Und Gewerbswesens in Seinem Gegenwärtigen Zustande, Vorzuglich in Technischer, Mercantilischer Und Statistischer Beziehung."Wien: Marschner und Jasper, 1824.

  1466. Keller, Gottfried. "A Compleat Method, for Attaining to Play a Through Bass.....and a Scale for Tuning Ye Harpsichord or Spinet..."London: J. Cullen & John Young, 1701.

  1467. Keller, J. M. Bechstein on the brink.

  1468. Kelletat, Herbert. "Ein Beitrag Zur Musikalischen Temperatur Der Musikinstrumente Vom Mittelalter Bis Zur Gegenwart." A contribution to musical temperament of instruments from the middle ages to the present Reutlingen: Wandel und Goltermann, 1966.

  1469. ---. "Zur Musikalischen Temperatur II. Wiener Klassik." On musical temperament, Vol II. Viennese classic Berlin/Kassel: Merseburger, 1982.

  1470. ---. "Zur Musikalischen Temperatur. Vol. I Johann Sebastian Bach Und Seine Zeit." On musical temperament. Vol. 1 Johann Sebastian Bach and his time Kassel: J.G. Oncken, 1960.

  1471. Kelley, Edgar Stillman. "Musical Instruments."Boston: Oliver Ditson, 1925.

  1472. Kellner, Herbert Anton. How exactly can one set the Bach tuning by ear? Wie genau kann man die Bachstimmung nach dem Gehör legen? Vol. 27, No. 1 (1978), pp. 35-37.

  1473. ---. Das "Schweb", eine neue Masseinheit für verstimmte Intervalle`.

  1474. ---. A reconstruction of the well-tempered tuning of Johann Sebastian Bach Eine Reconstruktion der wohltemperierten Stimmung von Johann Sebastian Bach.

  1475. ---. Observations on the Werkmeister tuning of 1691 Betrachtungen zur Stimmung Werkmeister von 1691.

  1476. ---. Theoretisch-physikalische Betrachtungen zum Cembalo und dessen Bau---Randbemerkungen eines Physikers.

  1477. ---. A computer program for calculating the tension of harpsichord strings Ein Computerprogramm zur Spannungsberechnung von Cembalosaiten.

  1478. ---. Was Bach a mathematician?

  1479. ---. "Musikalische Temperatur Bei J. S. Bach Und Seinen Söhnen."Musical temperament used by Bach and his sons. Paris: H. A. Kellner, 1998.

  1480. ---. Harmonische Tonleiter, Mitteltonigkeit und Kirnbergerstimmung. Berlin: Hochschule für Musik, 1975.

  1481. ---. "Wie Genau Muß Eine Gleichschwebende Temperatur Sein?"How exact must an equal temperament be?

  1482. ---. "Wie Stimme Ich Selbst Mein Cembalo? Die Praxis Der Musikalischen Temperaturen." The tuning of my harpsichord. The practice of the musical temperaments. J'accorde mon clavecin.
    Frankfurt: Bochinsky, 1972.

  1483. Kelly, John F. Electric piano player; development and construction.

  1484. Kelly, Wayne. "Downright Upright."Toronto: Natural History, Natural Heritage, 1991.

  1485. Kennedy, K. T. "Piano Action Repairs and Maintenance."London: Kaye and Ward, 1979.

  1486. Kent, Earle L. Influence of irregular patterns in the inharmonicity of piano tone partials upon tuning practice. 1966.

  1487. Kent, Earle L. ed. "Musical Acoustics. Piano and Wind Instruments."Stroudsburg, PA: Dowden, Hutchinson & Ross, 1977.

  1488. Kentner, Louis. "Piano."Yehudi Menuhin music guides. London: Macdonald & Jane's, 1976.

  1489. Kenyon de Pascual, Beryl. Francisco Pérez Mirabal's harpsichords and the early Spanish piano.

  1490. ---. Two features of early Spanish keyboard instruments.

  1491. ---. English square pianos in eighteenth-century Madrid.

  1492. ---. Ivory and music El marfil y la música.

  1493. Kenyon de Pascual, Beryl and David Law. Another early Iberian grand piano.

  1494. Kern, Evan J. "Harpsichord Design and Construction."New York: Van Nostrand Reinhold, 1980.

  1495. Keyssler, Johann Georg. "Neueste Reisen Durch Deutschland, Böhmen, Ungarn, Die Schweitz, Und Lothringen."Hannover, 1751.

  1496. Kibby, Bill.

  1497. Kielhauser, Ernst A. "Die Stimmgabel, Ihre Schwingungsgesetze Und Anwendungen in Der Physik."Leipzig: B. G. Teubner, 1907.

  1498. Kieswetter, Raphael Georg edler von 1773-1850. "Der Neuen Aristoxener Zerstreute Aufsätze Über Das Irrige Des Musikalischen Arithmetik Und Das Eitele Ihrer Temperaturrechnungen..."Wiesbaden: Martin Sändrig, 1971.

  1499. Kimball Co. Kimball's 125 year saga.

  1500. King, H. C. Oude hamerklavieren in Nederland.

  1501. Kinsky, Georg. The Streicher grand piano in the Goethe house at Weimar and other musical instruments from Goethe's circle Der Streicherflügel im Weimarer Goethehaus und andere Musikinstrumente aus dem Goethekreise.

  1502. ---. Mozart-Instrumente.

  1503. ---. Beethoven and the fortepiano Beethoven und das Hammerklavier.

  1504. ---. Die Flügel Friedrichs des Großen.

  1505. ---. The Viennese musical instrument trade at the time of Beethoven Das Wiener Instrumentengewerbe zur Zeit Beethovens.

  1506. ---. The pianos in the Mozart museum in Salzburg Die Klaviere im Mozartmuseum in Salzburg.

  1507. ---. Short octaves on stringed keyboard instruments. A contribution to the history of keyboard instruments Kurze Oktaven auf besaiteten Tasteninstrumenten. Ein Beitrag zur Geschichte des Klaviers.

  1508. ---. Haydn and the fortepiano Haydn und das Hammerklavier.

  1509. Kinsky, Georg ed. "Musikhistorisches Museum Von Wilhelm Heyer in Cöln. Katalog Von Georg Kinsky, Konservator Des Museums." Wilhelm Heyer's music history museum in Cologne. Catalog by Georg Kinsky conservator of the museum. [Describes the collections of Wilhelm Heyer, Paul De Wit, Alessandro Kraus, and Rudolf Ibach] Leipzig: Breitkopf & Härtel, 1910.

  1510. Kiraly, William and Philippa. Sébastian Érard and the English action piano.

  1511. Kiraly, William and Phillippa. Érard versus Steinway: A symposium on the sounds of various pianos.

  1512. Kirk, Elise K. Pianos in the white house.

  1513. ---. "Music at the White House: A History of the American Spirit."Champaign: University of Illinois Press, 1986.

  1514. Kirschner, I. A. "Klavier-Instrumental-Maschine Nebst Anhang Einer Beweglichen Singmaschine Und 3 Tafeln in Steindruck." Piano-instrumental-machine together with an appendix of a portable singing machine and three lithograph tables Schmalkalden: The author, 1818.

  1515. Kite, Christopher. Playing Mozart on the fortepiano.

  1516. Kitner, Mike and Arthur Reblitz. "The Mills Violano-Virtuoso: the Famous Self-Playing Violin and Piano: How It Works, How to Service and Rebuild It, Together With a Fascinating Collection of Previously Unpublished Pictures Concerning Its History, Its Inventor, and Its Manufacturer."Vestal, NY: Vestal Press, 1984.

  1517. Kjärrström, E. J. "Handbook i Piano- Och Orgelstämmig." Handbook of piano and organ tuning Göteborg, 1907.

  1518. Kjeldsberg, Peter Andreas. 'An indispensable instrument': A look at the sources of piano history in Norway. Tutzing: Schneider, 1987.

  1519. ---. "Musikkinstrumenter Ved Ringve Museum."Trondheim: Ringve Museum, 1976.

  1520. ---. "Piano i Norge: Et Uundvaerligt Instrument." The piano in Norway: "An indispensable instrument" Oslo: C. Huitfeldt, 1985.

  1521. Klaas, Rainer M. ed. "Piano Jahrbuch." Piano Yearbook Recklinghausen: Piano-Verlag Recklinghausen, 1980.

  1522. Klatt, Erich. "Die Konstruktion Alter Möbel." The construction of antique furniture Stuttgart: Hoffmann, 1973.

  1523. Klaus, Sabine Katharina. German square pianos with Prellmechanik in major American museum collections: Distinguishing characteristrics of regional schools in the late eighteenth and early nineteenth centuries.

  1524. ---. "Studien Zur Entwicklungsgeschichte Besaitete Tasteninstrumente Bis Etwa 1830 Unter Besonderer Berücksichtigung Der Instrumente Im Musikinstrumentenmuseum Im Münchner Stadtmuseum." Studies on the evolution of stringed keyboard instruments until circa 1830 with particular consideration of the instruments in the musical instrument collection of the Munich Stadtmuseum Tutzing: H. Schneider, 1997.

  1525. ---. The influence of Viennese piano building in southern Germany circa 1800: represented in the example of the piano builder Jakob Pfister (1770-1838) of Wurzburg Zum Einfluss des Wiener Klavierbaues auf den suddeutschen Raum um 1800: Dargestellt am Beispiel des Klavierbauers Jakob Pfister (1770-18138) Wurzburg. Michaelstein/Blankenburg: Institut für Aufführungspraxis, 1996.

  1526. Kleeberger, Johann Anton. "Nöthigsten Fragen Des Clavier Betreffend." The most important questions regarding the clavier Friedberg, 1788.

  1527. Klemm, Friedrich. "A History of Western Technology." translated by Dorothea W. Singer New York: Scribner, 1959.

  1528. Klop, G. C. "Harpsichord Tuning Course Outline."Garderen: Werkplaats voor Clavecimbelbouw, 1974.

  1529. Kloppenburg, W. Chr. M. "Van Monochord Tot Moderne Vleugel." From the monochord to the modern grand piano Amsterdam, 1980.

  1530. Klot, Gustav Wolter von. "Wie Baut Man Ein Klavier? Die Geschichte Des Hauses Ibach Durch 175 Jahre--1794-1969." How does one build a piano? The history of the house of Ibach through 175 years--1794-1969 Barmen: Ibach, 1969.

  1531. Kniese, Johs. The new luminous keyboard Die neue "Strahlenklaviatur".

  1532. Kobbé, Gustav. "The Piano List."New York: Moffat,Yard & Co., 1907.

  1533. Koch, Heinrich Christoph. "Musikalisches Lexikon."Frankfurt, 1964.

  1534. Kohler, Chase and Company. "Illustrated Catalogue of Piano Fortes, Manufactured by Chickering & Sons."San Francisco, n.d.

  1535. Kohn, Arthur. "Was Soll Der Klavierspieler Vom Bau Des Klavieres Wissen?" What should the pianist know about the construction of the piano? Vienna: The author, 1925.

  1536. Komlós, Katalin. "Fortepianos and Their Music: Germany, Austria, and England, 1760-1800."Oxford: Clarendon Press, 1995.

  1537. König, A. The importance of the trade school for musical instrument building for a uniformly trained piano builder Die Bedeutung der Fachschule für Musikinstrumentenbau für einen einheitlich ausgebildeten Klavierbauer. 1966.

  1538. König, Johann Ulrich. Musikalische Merckwürdigkeiten des Marchese Scipio Maffei
    Beschreibung eines neuerfundenen Clavicins, auf welchem das piano und forte zu haben, nebst einigen Betrachtungen über die musicalische Instrumente, aus dem Welschen ins Teutsche übersetzt. Hamburg, 1725.

  1539. Kornblith, Gary John. The craftsman as industrialist: Jonas Chickering and the transformation of American piano making. Oberlin: The author, 1984.

  1540. ---. Manufacture of pianofortes.

  1541. ---. "From Artisans to Businessmen: Master Mechanics in New England, 1789-1850."Princeton, 1983.

  1542. Koster, John. Two early French grand pianos.

  1543. ---. Foreign influences in eighteenth-century French piano making.

  1544. ---. The quest for Bach's "Clavier": An historiographical interpretation.

  1545. ---. The divided bridge, Due tension, and rational striking points in early English grand pianos.

  1546. ---. "Keyboard Musical Instruments in the Museum of Fine Arts, Boston."Boston: Northeastern University Press, 1994.

  1547. ---. The stringing and pitches of historical clavichords.

  1548. ---. Square piano by Hallet, Davis & Co., Boston, about 1858.

  1549. Kottick, Edward L. "The Harpsichord Owner's Guide."Chapel Hill, NC: University of North Carolina Press, 1988.

  1550. Kottick, Edward L. and George Lucktenberg. Early keyboard instruments in European museums. Bloomington: Indiana University Press, 1997.

  1551. Kowar, Helmut. "Die Klangspektren Von Hammerklavieren. Sonographische Untersuchungen Dreier Hammerklaviere (Schantz, Hofmann, Streicher) Aus Dem Besitz Des Technischen Museums Für Industrie Und Gewerbe in Wien." The sound spectrum of fortepianos. Sonographic studies of three fortepianos (Schantz, Hofmann, Streicher) from the collection of the Technical Museum for Industry and Trade in Vienna Vienna, 1978.

  1552. Krämer, Gerhard. "Cembalo Und Spinett-Selbst Gebaut. Eine Anleitung Für Heimwerker. Mit Einem Anhang Zur Verwendung Von Bausätzen Beim Selbstbau Historischer Kielinstrument."Berlin: Merseburger, n.d.

  1553. Kraus, Alessandro. The pianoforte, its cultivators and its mission Il piano-forte, i suoi cultori e la sua missione.

  1554. ---. "Catalogue Des Instruments De Musique Du Musée Kraus." Catalogue of the musical instruments in the Kraus museum Florence: Imprimerie del'arte della stampa, 1878.

  1555. ---. "Italianità Dell'Invenzione Del Pedale Negli Strumenti Da Corda a Tastiera." The "Italianità" of the invention of the pedals on stringed keyboard instruments Firenze: S. Landi, 1911.

  1556. ---. "The Kraus Ethnographic-Psychologic Musical Collection in Florence."Florence, 1901.

  1557. ---. "The One-Keyboarded Clavicytherium of the Kraus Collection in Florence."Florence: Salvatore Landi, 1910.

  1558. ---. Italian inventions for instruments with a keyboard.

  1559. Kraus, Gottfried ed. "Musik in Österreich." Music in Austria Vienna: Brandstätter, 1989.

  1560. Kraus, Rev. Wm. H. "History of Middlesex County 1635-1885: With Biographical Sketches of Its Prominent Men." Pratt & Read Co. New York: J. B. Beers & Co., 1884.

  1561. Krause, K. Chr. F. Report about a substantial improvement of the keyboards of keyboard instruments Nachricht über eine wesentliche Verbesserung der Klaviature der Tasteninstrumente.

  1562. Krehbiel, Henry Edward. From virginal to pianoforte.

  1563. ---. "The Pianoforte and Its Music."New York: C. Scribner's Sons, 1911.

  1564. Kreuter, L. Piano from Vienna Klavier aus Wien.

  1565. Kreutzer, Leonid. "Das Normale Klavierpedal, Vom Akustischen Und Ästhetischen Standpunkt." The normal piano pedal from an acoustic and aesthetic point of view Leipzig: Breitkopf & Härtel, 1915.

  1566. Krickeberg, Dieter. A fortepiano by Johann Heinrich Silbermann (1776) in the musical instrument museum of the Staatliches Institut für Musikforschung in Berlin Ein Hammerflügel von Johann Heinrich Silbermann (1776) im Musikinstrumentenmuseum des Staatlichen Instituts für Musikforschung in Berlin.

  1567. ---. Einige Nachrichten über Musikinstrumente und Instrumentenbauer aus den Berliner Intelligenzblätter der Jahre 1729 bis 1786. Kassel: Bärenreiter, 1986.

  1568. Kropp, Eva Ursula. "Das Zupfklavier."Berlin Ph.D. dissertation, 1925.

  1569. Krylov, Andrei Mikhailovich. "Advice on Piano Care, 2nd Ed."Moscow, 1968.

  1570. Kuerti, Anton. What pianists should know about pianos--Step by step guide for determining if your piano is in good regulation.

  1571. Kunitz, Hans. Thoughts on the sound structure of the piano Gedanken zur klanglichen Struktur des Klaviers.

  1572. ---. A rich tradition of instrument building by the pianoforte firm Ed. Seiler... Traditionsreicher Instrumentenbau, die Firma Ed. Seiler Pianoforte...

  1573. Kunsthistorisches Museum Vienna, ed. "Die Klangwelt Mozarts. Katalog Zur Ausstellung in Der Neuen Burg, April 1991-February 1992." Mozarts world of sound Vienna: Eigenverlag, 1991.

  1574. Kunsthistorisches Museum Wien. "Katalog Der Sammlung Alter Musikinstrumente, Teil 1: Saitenklaviere." Catalogue of the collection of old musical instruments, Part I: Stringed keyboard instruments Wien: Braumüller, 1978.

  1575. Küppers, Paul. "Ein Beitrag Zur Geschichte Des Musikinstrumentenmacher-Gewerbe Mit Besonderer Berücksichtigung Auf Leipzig." A contribution to the history of the musical instrument trade with special consideration on Leipzig Leipzig: University of Leipzig Ph.D. dissertation, 1886.

  1576. Kurk, Dennis. "Piano Tuning--a Practical Guide."Minneapolis: Gilbertson Press, 1971.

  1577. Kurk, Dennis E. "Piano Repairing for Beginners. Fundamentals of Piano Technology."St. Paul: Liberty State Press, 1977.

  1578. Kuronen, Darcy. An unusual English piano.

  1579. ---. The musical instruments of Benjamin Crehore.

  1580. Kuttner, Fritz Alexander. "Meantone Temperament in Theory and Practice."New York: Musurgica Records, 1958.

  1581. Kützing, Carl. "Beiträge Zur Praktischen Akustik Als Nachtrag Zur Fortepiano- Und Orgelbaukunst."Bern: Dalp, 1838-1886.

  1582. ---. "Das Wissenschaftliche Der Fortepiano-Baukunst." The scientific aspects in the art of fortepiano construction Bern, Chur & Leipzig: Dalp, 1844.

  1583. ---. "Theoretisch-Praktisches Handbuch Der Fortepiano-Baukunst Mit Berücksichtigung Der Neuesten Verbesserungen." Theoretical-practical handbook on the art of fortepiano construction with consideration of the newest improvements Bern & Chur: Dalp, 1833.

  1584. Kwiatkowska, Magdalena. The double reverse keyboard pianoforte[built by Edouard and Alfred Mangeot in Paris] and Juliusz Zarebski's role in its introduction Fortepiano z podwojna klawiatura i rola Juliusza Zarebskiego w jego prezentacji.

  1585. L. Lets over de doelmatige behandeling van de piano-fortes. Dordrecht, 1829.

  1586. L'Ecuyer, Christian. "Le Village De Ste-Thérèse De Blainville, Québec, Et La Compagnie Des Pianos Lesage Ltée." The village of Ste-Therese-de-Blainville, Québec, and the company Lesage Piano Limited .

  1587. La Rousselière, Jean-Baptiste-Charles de. "Traitté Des Languettes Impérialles Pour La Perfection Du Clavecin."Paris, 1679.

  1588. Laade, Wolfgang. "Klangdokumente Historischer Tasteninstrumente: Orgeln, Kiel-Und Hammerklaviere. Discographie." Recordings of historic keyboard instruments: organs, clavichords and pianos. A discography Zurich: Musikverlag zum Pelikan, 1972.

  1589. Laborde, Jean-Baptiste de. "Le Clavessin Électrique; Avec Une Nouvelle Théorie Du Méchanisme Et Des Phénomènes De L'Électricité."Paris: H. L. Guérin & L. F. Delatour, 1761.

  1590. Laible, Ulrich. "Fachkunde Klavierbau. Teil I: Unterlagen Für Auszubildende." Professional expertise in piano building. Part 1: Foundations for trainees Braunschweig: Maul-Druck, 1993.

  1591. ---. "Grenzprobleme Des Intonierens Von Klavieren Und Flügeln." Problems related to voicing upright and grand pianos .

  1592. Lamanna, Chiara Irene. "La Storia Del Pianoforte Dalle Origini Al '700."Brindisi: Schena, 1984.

  1593. Lambert, Barbara. Social music, musicians, and their musical instruments in and around colonial Boston.

  1594. Lambrechts-Douillez, J. "Catalogus Van De Muziekinstrumenten Uit De Verzameling Van Het Museum Vleeshuis." Catalogue of the musical instruments and the collection of the Vlesshuis Museum. Antwerp: 1981.

  1595. Lamburn, Edward. "A Short History of a Great House--Collard & Collard."London: Private printing, 1938.

  1596. Landi, Walter. "Schulze Pollman: Geschichte Einer Klavierfabrik in Südtirol." Schulze Pollmann: History of a piano factory in South Tirol Bozen [Bolzano]: Die Landesföderation, 1995.

  1597. Lanfranco, Giovanni Maria. "Scintille Di Musica...Con La Accordatura De Varii Instrumenti." Highlights of music....with the tuning of various instruments Brescia: Ludovico Britannico, 1533.

  1598. Lange, Helmut K. H. The organ tuning of Gottfried Silbermann Die Orgelstimmung Gottfried Silbermanns.

  1599. ---. The metronome for measuring beats Das Metronom als Schwebungsmesser.

  1600. ---. A contribution to the temperament of musical instruments from the middle ages to the present Ein Beitrag zur musikalischen Temperatur der Musikinstrumente vom Mittelalter bis zur Gegenwart.

  1601. ---. The moderator stop on the fortepiano Der Moderator-Zug am Hammerklavier.

  1602. Lange, I. W. "Der Flügel Als Mechan-Akustischer Energiewandler." The grand piano as a mechanical-acoustical energy transformer Leipzig: Akademische Verlagsgesellschaft, 1933.

  1603. ---. Regarding the physics of the concert grand piano, Part II Zur Physik des Konzertflügels, II.

  1604. ---. "Zur Physik Des Konzertflügels, Teil I." Regarding the physics of the concert grand piano, Part I .

  1605. Langendorf, Günter & Heinz Eichler. "Holzvergütung." Seasoning wood Leipzig: Fachbuchverlag, 1973.

  1606. Lannoy, Eduard Freiherr von. Music Correspondence: Paris [The pianoforte factory of Érard] Musikalische Briefe: Paris [Die Pianofortefabrik von Érard].

  1607. Lannoy, Eduard Freiherrn von. Music correspondence from Paris: The fortepiano factory of Mr. Pape Musikalaische Briefe von Paris: Die Fortepianofabrik des Hrn. Pape.

  1608. Latcham, Michael. The manufacture of pianos in Vienna between 1785 and 1820: Musical instruments as a source of information about furniture styles De Weense pianobouw tussen 1785 en 1820: Muziekinstrumenten als een kennisbron voor meubelstijlen.

  1609. ---. The check in some early pianos and the development of piano technique around the turn of the 18th century.

  1610. ---. Soundboards old & new.

  1611. ---. The pianos of Johann Andreas Stein. Michaelstein/Blankenburg: Institut für Aufführungspraxis, 1996.

  1612. Latham, Margaret et al. "History of Pratt, Read & Company of Deep River."Deep River, CT: Ivory Committee of the Deep River Historical Society, Inc., 1973.

  1613. Lattard, Jean. "Gammes Et Tempéraments Musicaux." Musical scales and temperaments Paris: Masson, 1988.

  1614. ---. Influence of inharmonicity on the tuning of a piano--measurements and mathematical simulation.

  1615. Latz, Karl and Andrew D. Hypher. Leather in organ building. Lauffen/Nekär: Rensch.

  1616. Lecomte, Auguste François. "Mémoire Explicatif De L'Invention De Scheibler. Pour Introduire Une Exactitude Inconnue Avant Lui, Dans L'Accord Des Instruments De Musique."Lille: L. Danel, 1856.

  1617. Lee, Ellen. The case for the modified piano.

  1618. Lee, R. K. Observations on the wear of two keyboards separated by 200 years.

  1619. Legge, Robin H. "Broadwood Concerts [Programmes From 6 November 1902 to 28 March 1912]." British library special collection.

  1620. Legros, H. "Tour D'Horizon Sur Le Probleme Du Temperament.".

  1621. Lehmann, Johann Traugott. "Gründliches Vollständiges Und Leicht Fassliches Stimmsystem..Wie Ein Jeder Fortepianos...Auf Die Beste Und Leichteste Art Rein Und Richtig in Kurzer Zeit Stimmen Lernen Kann." Fundamental, complete and easily understood tuning system..by which anyone can quickly, correctly and easily learn to tune fortepianos and clavichords in the best way. (Translated in its entirety by Thomas Nelson Mcgeary, Early keyboard journal. Vol. 12 (1994), pp. 71-94.) Leipzig: Kollmann, 1827.

  1622. Leicester, G. V. Musical pitch.

  1623. Leipp, Emile. Physique, musique et instruments de musique.

  1624. Leipp, Emile and A. Moles. Objective methods for determining the quality of a stringed instrument Objecktive Methode zur Bestimmung der Qualität eines Saiteninstruments. Amsterdam: Elsevier, 1961.

  1625. Leipp, Emile and Michéle Castellengo. Du diapason et de sa relativité.

  1626. Lelie, Christo. The resurrection of an instrument De wedergeboorte van een instrument.

  1627. ---. The many faces of the fortepiano De vele gezichten van de fortepiano.

  1628. Lemme, Karl. "Anweisung Und Regeln Zu Einer Zweckmässigen Behandlung Englischer Und Teutscher Pianoforte's Und Klaviere Nebst Einem Verzeichnisse Der Bei Dem Verfässer Verfertigen Sorten Von Pianoforte's Und Klavieren Von Karl Lemme, Musikalischen Instrumentenmacher Und Organisten in Braunschweig."Braunschweig, 1802.

  1629. ---. "Verzeichnis Der Verschiedenen Sorten Von Grossen Pianoforte's, Pianoforte's in Klavierform Und Klavieren."Braunschweig: Karl Reichard, 1802.

  1630. Lendel, I. "Das Pianoforte. Ein Rathgeber Für Den Laien Bei Dessen Kauf Und Besitz." The pianoforte. An adviser for the layman on its purchase and ownership Dresden, 1857.

  1631. Lenehan, Michael. The quality of the instrument (Building of Steinway grand piano K 2571).

  1632. Lengyel, Miska. "A Zongorahangolás Kézikönyve."Budapest, 1905.

  1633. Leone, Ugo. "La Normalizzazione Del Diapason."The standardization of pitch. Rome, 1972.

  1634. Leone, Ugo and P. Righini. "Il Diapason."Torino: Edizioni ERI, 1969.

  1635. Leppert, Richard. Sexual identity, death, and the family piano.

  1636. Leschiutta, Sigfrido. "Appunti Per Una Bibliografia Sul Clavicembalo, Clavicordo e Fortepiano." Notes for a bibliography on the harpsichord, clavichord and fortepiano Padova: Zanibon, 1983.

  1637. ---. Alcuni dati statistici sul cembalo italiano. Arezzo: Società Italiana di Musicologia, 1979.

  1638. ---. "Dizionario Enciclopedico Universale Della Musica e Dei Musicisti." Museums of musical instruments Musei di strumenti musicali. Torino: UTET, 1983.

  1639. Leslie, Frank. Opening of Steinway & Sons' new pianoforte manufactory.

  1640. ---. Messrs. Steinway & Sons' New Building.

  1641. ---. Alfred Dolge.

  1642. Levaillant, Denis. "Le Piano."n.p.: Éditions J.-C. Lattès, 1986.

  1643. Leverett, William M. "How to Buy a Good Used Piano."Lakewood: LaBarr Printing, 1981.

  1644. Levine, Jo Ann. Battle of the concert grands.

  1645. Lewis, Martha Beth. The piano in cyberspace.

  1646. Lewis, Thomas C. "A Protest Against the Modern Development of Unmusical Tone. Organs, Church Bells, Pianofortes."London: Chiswick Press, 1897.

  1647. Libin, Laurence. "American Musical Instruments in the Metropolitan Museum of Art."New York, 1985.

  1648. ---. Early pianos without dampers. Turin, 1990.

  1649. ---. Two centuries of piano design.

  1650. ---. The "Lying Harp" and some early square pianos.

  1651. ---. An open and shut case?

  1652. ---. Square piano by Adam Beyer.

  1653. ---. "The Instruments. Eighteenth-Century Keyboard Music."New York: Schirmer, 1994.

  1654. ---. John Huber revisited.

  1655. ---. "Keynotes: Two Centuries of Piano Design."New York: The Metropolitan Museum of Art, 1985.

  1656. ---. Nazareth piano may be among America's first.

  1657. ---. "Musical Instruments in the Metropolitan Museum."New York: The Metropolitan Museum of Art, 1978.

  1658. ---. A unique organized piano from Pennsylvania.

  1659. Libin, Lawrence. A unique German-American square piano.

  1660. ---. John Huber's pianos in context.

  1661. ---. Alphonse Blondel: Upright piano.

  1662. Library of Congress, Washington D. C. Manuscripts Division. Papers and correspondence relating to the Hammond Organ Co. and to the mini-piano of 1937. John Hays Hammond, Jr. Collection.

  1663. Lichtenwanger, William chairman and compiler, and Cynthia Adams Hoover Phillip T. Young Dale Higbee. "A Survey of Musical Instrument Collections in the United States and Canada."Ann Arbor: Music Library Association, 1974.

  1664. Lickl, C. G. The newest grand piano of I. Bösendorfer, piano maker to the Imperial and Royal court I. Bösendorfer's k. k. Hofclaviermachers neuste Flügel.

  1665. ---. J. Bösendorfer's, piano maker to the imperial and royal court, newest grand piano J. Bösendorfer's, k. k. Hofclaviermachers, neueste Flügel.

  1666. Lieber, Edgar. The influence of the soundboard on piano tone Der Einfluß des Resonanzbodens auf den Pianoklang.

  1667. ---. Regarding the irregularities of string vibrations Über Nichtlinearitäten von Saitenschwingungen. Budapest: Akademiai Kiadi, 1971.

  1668. Lieberman, Richard K. "Steinway & Sons."New Haven: Yale University Press, 1995.

  1669. Liebig, Walter. "Die Preisentwicklung in Der Klavierindustrie." The development of pricing in the piano industry Rostock, Ph.D. dissertation: 1923.

  1670. Lievense, Willy. The piano builder Conrad Graf De Klavierbouwer Conrad Graf: Piramidepiano in het Haags Gemeentemuseum.

  1671. Lindenhagen, Julius. "Die Zur Bearbeitung Des Holzes Angewendeten Werkzeug-Maschinen. Ein Handbuch Für Bau-, Möbel- Und Modell-Tischler, Drechsler, Zimmerleute, Piano-Forte-Fabrikanten, Wagner, Böttcher U.s.w." The machine tools used for working wood. A handbook for.....pianoforte builders... Wiemar: Voigt, 1862.

  1672. Lindley, Mark. "The Diversely Tempered Clavier. A Study of Relations Between Tuning Practice and Harmony in Renaissance and Baroque Keyboard Music."Columbia University Ph.D. dissertation.

  1673. ---. An historical survey of meantone temperaments to 1620.

  1674. ---. Instructions for the clavier diversely tempered.

  1675. ---. Tuning system for 12-note keyboard instruments.

  1676. ---. Tuning and temperament Stimmung und Temperatur. Berlin: Institut für Musikforschung, 1982.

  1677. ---. Tuning Renaissance and Baroque instruments: Some guidelines.

  1678. Link, John W. Jr. The promise of meantone.

  1679. ---. Meantone revived: Phoenix on record.

  1680. ---. A new and reliable tuning method for the meantone temperament.

  1681. ---. The theory of meantone temperament.

  1682. ---. "Theory and Tuning: Aron's Meantone Temperament and Marpurg's Temperament "1"."Boston: Tuner's Supply, 1963.

  1683. Lipman, Samuel. Ruminations on the romantic piano.

  1684. Little, J. W. "Toning."London: Institute of Musical Instrument Technology, 1963.

  1685. Liversidge, Anthony. in The lives of the piano, edited by James R. Gaines Of wood and iron wrought: The making of a Bösendorfer. New York: Harper Colophon Books, 1983.

  1686. Lloyd, Llewelyn S. The myth of equal temperament.

  1687. Lloyd, Llewelyn Southworth and Hugh Boyle. "Intervals, Scales and Temperaments, 2d Ed."New York: St. Martin's Press, 1978.

  1688. Locard, Paul. "Le Piano."Paris: Presses Universitaires de France, 1948-1974.

  1689. Loehr, Johann Joseph. "An Essay on the Theory and Practice of Tuning in General, and on Scheibler's Invention of Tuning Pianofortes and Organs by the Metronome in Particular. For the Use of Musicians, Tuners and Organ Builders."London: R. Cocks & Co., 1853.

  1690. ---. "Ueber Die Scheiblersche Erfindung Überhaupt Und Dessen Pianoforte- Und Orgel-Stimmung Insbesondere." About Scheibler's invention in general and his piano and organ tuning in particular Krefeld: Schüller, 1837.

  1691. Loeschmann, P. "Description and Use of the Patent Enharmonic Piano.", 1812.

  1692. Loesser, Arthur. "Men, Women and Pianos: A Social History."New York: Simon & Schuster, 1954.

  1693. Loest, Roland. American pianos: Evolution and decline.

  1694. ---. The Museum Collection--Two oddities: Cocked-hat and cycloid grands.

  1695. ---. Square but grand.

  1696. Loewinski, Margareta. Piano tuning with stress on timbre Pianostämmning med tonvikt på klangfärgerna.

  1697. Long, M. "Le Piano."Paris: Salabert, 1959.

  1698. Lott, R. A. Chickering, Steinway, and three nineteenth-century European piano virtuosos.

  1699. Loubet de Sceaury, Paul. "Musiciens Et Facteurs D'Instruments De Musique Sous L'Ancien Regime."Paris: Pedone, 1949.

  1700. Louët, Alexandre. "Instructions Théoriques Et Practiques Sur L'Accord Du Piano-Forte. Ouvrage Qui Apprend En Très-Peu De Temps Aux Personnes Les Moins Exercées, à Accorder Parfaitement Cet Instrument."Paris: Chez Le Duc, 1797.

  1701. Lourdeaux, Lee. Fortepiano advocate: An interview with Malcolm Bilson.

  1702. Love, C. W. "Manual of Pianoforte Tuning."London: College of pianoforte tuning, 1907.

  1703. Lubin, Steven. Schubert's piano: the composer's instrument suggests a new world of interpretive possibilities.

  1704. ---. Trazom's visit.

  1705. Luebcke, E. & K. H. Wernicke. Regarding the sound output of the grand piano Zur Schalleistung eines Flügels.

  1706. Luib, Ferdinand. "Biographische Skizze Des K. K. Hof-Fortepiano Verfertiger Carl Andreas Stein." Biographical sketch of the Imperial and Royal Court Fortepiano builder Carl Andreas Stein Wien: L. C. Zamarski, 1856.

  1707. Luitheln, Victor. The Walter fortepiano at Eisenstadt Der Eisenstädter Walterflügel.

  1708. Luithlen, Victor. Pianos by Conrad Graf in the collection of early musical instruments at the Kunsthistorisches Museum in Vienna Klaviere von Conrad Graf in der Sammlung alter Musikinstrumente des kunsthistorischen Museums in Wien.

  1709. ---. The evolution of the clavier in the collection of antique musical instruments at the Kunsthistorisches Museum in Vienna Die Entwicklungsreihe des Klaviers in der Sammlung alter Musikinstrumente des kunsthistorischen Museums in Wien. Antwerpen: 1971.

  1710. ---. "Führer Durch Die Sonderschau Klaviere Aus Fünf Jahrhunderten." Guide to the special exhibition of stringed-keyboard instruments from five centuries Vienna, 1939.

  1711. ---. "Saiteninstrumente (Klaviere, Streichinstrumente, Zupfinstrumente)." String instruments (keyboard, bowed and plucked instruments). Vienna: Verein der Museumsfreunde, 1941.

  1712. Luithlen, Victor and Kurt Wegerer. "Katalog Der Sammlung Alter Musikinstrumente: Vol. 1: Saitenklaviere." Catalogue of the collection of musical instruments: Vol. 1: stringed keyboard instruments Wien: Kunsthistorisches Museum, 1966.

  1713. Lustig, Monica ed. "Zur Geschichte Des Hammerklaviers: 14. Musikinstrumentenbau-Symposium in Michaelstein Am 12. Und 13. November 1993. "On the history of the hammerklavier. 14th musical instrument building symposium in Michaelstein on 12 and 13 November 1993. Michaelstein: Das Institut, 1996.

  1714. Lütge, Wilhelm. Andreas und Nannette Streicher.

  1715. Luxton, Denning D. "Vose Reminiscences."Watertown, Mass, 1923.

  1716. M., C. F. Some comments about the aesthetic character, value and use of different musical instruments Einige Bemerkungen über den ästhetischen Character, Werth und Gebrauch verschiedener musikalischer Instrumente.

  1717. Macquoid, Percy and Ralph Edwards. "The Dictionary of English Furniture."London, 1954.

  1718. Macsai, Janos. The Broadwood piano in the Zenetorteneti Muzeum A Zenetorteneti Muzeum Broadwood zongoraja.

  1719. MacTaggart, Ann and Peter MacTaggart. "Practical Gilding."Welwyn Herts: Mac & Me, n.d.

  1720. MacTaggart, Ann & Peter MacTaggart. "Painting and Marbling Harpsichord Cases."Welwyn Herts: Mac & Me, 1983.

  1721. Mactaggart, Peter and Ann editors. "Musical Instruments in the 1851 Exhibition. A Transcription of the Entries of Musical Interest From the Official Illustrated Catalogue of the Great Exhibition of the Art and Industry of All Nations."Welwyn, Herts: Mac and Me Ltd., 1986.

  1722. Maene, Chris. The development of the piano and problems in the construction of historical instruments De ontwikkelingsgeschiedeniks van de piano en de problemen van de historische instrumentenbouw.

  1723. Maffei, Scipione. "Beschreibung Eines Neuerfunden Clavicins, Auf Welchem Das Piano Und Forte Zu Haben...Ins Teutsche Übersetzt Von Johann Ulrich König." Description of a newly invented harpsichord on which forte and piano are to be had Hamburg: 1725.

  1724. ---. The new invention of a harpsichord with piano and forte, including some considerations on musical instruments Nuova invenzione d'un gravicembalo col piano e forte, aggiunte alcune considerazioni sopra gl'instrumenti musicale.

  1725. Magne, Daniel. "Guide Pratique Du Piano, Pour L'Amateur Et Le Professionnel." Practical guide to the piano, for the amateur and the professional Tours: Van de Velde, 1979.

  1726. Mahajan, L. D. The vibrations of the pianoforte soundboard.

  1727. Mahillon, Victor Charles. "Catalogue Déscriptif Et Analytique Du Musée Instrumental Du Conservatoire Royal De Musique De Bruxelles." Descriptive and analytical catalogue of the instrument museum of the Royal Conservatory of music in Brussels Gand: C. Annoot-Braeckman, 1881-1922.

  1728. Mahr, Justus. History of the damper pedal Geschichte des Dämpferpedals.

  1729. Maleno, Dr. Industrial journal: Pianoforte making Industrielle Zeitung: Pianoforte-Fabrikation.

  1730. ---. Industrial journal. Pianoforte building Industrielle Zeitung. Pianoforte-Fabrikation.

  1731. Manders, Fried. Inductive meter to determine wood thickness of unopened musical instruments.

  1732. Manfredi, A. New researches on the acoustic characteristics of the pianoforte.

  1733. Mann, Walter Edward. "Piano Making in Philadelphia Before 1825." Iowa City, 1977.

  1734. Manthey Piano Co. "Klaviano, Das Klavier Unserer Zeit." Klaviano, the piano of our time Berlin: Ferd. Manthey piano Co., n.d.

  1735. Marceuse, Sybil. "A Survey of Musical Instruments."New York, 1975.

  1736. Marcuse, Sibyl. "Musical Instruments at Yale (Exhibition Catalogue, Yale University Art Gallery)."New Haven, 1960.

  1737. Marcuse, Sybil. "Musical Instruments: a Comprehensive Dictionary."Garden City: Doubleday, 1964.

  1738. Marinelli, Aldo. A concert grand by Luigi Borgato for Radu Lupu at the Teatro alla Scala in MIlan Un "grancoda" da concerto di Luigi Borgato al "Teatro alla Scala di Milano per Radu Lupu.

  1739. Marmontel, Antoine. "Art Classique Et Moderne Du Piano." The classic and modern art of the piano Paris: Heugel et cie, 1876.

  1740. Marmontel, Antoine François. "Histoire Du Piano Et De Ses Origines, Influence De La Facture Sur Le Style Des Compositeurs Et Des Virtuoses." The history of the piano and its origins. The influence of piano construction on the style of composers and virtuosos Paris: Heugel & fils, 1885.

  1741. Marpurg, Friedrich Wilhelm. "Neue Methode, Allerley Arten Temperaturen Dem Claviere Aufs Bequemste Mitzutheilen; Auf Veranlassung Einer Von Dem Herrn Baron Von Wiese Zu Dresden Vorgeschlagenen Neuen Stimmungsart..." A new method to easily produce all sorts of temperaments on the piano; utilizing a new method of tuning recommended by Mr. Baron von Wiese in Dresden Berlin: Gottlieb August Lange, 1790.

  1742. ---. "Principes Du Clavecin."Berlin, 1776.

  1743. ---. "Versuch Über Die Musikalische Temperatur..." Treatise on musical temperament Breslau: Johann Friedrich Korn, 1776.

  1744. Marshall, William Arthur. The Shudis and the Broadwoods.

  1745. Martin, D. W. Decay rate of piano tones.

  1746. Martin, D. W. and W. D. Ward. Subjective evaluation of musical scale temperament in pianos.

  1747. Martini, Jean-Paul-Egide. "Mélopée Moderne Ou L'Art Du Chant......... Aussi La Vrai Manière D'Accorder Le Piano Et La Harpe."Paris: Boyer, 1792.

  1748. Mason, Edward P. President of Mason & Hamlin Piano Co. The question of a uniform pitch. An interesting letter from Mr. Edward P. Mason.

  1749. Mason, Henry Lowell. "How Has the Pianoforte As an Instrument Developed Since 1876? With Some Figures." "An address by Henry L. Mason, president of the Mason-Hamlin Co., delivered before the Music Teachers' National Association at Cleveland, Ohio, December 27, 1928." Oberlin, Ohio: The New Printing Co., 1929.

  1750. ---. "Musical Letters From Abroad."New York, 1854.

  1751. ---. The modern artistic pianoforte. Its construction.

  1752. Mason, l William. "Memories of a Musical Life."New York, 1901.

  1753. Mason, Lucas. "The New Tuning: Equal Temperament With Perfect Fifths: a Complete Guide to a New Improved System of Tuning Keyboard Instruments."Saddle River, NJ: Echo Productions, 1985.

  1754. Mason, Merle H. "Classified Index of Published Piano Technology." Bibliography of articles in the Piano Technicians Journal, The Piano Technician, The Tuners' Digest, Tuners' Magazine, The Journal of Teflon. Seattle: Piano Technicians Guild, 1980.

  1755. ---. The Jankò keyboard.

  1756. Mason, Merle H. compiler. "Piano Action Handbook, 2nd Ed."Seattle: Piano Technician's Guild, 1971.

  1757. ---. "Piano Parts and Their Functions. A Complete Guide to the Names and Purposes of Structural and Moving Parts Found in Contemporary Pianos."Seattle: The Piano Technician's Guild, 1977.

  1758. Massinelli, Anna Maria and Filippo Tuena. "Treasures of the Medici."New York, 1992.

  1759. Mathias, F. X. and Joseph Wörsching. "Die Orgelbauer-Familie Silbermann in Strassburg."Mainz, 1959.

  1760. Matsumoto, Yujiro. "Meiji No Gakki Seizosha Monogatari: Nishikawa Torakichi, Matsumoto Shinkichi." Japanese piano makers and construction Tokyo: Matsumoto Yujiro, henshu Soeisha, seisaku Sanseido Shoten, 1997.

  1761. Mattheson, Johann. "Critica Musica."Hamburg: The Author, 1722.

  1762. ---. "Das Neu-Eröffnete Orchester."Hamburg: The Author, 1713.

  1763. Matthias, Max. Modern surface finishing in the piano industry Die moderne Oberflächenbehandlung in der Klavierindustrie.

  1764. ---. From hand crafting to industrial finishing in piano building Von handwerklicher zu industrieller Fertigung im Klavierbau.

  1765. ---. "Steinway Service Manual. Leitfaden Zur Pflege Und Reparatur Eines Steinway. 2. Überarb. Und Wesentl. Erw. Auflage." Steinway Service Manual. Guide to the care and maintenance of a Steinway. 2nd revised and extended edition with a preface by Henry Z. Steinway Frankfurt am Main: Bochinsky, 1998.

  1766. Matzenauer, Sabine. Restoring a fortepiano by J. A. Stein: A comparison of surviving instruments Zur Restaurierung eines Piano-Fortes von J. A. Stein: Erhaltene Instrumente im Vergleich. Michaelstein/Blankenburg, Germany: Institut für Aufführungspraxis, 1996.

  1767. Maunder, Richard. Mozart's keyboard instruments.

  1768. ---. The earliest English square piano?

  1769. ---. J. C. Bach and the early piano in London.

  1770. ---. "Keyboard Instruments in Eighteenth-Century Vienna."Oxford: Clarendon Press, 1998.

  1771. Maunder, Richard and David Rowland. Mozart's pedal piano.

  1772. Maurer, H. The curved keyboard by Frederic Clutsam Die Bogenklaviatur von Frederic Clutsam.

  1773. Maxwell, Francis Kelly. "An Essay Upon Tune. Being an Attempt to Free the Scale of Music, and the Tune of Instruments, From Imperfection."Edinburgh: C. Elliot, 1781.

  1774. May, K. Early Music Today The fortepiano.

  1775. Mayberry, John Henry. "Practical Course in Piano Tuning."Kansas City: Athena Publishing Co., n.d.

  1776. Mayer, Emil. Die vierte Industrie- und Gewerbs-Produkten-Ausstellung zu Linz im September 1847 in musikalischer Bezeihung [Klavierbauer Frenzl].

  1777. Mayer, Michael. "Bösendorfer. Historische Betriebsanalyse Der Firma L. Bösendorfer Klavierfabrik A.G." Bösendorfer. An historical business analysis of the piano company L. Bösendorfer, Inc. 1989.

  1778. McCabe, James D. Jr. "Great Fortunes and How They Were Made; or the Struggles and Triumphs of Our Self-Made Men."Philadelphia/New York/Boston, 1871.

  1779. McClure, A. P. Studies in keyboard temperaments.

  1780. McCombie, Ian K. "The Piano Handbook."New Abbot: David & Charles, 1980.

  1781. McFerrin, W. V. "The Piano--Its Acoustics."Boston: Tuner's Supply Co., 1972.

  1782. McGeary, Thomas. German-Austrian keyboard temperaments and tuning methods, 1770-1840: evidence from contemporary sources.

  1783. McGeary, Thomas Nelson. Johann Lehmann's fortepiano tuning and maintenance manual.

  1784. McGreary, Thomas. Karl Lemme's manual on fortepiano and clavichord maintenance (1802).

  1785. McGreary, Thomas Nelson. Johann Lehmann's fortepiano tuning and maintenance manual (1827).

  1786. McKay, Elizabeth Norman. "The Impact of the New Pianofortes on Classical Keyboard Style: Mozart, Beethoven and Schubert."West Hagley (West Midlands): Lynwood Music, 1987.

  1787. McMorrow, Edward J. "The Educated Piano. The Structural Relationships Essential for Fine Piano Tone."Edmonds, Washington: Light Hammer Press, 1989.

  1788. McNeil, Michael. An analysis tool for contemporary and historical tunings.

  1789. McNulty, Paul interview. Ik wedijver met Schanz en Walter.

  1790. McPhail, A. M. "Catalogue of the McPhail Piano Co."Boston, n.d.

  1791. McTammany, John. Evolution of the player piano mechanism.

  1792. ---. "The Technical History of the Player."New York: Musical Courier Co., 1915.

  1793. Meahl, P. J. How ivory for piano keys is obtained: T. Whitworth, of the Piano & Organ Supply Co., gives facts about this important commodity. Why the visible supply is decreasing. What will take its place.

  1794. Meer, John Henry van der. The Neupert collection of historical keyboard instruments Die klavierhistorische Sammlung Neupert. Nürnberg, 1968.

  1795. ---. Mozart's fortepianos Mozarts Hammerflügel. Kassel: Bärenreiter, 1966.

  1796. ---. Walter, Gabriel Anton. Kassel: Bärenreiter, 1968.

  1797. ---. A curious instrument with a five-octave compass.

  1798. ---. "Internationale Tagung Von Restauratoren." Establishing goals in the restoration of historical stringed-keyboard instruments Zielsetzung bei der Restaurierung historischer Saitenklaviere. Graz: Adademische Druck und Verlagsanstalt, 1973.

  1799. ---. "Musikinstrumente Von Der Antike Bis Zur Gegenwart." Musical instruments from antiquity to the present München: Prestel Verlag, 1983.

  1800. ---. For every sort of keyboard instrument Per ogni sorte di stromenti da tasti.

  1801. ---. "Van Giraffepianos, Pianoleeuwen, Tingellatten En Toondichters."Amsterdam: Becht, 1975.

  1802. ---. "Verzeichnis Der Europäischen Musikinstrumente Im Germanischen Nationalmuseum Nürnberg." Index of the European musical instruments in the German National Museum in Nürnberg Wilhelmshaven: Heinrichshofen, 1979.

  1803. Meer, John Henry van der and Rainer Weber. "Catalogo Degli Strumenti Musicali Dell'Accademia Filarmonica Di Verona." Catalog of the musical instruments in the Accademia filarmonica of Verona Verona: Accademia filarmonica, 1982.

  1804. Meer, Vera ed. "Internationale Tagung Von Restauratoren Für Besaitete Tasteninstrumente, 2nd Ed." International meeting of restorers of stringed keyboard instruments Graz: Akademische Druck Verlagsanstalt, 1973.

  1805. Meeùs, Nicolas. Keyboard scholarship.

  1806. ---. The Chekker.

  1807. Meffen, John. "A Guide to Tuning Musical Instruments."London: David & Charles, 1982.

  1808. Meier, Elisabeth Charlotte. Das Terpodion.

  1809. Meisel, Maribel. "The Pedal Pianos by Johann Schmid."Salzburg: Museum Carolino Augusteum, 1988.

  1810. Meissner. "Meissner's Modern Practical System of Tuning the Pianoforte.", 1840.

  1811. Melville, Derek. Beethoven's pianos. New York: Norton, 1971.

  1812. Menger, Reinhardt. The tangent piano--a fortepiano Der Tangentenflügel--ein Fortepiano. Hildesheim: Olms, 1993.

  1813. ---. Keyboard building in the second half of the 18th century (especially the fortepiano) Der Klavierbau in der zweiten Hälfte des 18. Jahrhunderts (insbesondere des Fortepiano).

  1814. Mercadier de Belesta, Jean-Baptiste. "Mémoire Sur L'Accord Du Clavecin Et Sur Le Système De M. De Boisgelou Concernant Les Intervalles Musicaux Par M. Mercadier." Dissertation on tuning the harpsichord and on the system of Mr. de Boisgelou concerning musical intervals , 1784.

  1815. Mersenne, Marin. "Harmonicorum Libri."Paris: Pour Guillaume Baudry, 1636.

  1816. ---. "Traite De L'Harmonie Armonie Universelle."Paris: Pour Guillaume Baudry, 1627.

  1817. Meyer, C. and Sons. "On the Full Iron Plate Frame for Pianos."Philadelphia, 1876.

  1818. Meyer, Jürgen. The true properties of the grand piano Die Richtcharateristik des Flügels.

  1819. ---. Acoustical studies on pianos Akustische Untersuchungen an Pianos.

  1820. Meyer, Jürgen and W. Lottermoser. Regarding the possibilities for a judgement about piano tone... Über die Moglichkeiten einer klanglichen Beurteilung von Flügeln. Mitteilung aus der physikalisch-technischen Bundesanstalt Braunschweig.

  1821. Meyer, Michael. "Historische Betriebsanalyse Der Firma L. Bösendorfer Klavierfabrik AG Unter Besonderer Berücksichtigung Der Entwicklung Der Österreichischen Klavierindustrie Und Der Exportaktivitäten Des Untternehmens."Wirtschafts Universität Vienna, Ph.D. dissertation, 1989.

  1822. Meyster, Jenne. Het 'Clavier de résonance'.

  1823. Michel, Norman Elwood. "Historical Pianos, Harpsichords and Clavichords."Pico Rivera, California: The Author, 1963.

  1824. ---. "Michel's Piano Atlas."Long Beach, California: The author, 1947.

  1825. ---. "Old Pianos."Pico Rivera: The Author, 1954.

  1826. Michelin, François. "La Gamme Chromatique De L'Orchestre Et De Jean-Sebastien Bach a 11 Quintes Justes Et 1 Quinte Faible Fa-Diese-Do-Diese." The chromatic scale of the orchestra and of Johann Sebastian Bach: eleven just fifths and one false fifth, f-sharp-c-sharp. 2 vols. Antibes: The author, 1977.

  1827. Mieg, Peter. The piano in Switzerland Das Klavier in der Schweiz.

  1828. Mies, Paul. Beethoven's last piano Beethovens letzter Flügel. Bonn: Beethovenhaus, 1964.

  1829. Miessner, William Otto. What is happening to the piano?

  1830. Milchmeyer, Johann Peter. "Die Wahre Art Das Pianoforte Zu Spielen." The true art of playing the pianoforte Dresden: C. C. Meinhold, 1797.

  1831. Miller, Edgar G. "American Antique Furniture."Baltimore, 1937.

  1832. Miller, Harold. "The Rise and Decline of the Piano: Care and Use of the Piano."Toronto: Harold Miller, 1967.

  1833. Miller, Henry F. & Sons Pianoforte Co. "New Illustrated Catalogue Containing Descriptions and Engravings of the Henry F. Miller Piano-Fortes With a Sketch of the Manufacturer, a Description of His Establishments and a List of Styles With Engravings."Boston, 1878.

  1834. Miller, William. "History of Musical Pitch." Massachusetts Institute of Technology B.S. thesis .

  1835. Mobbs, Kenneth. Stops and other special effects on the early piano.

  1836. ---. 'A'=415.3 and all that.

  1837. ---. Square piano by Beyer? Further comments and a query.

  1838. Modino, Angelo. "Il Clavicordo: Interpretazione e Riconstruzione Di Antichi Strumenti a Tastiera." The clavichord: Interpretation and reconstruction of early keyboard instruments Lucca: Libreria Musicale Italiana, 1993.

  1839. Moeck, Hermann ed. "Fünf Jahrhunderte Deutscher Musikinstrumentenbau: Ein Jubiläumsbuch." Five centuries of German musical instrument building: An anniversary book Celle: Moeck, 1987.

  1840. Mohr Michael. Grand Piano.

  1841. Mola, C. "Elementi Di Tecnica Del Clavicembalo e Pianoforte."Milan, 1941.

  1842. Mommertz, Karl Heinz. Vom Bohren, Drehen und Fräsen. Zur Kulturgeschichte der Werkzeugmaschinen. Munich: Deutsches Museum, 1979.

  1843. Montagu, Jeremy. Registration of old musical instruments conducted by the Historical Monuments Documentation Centre, ul, Brzozowa 35, 00-258 Warszawa, Poland.

  1844. ---. What do we mean by A=415?

  1845. ---. "The World of Baroque & Classical Musical Instruments."London: David & Charles Newton Abbot, 1979.

  1846. Montal, Claude. "L'Art D'Accorder Soi-Même Son Piano D'Après Une Méthode Sure, Simple Et Facile, Déduite Des Principes Exacts De L'Acoustique Et De L'Harmonie, Contenant En Outre Les Moyen De Conserver Cet Instrument, L'Exposé De Ses Qualités, La Manière De Réparer Les Accidents Qui Surviennent à Son Mécanisme; Un Traité D'Acoustique, Et L'Histoire Du Piano Et Des Instruments à Clavier Qui L'Ont Précédé, Depuis Le Moyen-Age Jusqu'En 1834."Paris: J. Meissonier, 1836.

  1847. ---. "Kurz Gefasste Anweisung Des Pianoforte Selbst Stimmen Zu Lernen." Abbreviated method for learning to tune your own piano Mainz: Schott, 1835.

  1848. Montanari, Giuliana. Bartolomeo Cristofori: A list and historical survey of his instruments.

  1849. Montani, Pietro. "Viaggio Intorno Al Pianoforte." A journey inside the pianoforte Milano: Riccordi, 1959.

  1850. Moór, Emanuel. The duplex-coupler pianoforte.

  1851. Moore, H. K. "A Manual of Pianoforte Tuning."London: Musical Opinion, 1919.

  1852. Moore, John W. "Complete Cyclopedia of Music."Boston, 1854.

  1853. Morrill, N. W. The music trade: The American pianoforte manufacture.

  1854. Morrison, Jim. The Steinway way: crafting pianos with soul.

  1855. Morton, Frank E. chairman and editor. "Piano Tone Building. Proceedings of the Piano Technicians Conference Chicago 1916,1917, 1918 and New York, 1919."Chicago: American Steel & Wire Co., 1919.

  1856. Mould, Charles M. The Broadwood books.

  1857. ---. An index of British makers of historical keyboard instruments.

  1858. Moysan, Alain. The 1790 Érard: A fortepiano in the shape of a harpsichord--An ornate model L'Érard de 1790, fortepiano en forme de clavecin, modèle orné. Luxeuil-les-Bains: City press, 1993.

  1859. Mulder, Lenard P. "Dealer's Handbook of Pianos and Their Makers."Chicago: Anderson-Mulder, 1950.

  1860. Muller, H. Messung der Eigenfrequenzen biegsteifer Saiten.

  1861. Muller, H. et al. Nachbildung von Cembalo- und Piano-Klängen durch elektromagnetische Saitenanregung.

  1862. Müller, Johann Christian. "Lettera Dell'Autore Del Nuovo Cembalo Angelico Inventato in Roma Nell'Anno 1775. Che Serve D'Istruzione Per Costruire Lo Stesso Cembalo e Ne Significa i Pregi."Roma: Giovanni Zempel, 1775.

  1863. Müller, Mette. Otto Joachim Tieffenbrunn. Danish piano builder at the beginning of the 18th century Otto Joachim Tieffenbrunn. Dansk klaverbygger fra slutningen af det 18. århundrede.

  1864. Müller, Werner. "Auf Den Spuren Von Gottfried Silbermann: Ein Lebensbild Des Berühmten Orgelbauers Nach Urkundlichen Quellen Gezeichnet."Berlin/Kassel: Verlag Merseburger, 1982.

  1865. ---. "Gottfried Silberman, Persönlichkeit Und Werk: Eine Dokumentation." Gottfried Silberman, the man and his work: A documentation Frankfurt am Main: Verlag Das Musikinstrument, 1982.

  1866. Müller, Wolfgang. Recommendations for treating surface finishes Ratschläge für die Oberflächenbehandlung.

  1867. ---. Workshop tips for case building Werkstattwinke für den Gehäusebau.

  1868. ---. "Technologie Der Holzbearbeitung." Technology of working wood Leipzig, 1982.

  1869. Munnich, Wilhelm. "Mechanik Und Technik Des Pianofortebaus." Mechanics and techniques of pianoforte building Berlin: Warschauer, 1901.

  1870. Murata, Koh. "Sectional Tuning of the Piano."Tokyo: Gakushobo, 1966.

  1871. Murray, W. R. "Cyclopedia of Useful and Entertaining Knowledge."Boston, 1854.

  1872. Musée Wallone. "Musée De La Vie Wallone, Liège: Esposition Univers Du Pianoforte. Festival Du Liège."Liège, 1970.

  1873. Music Trades Corporation. "The Purchaser's Guide to the Music Industries."New York: The Music Trades Corp., 1897.

  1874. Mussard, J. P. "Essai Sur Les Cordes D'Acier Trempé (Pour Pianos) De M.P. Sanguinède." Essay on the strings of tempered iron (for pianos) of M. P. Sanguinède , 1845.

  1875. Nachersberg, Johann Heinrich Ernst. "Stimmbuch Oder Vielmehr: Anweisung Wie Jeder Liebhaber Sein Clavierinstrument...Selbst Repariren Und Also Auch Stimmen Könne." Tuning book, or much more: Instruction on how every amateur can tune and repair his keyboard instrument Breslau & Leipzig, 1801.

  1876. Nagel, Konrad. "Klavizitherium--Selbst Gebaut. Anleitung Zum Entwurf Und Bau Eines Reizvollen Kielflügels." Klavizitherium--build it yourself. Introduction to designing and building a charming Kielflügel Kassel: Merseburger, 1987.

  1877. Nalder, Lawrence M. "First Steps in Piano Tuning and Other Essays in Piano-Forte Technology."London: Musical Opinion, 1947.

  1878. ---. "The Modern Piano."London: Musical Opinion, 1927.

  1879. Napoli, Laredana de & Raffaele Reale Castello. "Il Fortepiano. Un Contributo Alla Conservazione Degli Strumenti a Tastiera Del XIX Secolo. I Fortepiani Di Conrad Graf, Costruttore Viennese Della Prima Metà Del XIX Secolo." The fortepiano: a contribution to the conservation of the keyboard instruments of the 19th century. The fortepianos of Conrad Graf, Viennese builder in the first half of the 19th century Florence: Università degli Studi di Firenze, 1989-1990.

  1880. Nardi, M. T. I cembali a martellini di Paolo Morellati.

  1881. National Piano Manufacturers Association of America. "The Stencilling of Pianos."New York: The Association, 1899.

  1882. National Piano Travelers Association. "The Piano Travelers Association Book; A Reference Book."New York: Rand, McNally, 1916.

  1883. ---. "Souvenir Year Book." Began and ceased publication in 1923. New York, 1923.

  1884. Nauenburg, G. A cabinet grand by Grüneberg of Halle with iron ribs [Cabinetflügel von Grüneberg in Halle mit eisernem Gerippe].

  1885. Nef, Karl. "Geschichte Unserer Musikinstrumente." History of our musical instruments Leipzig: Quelle & Meyer, 1926-1949.

  1886. ---. Harpsichord and clavichord Klavizymbel und Klavichord. Leipzig, 1903.

  1887. Neidhardt, Johann Georg. "Canon Monochordus, Temperamenta Generis Diatonico-Chromatici Omnia, Arithmetice Et Geometrice Edocens."Königsberg: Stelter, 1734.

  1888. ---. "Gäntzlich Erschöpfte, Mathematische Abtheilungen Des Diatonisch-Chromatischen, Temperirten Canonis Monochordial Wo...Gezeigt Wird, Wie Alle Temperaturen Zu Erfinden, in Linien Und Zahlen Darzustellen, Und Aufzutragen Seyn.."Königsberg: Eckart, 1732.

  1889. ---. "Systema Generis Diatonico-Chromatici, Ex Numeris Serie Naturali Procedentibus Evolutum, Atque Temperamenti Aequalis..."Königsberg: Reusner, 1734.

  1890. Neidhardt, Johann George. "Beschaffenheit Der Diatonisch-Chromatischen Octave, Aus Der Ordnung Der Natürlichen Zahlen Hergeführet." The nature of the diatonic-chromatic octave, derived from the order of natural numbers Königsberg: Reussner, 1734.

  1891. ---. "Beste Und Leichteste Temperatur Des Monochordi, Vermittelst Welcher Das Heutiges Tages Bräuchliche Genus Diatonico-Chromaticum Also Eingerichtet Wird, Dass Alle Intervalla, Nach Gehöriger Proportion, Einerley Schwebung Überkommen...Und Iede Claves, in Einer Angenehmen Gleichheit Transponiren Lassen..."Jena: Johann Bielcke, 1706.

  1892. Nelson, Edna Deu Pree. When is a piano?

  1893. Neuhaus, G. "Das Pianoforte Mit Konkavradiärer Klaviatur Und Konzentrischer Anschlagslinie." The pianoforte with concave-radial keyboard and concentric hammer line Berlin, 1881.

  1894. Neumann, A. "Die Musikinstrumentenindustrie Deutschlands." The musical instrument industry in Germany Ph.D. dissertation, Leipzig, 1925.

  1895. Neupert, Hanns. Piano makers, harpsichord makers, harmonium makers and keyboard makers Klavierbauer, Cembalobauer, Harmoniumbauer und Klaviaturmacher. Bielefeld: Bertelsmann, 1970.

  1896. ---. "Das Cembalo, Eine Geschichtliche Und Technische Betrachtung Der Kielinstrumente." The harpsichord, an historical and technical view of plucked keyboard instruments Kassel: Bärenreiter, 1933.

  1897. ---. "Das Klavichord: Geschichte Und Technische Betrachtung Des "Eigentlichen Claviers." Mit Einem Anhang, Von Der Wahren Gute Der Clavichorde, Nach Einem Manuskript Von J. N. Forkel." The clavichord: An historical and technical view of the "actual clavier." With an appendix "About the true value of the clavichord according to a manuscript of J. N. Forkel Kassel: Bärenreiter, 1948.

  1898. ---. "Die Behandlung Moderner Cembali, Spinette Und Klavichorde."Kassel: Bärenreiter, 1957.

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  1900. ---. Bechstein. Kassel: Bärenreiter, 1949.

  1901. ---. "Führer Durch Das Musikhistorische Museum Neupert in Nürnberg." Guide to the music history museum Neupert in Nürnberg Nurnberg, 1938.

  1902. ---. Replicas and reconstructions, history and problems of replica construction of stringed keyboard instruments Kopie und Rekonstruktion, Geschichte und Probleme des Neubaues von besaiteten Tasteninstrumente. Kassel: Bärenreiter, 1954.

  1903. ---. "Vom Musikstab Zum Modernen Klavier; Eine Entwicklungsgeschichte Der Klavierinstrumente." From monochord to the modern piano Bamberg: Neupert, 1926.

  1904. ---. Is straight bridge construction new Ist die Geradsteg-Konstruktion neu?

  1905. Neupert, Wolf Dieter. Regarding the early history of the fortepiano Zur Frühgeschichte des Hammerflügels. Munich-Salzburg: Emil Katzbichler,
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  1906. Neuwirth, E. "Musical Temperaments."Vienna and New York: Springer, 1998.

  1907. Newman, Ernest. "The Piano-Player and Its Music."London: G. Richards, 1920.

  1908. Newman, Sidney and Peter Williams. "The Russell Collection and Other Keyboard Instruments in Saint Cecilia's Hall Edinburgh."Edinburgh: Edinburgh V .P., 1968.

  1909. Newman, William S. A capsule history of the piano.

  1910. ---. Beethoven's piano versus his piano ideals.

  1911. Niemann, Walter. "Das Klavierbuch; Geschichte Der Klaviermusik Und Ihrer Meister Bis Zur Gegenwart. Mit Einer Übersicht Über Den Klavierbau." The piano book; history of piano music and its masters up to the present. With an overview regarding piano building Leipzig: C.F. Kahnt, 1910.

  1912. Nix, Josef. "Lehrgang Der Stimmkunst." Course in the art of tuning Frankfurt: Verlag das Musikinstrument, 1961.

  1913. Nixon, D. C. Making Canadian pianos.

  1914. Noatzsch, Richard. "Zur Geschichte Des Klaviers." On the history of the piano Langensalza: Beyer & Söhne, 1907.

  1915. Norlind, Tobias. "Geschichte Des Klaviers."Hanover, 1940.

  1916. ---. "Norlind Collection of Letters and Other Documents Relating to the History and Construction of the Piano.".

  1917. ---. On the childhood of the piano Från pianofortets barndom.

  1918. ---. "Systematik Der Saiteninstrumente II, Geschichte Des Klaviers." Taxonomy of stringed instruments II, history of the piano Hanover: Verlag für musikalische Kultur, 1939.

  1919. Norman, John. Unequal temperaments and the British organ.

  1920. Norton, Edward Quincy. "Construction, Tuning and Care of the Piano-Forte. A Book for Tuners, Dealers, Teachers and Owners of Pianos and Organs."Boston: Oliver Ditson, 1887.

  1921. Norton, H. A. Varnishes and the varnisher.

  1922. Norvid, Cyprien. "Le Piano De Chopin." Chopin's piano Paris: Bibliotheque polonaise, n.d.

  1923. Norwid, C. Le piano de Chopin.

  1924. Nothery, Guy Cadogan. Beautiful pianos. The evolution and decoration of the piano case.

  1925. Nugues, E. H. C. Pouget and C. Martin. "Practical Manual for the Piano and Harmonium Tuner. The Tuning and Repair of These Instruments."Paris: H. Langlois, 1902.

  1926. Nugues, E. H. C. Pouget and Ch. Martin. "Manuel Pratique De L'Accordeur De Pianos Et Harmoniums: Traitant De L'Accord Et De La Reparation De Ces Instruments: Contenant En Outre Des Principes Elementaires D'Acoustique Et Differents Procedes De Travail." Practical manual for the piano and harmonium tuner. The tuning and repair of these instruments Paris: H. Langlois, 1902.

  1927. Nüscle, Hermann. Karl Maendler's Bach piano Karl Maendlers Bach-Klavier.

  1928. Nussbaumer Eibensteiner, Maria Elisabeth. "Johan George Gröber, Tiroler Klavier- Und Orgelbauer (1775-1849).": Unpublished master's thesis, 1992.

  1929. O'Brien, Grant G. Attitudes to musical instrument conservation and restoration.

  1930. ---. Some principles of eighteenth century harpsichord stringing and their application. Fritz Knuf, 1981.

  1931. ---. The conservation of historical keyboard instruments: To play or to preserve. Florence: L. S. Olschki, 1987.

  1932. ---. "Ruckers: A Harpsichord and Virginal Building Tradition."New York: Cambridge University Press, 1990.

  1933. O'Brien, Michael Kent. "Bartolomeo Cristofori at Court in Late Medici Florence."Washington, D.C.: 1994.

  1934. O'Conner, Leo. Engineering on a grand scale.

  1935. Och, Laura. Bartolomeo Cristofori, Scipione Maffei e la prima descrizione del 'gravicembalo col piano e forte'.

  1936. Odell, Scott. Clocks and musical instruments: must functional objects be made to function? Greenwich: National Maritime Museum, 1986.

  1937. Old Sturbridge Village, Research Library. "Printed Ephemera Concerning Music. T. Gilbert Pianoforte Manufactory, Trade Card
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  1938. Oliver, Henry K. Musical Instruments. Philadelphia: J. B. Lippincott & Co., 1878.

  1939. Ono, T. and M. Norimoto. On physical criteria for the selection of wood for soundboards of musical instruments.

  1940. Opifer. Letter dated June 30, 1820 To the editor on the construction of pianos and organs.

  1941. Oppel, Wigand. The chromatic or Vincent keyboard Die chromatische oder Vincent-Claviatur.

  1942. Ord-Hume, Arthur W. J. G. "Clockwork Music. An Illustrated History of Mechanical Musical Instruments From the Musical Box to the Pianola, From Automaton Lady Virginal Players to Orchestration."London: Allen & Unwin, 1973.

  1943. ---. "Pianola--History and Development."London: Allen & Unwin, 1984.

  1944. ---. "Player Piano: The History of the Mechanical Piano and How to Repair It."London: Allen & Unwin, 1970.

  1945. ---. "Restoring Pianolas and Other Self-Playing Pianos."Boston: Allen and Unwin, 1983.

  1946. Ortmann, Otto. "The Physical Basis of Piano Touch and Tone."New York: Dutton, 1925.

  1947. Osimek, E. and L. Malachowicz. The influence of string tension upon the value of some acoustic parameters of the sonority of an upright piano Wplyw naciagu strum na wartosc niektórych parametrów akustycznych dzwiecznicy pianina.

  1948. Ottley, Brent L. "Piano Building in Victoria 1850-1950.": Privately published, 1987.

  1949. Ottner, Helmut. "Der Wiener Instrumentenbau 1815-1833." Viennese instrument building 1815-1833 Tutzing: Hans Schneider, 1977.

  1950. Otto, Celia Jackson. "American Furniture of the Nineteenth Century."New York, 1965.

  1951. Packard Piano co. "Packard Piano Catalogue."Fort Wayne, Ind.: Packard Piano Company, 1926.

  1952. Pagnerre, Louis. "De La Mauvaise Influence De Piano Sur L'Art Musical; Ètude Sur Les Instruments à Clavier." On the evil influence of the piano on musical art: Study of the clavier instruments: clavichord, harpsichord, and piano Paris: E. Dentu, 1885.

  1953. Palm, Albert. An unknown piano method from the period of transition from the harpsichord to the fortepiano Eine unbekannte Klavierschule aus der Zeit des Übergangs vom Cembalo zum Hammerklavier.

  1954. Palmer, Caroline and Judith C. Brown. Investigations in the amplitude of sounded piano tones.

  1955. Palmer, Francis. "The Dometsch Collection of Musical Instruments."London: Archway Press, 1981.

  1956. Palmer, King C. "The Piano."Sevenoaks: Hodder & Stoughton, 1981.

  1957. Palmer, Larry. "Harpsichord in America: a Twentieth-Century Revival."Bloomington: Indiana University Press, 1989.

  1958. Palmieri, Robert. Artist and artisan.

  1959. ---. "Piano Information Guide: an Aid to Research."New York: Garland, 1989.

  1960. Palmieri, Robert ed. "Encyclopedia of the Piano."Hamden: Garland, 1993.

  1961. Parker, Richard G. "A Tribute to the Life and Character of Jonas Chickering."Boston: W. P. Tewksbury, 1854.

  1962. Parkinson, Hans B. "The Piano--Its Care."Los Angeles: Parkinson, 1922.

  1963. Parrini, A. Nel Secondo Centenario della morte di Bartolomeo Cristofori.

  1964. Parrish, Carl. "The Early Piano and Its Influence on Keyboard Technique and Composition in the Eighteenth Century."Superior, WI: Research Microfilm Publishers, 1953.

  1965. ---. Criticisms of the piano when it was new.

  1966. Parsons, William C. Early keyboard bibliography.

  1967. Parton, James. The piano in the United States.

  1968. Pascual, Beryl Kenyon de. Francisco Pérez Mirabal's harpsichords and the early Spanish piano.

  1969. Pasquali, Nicolo. "The Art of Fingering the Harpsichord;...to Which Is Added an Approved Method of Tuning This Instrument."Edinburgh: R. Bremner, 1758.

  1970. Pauer, Ernst. "A Dictionary of Pianists and Composers for the Pianoforte, With an Appendix of Manufacturers."London, New York: Novello, Ewer & Co., 1895.

  1971. Paul, John. "Modern Harpsichord Makers."London: Gollancz, 1981.

  1972. Paul, Oskar. "Geschichte Des Klaviers Vom Ursprunge Bis Zu Den Modernsten Formen Dieses Instruments, Nebst Einer Übersicht Über Die Musikalische Abtheilung Der Pariser Weltausstellung in Jahre 1867." History of the piano from its origins to the most modern forms of this instrument, together with an overview of the music section of the Paris World's Fair in 1867 Leipzig: A.H. Payne, 1868.

  1973. ---. "Musikalische Instrumente. Amtlicher Bericht Über Die Wiener Weltausstellung Im Jahre 1873." Musical instruments. Official report on the World's Fair at Vienna in 1873 Braunschwieg: Vieweg und Sohn, 1874.

  1974. Payson, W. F. ed. "Mahogany. Antique and Modern."New York: Dutton, 1926.

  1975. Pedrell, Felipa. "Emporio Cientifico e Histórico De Organofragia Musical Española Antigua."Barcelona, 1901.

  1976. Pelz, Edward. "On Piano-Forte Manufacture, Especially in America. An Essay."Leipzig: J. Schuberth & Co., 1865.

  1977. Pemberton, Carol A. "Lowell Mason: a Bio-Bibliography."New York: Greenwood Press, 1988.

  1978. Penteado de Rezende, Carlos. Pianos in San Paulo in the 19th century Pianos en San Paulo en el siglo XIX.

  1979. Pessard, Jacques. "Votre Piano. Comment L'Acheter, Savoir S'Il Est Bon, Le Garder En Bon Etat, Le Reparer, L'Accorder, Le Transporter."Paris: Fischbacher, 1958.

  1980. Petit, J. C. "Apologie De L'Exellence De La Musique....Avec Un Nouveau Sistème, Et Méthode Démonstrative Pour Accorder Le Clavessin Et L'Orgue..."London: The author, 1740.

  1981. Petrof, Anton. "Továrna Na Piana, Pianina, Harmonia a Jazyckové Varhany."Králové, 1947.

  1982. Petrof Piano Co. "Petrof 1864-1984."Hradec Králové: Petrof, 1984.

  1983. Pfeiffer Piano Co. "125 Jahre Pfeiffer Flügel Und Klaviere--Jubiläums-Konzert." 125 years of Pfeiffer grand and upright pianos--Festive concert Stuttgart: Pfeiffer, 1987.

  1984. Pfeiffer Piano Co. "Carl A. Pfeiffer. Hof-Flügel- Und Pianinofabrikant, Stuttgart." Carl A. Pfeiffer. Court grand and upright piano maker in Stuttgart Stuttgart: Pfeiffer, 1914.

  1985. ---. "Familien- Und Firmengeschichte Pfeiffer." Pfeiffer family and company history Stuttgart: Typescript in the company archives, n.d.

  1986. Pfeiffer, Walter. "Die Fusspunktbahn Einer Vierachsigen Verlängerung."Berlin: Otto Krause, 1914.

  1987. ---. "Die Verlängerung Im Hammerwerk Des Klaviers, Ihre Geschichte Und Theorie." The extension of the hammer system in the piano, its history and theory Berlin-Schöneberg: Verlag Ernst Euting, 1924.

  1988. ---. "Dreichörige Saiten Oder Dreisaitige Chöre."Berlin, Otto Krause.

  1989. ---. "Flügel Oder Klavier? Eine Alte Geschichte in Neuer Beleuchtung." Grand piano or "Klavier?" New light on an old story Stuttgart, 1940.

  1990. ---. Regarding grand and upright piano terminology as well as a suggestion for a new arrangement of the current nomenclature Von Flügel- und Klavierbezeichnungen, zugleich ein Vorschlag zur Neuordnung der heutigen Benennungen. Breslau.

  1991. ---. "Taste Und Hebeglied Des Klaviers." The piano key and whippen. An analysis of their relationships in direct blow actions. English translation by Jim Engelhardt Frankfurt: Verlag Das Musikinstrument, 1967.

  1992. ---. "Über Dämpfer, Federn Und Spielart." Regarding dampers, springs and touch Frankfurt: Verlag Das Musikinstrument, 1963.

  1993. ---. "Vom Hammer. Untersuchungen Aus Einem Teilgebiet Des Flügel- Und Klavierbaus." The piano hammer. A detailed investigation into an important facet of piano maunfacturing. Stuttgart: Kohlhammer, 1948.

  1994. ---. "Vom Steinwayschen Spielwerk." About the Steinway action Berlin: Otto Krause, n.d.

  1995. Philpott, Hugh B. The piano aestetically considered.

  1996. Piano Technicians Guild. "Guide to Resources in Piano Technology."Kansas City, Missouri: Piano Technicians' Guild, 1993.

  1997. Piano Technicians Guild. "The PTG Exams: Tuning Sourcebook; Technical Sourcebook."Kansas City, MO: Piano Technicians' Guild, 1993.

  1998. Pichler, Georg Abdon. Information book on a problematic keyboard instrument Auskunftsbuch über ein problematisches Clavierinstrument.

  1999. Pierce, Bob. "Pierce Piano Atlas."Long Beach, California: Bob Pierce, 1961.

  2000. Pierre, Constant. "Les Facteurs D'Instruments De Musique, Les Luthiers Et La Facture Instrumentale: Précis Historique." The construction of musical instruments Paris: Ed. Sagot, 1893.

  2001. Pistone, Danièle. "Le Piano Dans La Littérature Français, Des Origines Jusq'En 1900." The piano in French literature from its origins until 1900 Paris: H. Campion, 1975.

  2002. Pizzi, Mario. "Histoire Du Piano De 1700 à 1950." The history of the piano from 1700 to 1950 Chambéry: M. Pizzi, 1983.

  2003. Place, Adélaïde de. "Le Piano-Forte à Paris Entre 1760 Et 1822." The pianoforte in Paris between 1760 and 1822 Paris: Aux Amateurs de livres, 1986.

  2004. Plantinga, Leon. "Clementi: His Life and Music."London, 1977.

  2005. Pleasants, Virginia. The early piano in Britain (c. 1760-1800).

  2006. Pleyel, Clementi & Dussek. "Kleine Theoretische-Praktische Pianoforteschule, Nebst Anweisung Zum Stimmen." Concise theoretical-practical piano method, together with an introduction to tuning Vienna: J. Cappi, n.d.

  2007. Pleyel Co. The house of Pleyel La maison Pleyel.

  2008. ---. "La Salle Pleyel."Pleyel hall. Paris, 1893.

  2009. Pleyel, Ignace & Dussek Jean-Louis. "Méthode Pour Le Piano Forte...on y Trouvera Aussi Une Nouvelle Manière D'Accorder Cet Instrument." Method for the piano forte..in which one will also find a new method for tuning this instrument Paris: Pleyel, 1797.

  2010. Podlesak, Michael and Anthony R. Lee. Dispersion of waves in piano strings.

  2011. Pohl, Richard. Liszt's piano harmonium Letter from Thüringia.

  2012. Pole, William. Musical instruments in the great industrial exhibition of 1851. London, 1851.

  2013. Pollard, J. Victor. "Tuning and Temperament in Southern Germany to the End of the Seventeenth Century.", 1985.

  2014. Pollens, Stewart. The restoration of musical instruments: To play or preserve?

  2015. ---. The Bonafinis Spinet. 1987.

  2016. ---. Early nineteenth-century German-language works on piano maintenance: A review of published information concerning the stringing, tuning, and adjustment of the fortepiano.

  2017. ---. The early Portuguese piano.

  2018. ---. "The Early Pianoforte."Cambridge and New York: Cambridge University Press, 1995.

  2019. ---. An upright pianoforte by Domenico del Mela.

  2020. ---. The pianos of Bartolomeo Cristofori.

  2021. ---. The Bonafinis spinet: An early harpsichord converted into a tangent piano.

  2022. ---. Gottfried Silbermann's pianos.

  2023. Pollens, Stewert. Three keyboard instruments signed by Cristofori's assistant, Giovanni Ferrini.

  2024. Ponce, Walter. "Development of the Pianoforte to the Year 1818."New York: Juilliard School of Music Dissertation, 1975.

  2025. Ponsicchi, Cesare. "Il Pianoforte, Sua Origine e Sviluppo e Rassegna Dell'Esposizione Storica Fatta Nello Stabilimento Musicale Brizzi e Nicholai Nell'Occasione Delle Onoranze a Bartolomeo Cristofori, Inventore Del Pianoforte." The pianoforte, its origins and development and a report of the historic exposition displayed at the musical establishment Brizzi and Nicholai on the occasion of the tribute to Bartolomeo Cristofori, inventor of the piano Firenze: Presso G. Guidi, 1876.

  2026. ---. "Il Primo Pianoforte Verticale." The first upright pianoforte Florence: Franceschini, 1898.

  2027. Pontécoulant, Comte Louis-Adolphe de. "La Musique à L'Exposition Universelle."Paris, 1868.

  2028. ---. "Organographie. Essai Sur La Facture Instrumentale." Organographie. Essay on the manufacture of instruments Paris: Castel, 1861.

  2029. Poole, H. E. and others. A catalogue of musical instruments offered for sale in 1839 by D'Almaine & Co.,20 Soho Square.

  2030. Poole, Henry Ward. Perfect harmony in music, theoretical and practical; with a description of a new enharmonic keyboard for organs, piano-fortes, etc.

  2031. Poppek, Eberhard. "Cembalo. Ausführliche Anleitung Zum Selbstbau Eines Klavierähnlichen Musikinstruments Aus Dem 18. Jahrhundert, Mit 8 Abbildungen Und 3 Bauplänen." Harpsichord. A detailed introduction for do-it-yourself construction of a piano-like instrument from the 18th century, with 8 illustrations and 3 building plans Leipzig: H. Beyer, 1937.

  2032. Porter, Kenneth Wiggins. "John Jacob Astor, Business Man."Cambridge, MA, 1931.

  2033. Postel, Emil. "Orgel, Pianoforte, Violine: Kurze Belehrung Über Den Bau Und Die Behandlung Dieser Und Der Übrigen Musikalischen Instrumente." Organ, pianoforte, violin. Brief course on the construction and maintenance of these and other musical instruments. Langensalza: F.G.L. Gressler, 1873.

  2034. Potter, Randy. "A Complete Course for Beginning and Intermediate Students in Piano Tuning, Repairing, Regulating, Voicing, Apprentice Training, and Business Practices."Bend, OR: The Randy Potter School of Piano Technology, 1987.

  2035. ---. "The Piano Action Handbook."Kansas City: Piano Techncians Guild, 1990.

  2036. Prach, Josef. The functional characteristics of grand piano and upright piano mechanisms Funkcni vlastnosti klavírovych a pianinovych mechanismú.

  2037. ---. The historical development of the action of the fortepiano, grand and upright piano Dejinny vyvoj mechanismu kladivkoveho piana--klaviru a pianina.

  2038. ---. Fyzikalne technické vztahy jednotlivych soucastí mechanismu klaviru a pianin.

  2039. Praetorius, Michael. "Syntagma Musicum."Wolfenbüttel: Elias Holwein, 1618.

  2040. Praz, Mario. "An Illustrated History of Furnishing From the Renaissance to the 20th Century."New York, 1964.

  2041. Prechtl, Johann Joseph. Leather Leder. Stuttgart: Cotta, 1833.

  2042. Presgrave, D. Application of iron rods, proposed to compensate for the strain occasioned by the tension of the strings upon piano fortes, thereby to prevent warping, and to render them more durable and better adapted to keep longer in tune.

  2043. Presto Buyer's Guide. "Presto Buyer's Guide to Player-Pianos and Pianos. Nineteen Hundred Twenty-Six Pianos, Players, Reproducing Pianos and Their Manufacturers."Seattle: Frank Adams, 1973.

  2044. Prick van Wely, Max Arthur. "Over De Piano En De Pianomuziek." About the piano and piano music Gravenhage: Kruseman, 1942.

  2045. Prilisauer, Richard ed. "Klavierland Wien. Katalog Zur Ausstellung Des Bezirksmuseums Mariahilf, Gumpendorferstraße." Vienna, land of pianos Vienna: 1981.

  2046. Prizer, W. F. Isabella d'Este and Lorenzo da Pavia, 'Master instrument maker'.

  2047. Profé, Konrad H. "Bechstein-Bilderbuch." Bechstein picture book Berlin: O. von Holten, 1927.

  2048. Profeta, Rosario. "Storia e Letteratura Degli Strumenti Musicali."Florence, 1924.

  2049. Puliti, Leto. Historical notes on the life of his majesty Ferdinand dei Medici, grand prince of Tuscany and on the origin of the pianoforte Cenni storici Della vita del Serenissimo Ferdinando dei Medici Granprincipe di Toscana e della origine del pianoforte.

  2050. Pyne, James Kendrick. "Catalogue of Musical Instruments, Principally Illustrative of the History of the Pianoforte; the Property of Henry Boddington."Manchester: G. Falkner & Sons, 1888.

  2051. Quantz, Otto. Regarding the history of the chromatic keyboard and notation Zur Geschichte der chromatischen Klaviatur und Notenschrift. Berlin: G. Stilke, 1877.

  2052. Raffé, Walter George. The decoration of pianos.

  2053. Rakowski, Andrzej and Zbigniew Bobilewicz. An investigation of the acoustical properties of pianos conducted under the auspices of the department of musical acoustics at the music academy in Warsaw Untersuchung akustischer Eigenschaften von Klavieren am Lehrstuhl für Musik-Akustik der Musik-Akademie in Warschau.

  2054. Raman, C. V. and B. Banerji. On Kaufmann's theory of the impact of the pianoforte hammer.

  2055. Rapin, Eugène. "Histoire Du Piano Et Des Pianistes." History of the piano and of pianists Paris: A. Bertout, 1904.

  2056. Rasch, Rudolf A. and Vincent Heetvelt. String inharmonicity and piano tuning.

  2057. Rasch, Rudolph. Does 'well-tempered' mean 'equal tempered?'. Cambridge: Cambridge University Press, 1985.

  2058. Raspé, P. "The Brussels Museum of Musical Instruments. A Provisional List of the Pianos."Brussels, 1975.

  2059. Ratcliffe, Ronald with a foreward by Henry Z. Steinway. "Steinway."San Francisco: Chronicle Books, 1989.

  2060. Rattalino, Piero. "Storia Del Pianoforte. Lo Stromento, La Musica, Gli Interpreti." History of the pianoforte: the instrument, the music, the performers Milano: Il Saggiatore, 1982.

  2061. Ratte, Franz Josef. "Die Temperatur Der Clavierinstrumente: Quellenstudien Zu Den Teoretischen Grundlagen Und Praktischen Anwendungen Von Der Antike Bis Ins 17. Jahrhundert."Kassel: Bärenreiter, 1991.

  2062. Rawlings, Kim. "The Best Piano Buyer's Guide."Salt Lake City: Sunset, 1997.

  2063. Raymond, John. St. Cecilia's Hall and the Russel Collection.

  2064. Rayner, Claire G. Historically justified variations on equal tempered tuning.

  2065. Rayner, Clare G. The enigmatic cima: meantone tuning and transpositions.

  2066. Read, Gardner. "Contemporary Instrumental Techniques. Piano and Harpsichord."Paris: Macmillan, 1976.

  2067. Reblitz, Arthur. "Player Piano Servicing and Rebuilding."Vestal, NY: Vestal Press, 1985.

  2068. Reblitz, Arthur A. "Piano Servicing, Tuning, Rebuilding: for the Professional, the Student, the Hobbyist."Vestal, NY: Vestal Press, 1976.

  2069. Redl, Anton. "Handlungs-Gremien- Und Fabricken-Adressenbuch Der Haupt- Und Residenzstadt Wien [1804-1831]."Business and factory addresses in the capitol and residence city Vienna [1804-1831]. Vienna: Redl, 1803-1831.

  2070. Redsell, Matthew J. Humidity control and keyboard instruments.

  2071. Redway, Virgina Larkin. "Music Directory of Early New York City; a File of Musicians, Music Publishers and Musical Instrument-Makers Listed in New York Directories From 1786 Through 1835..."New York Public Library: 1941.

  2072. Ree-Bernard, Nelly van. "Seven Steps in Clavichord Development Between 1400 and 1800."Buren: Knuf, 1987.

  2073. Reed, Thomas S. "New Keyboards and New Notations."Chillicothe: The author, 1968.

  2074. Regener, Eric. "Pitch Notation and Equal Temperament."Berkeley: University of California Press, 1973.

  2075. Rehm, G. Introduction to historical temperament systems Einführung in historische Temperatur-Systeme.

  2076. Reibeholz, Lutz. "Das Regulieren Von Steinway & Sons Klaviermechaniken Und Deren Reparatur. Eine Arbeitsanleitung Zum Regulieren Und Intonieren." The regulating and repair of Steinway and sons piano actions. A work plan for regulating and voicing. Frankfurt: Bochinsky, 1981.

  2077. Reich, Willi. A Viennese predecessor of the duplex piano, with a newly discovered letter from Franz Liszt Ein Wiener Vorläufer des Duplexklavieres, mit einem neu aufgefundenen Brief von Franz Liszt.

  2078. Reichardt, Johann Friedrich. "Briefe Eines Aufmerksamen Reisenden, Die Musik Betreffend." Letters of an observant traveler, regarding music. Frankfurt am Main & Leipzig: The Author, 1774-1776.

  2079. ---. "Vertraute Briefe Aus Paris Geschrieben in Den Jahren 1802 Und 1803." Intimate letters from Paris written in the years 1802 and 1803 Hamburg, 1804.

  2080. Reid, Graham. Steinway, Bösendorfer & Schimmel European pianos analyzed.

  2081. Reiter, M. "Ein Stück Pianofortebaugeschichte." A piece of piano building history Berlin, 1882.

  2082. Rembusch, Joseph Adam. "Pianos and Musical Instruments Discussed From an Unsanitary Standpoint."Santa Maria, CA: Santa Maria Times, 1912.

  2083. Reményi, Zoltan. "Amit a Hangszerröl Tudni Kell."Budapest, 1955.

  2084. Remlov, Arne. New forms of grand and upright pianos Nye former på flygler or pianoer.

  2085. Renner Co. "100 Jahre Louis Renner Klaviermechaniken, Flügelmechaniken, Hammerköpfe, Klavierbestandteile, Reparaturten." 100 Years. Louis Renner. Upright and grand piano actions, hammers, piano parts, repairs Stuttgart: Renner, 1982.

  2086. ---. How are hammers made? Wie entstehen Hammerköpfe?

  2087. Renouf, Nicholas. "Musical Instruments in the Viennese Tradition, 1750-1850: An Exhibition of Instruments by Austrian Makers With Supplementary Exhibits of Contemporary Graphics, Printed Music, and Books. Presented by the Yale University Collection of Musical Instruments With the Cooperation of the Austrian Institute, New York City, October 18, 1981, Through June 20, 1982."New Haven: The Collection, 1981.

  2088. Rephann, Richard. "Checklist, Yale Collection of Musical Instruments."New Haven, 1968.

  2089. Repp, Bruno. Acoustics, perception and production of legato articulation on a computer-controlled grand piano.

  2090. Repp, Bruno H. Some empirical observations on sound level properties of recorded piano tones.

  2091. Restle, Konstantin. "Bartolomeo Cristofori Und Die Anfänge Des Hammerklaviers: Quellen, Dokumente Und Instrumente Des 15. Bis 18. Jahrhunderts." Bartolomeo Cristofori and the beginnings of the pianoforte: Sources, documents and instruments of the 15th to the 18th centuries. Munich: Editio Maris, 1991.

  2092. ---. Mozart's grand piano Mozarts Hammerflügel. Basel: Bärenreiter Verlag, 1991.

  2093. Reuilly, H. de. Gaveau pianos Les pianos Gaveau. Paris, 1905.

  2094. Rey, Henry-F. "Les Pianos Méchaniques."Paris: Livre de Poche, 1962.

  2095. Rhein, Robert. "Johann Peter Milchmeyer's Die Wahre Art Das Pianoforte Zu Spielen: an Annotated Translation.", 1993.

  2096. Rhodes, Lucien. Falcone pianos Piano Man.

  2097. Rice, John A. The Tuscan piano in the 1780s: Some builders, composers and performers.

  2098. ---. Anton Walter, Instrument Maker to Leopold II.

  2099. ---. J. A. Stein's 'favorite instrument': a vis-a-vis piano-harpsichord in Naples.

  2100. Richards, J. A. "Treatise on the Construction and Operation of Woodworking Machines: Including a History of the Origin and Progress of the Manufacturing of Woodworking Machinery."London: Spon, 1872.

  2101. Richards, James H. The piano: some factors affecting tuning stability.

  2102. Richter, Hans Georg. "Holz Als Rohstoff Für Den Musikinstrumentenbau." Wood as a raw material for building musical instruments Celle: Moeck-Verlag, 1988.

  2103. Riedel, Friedrich Wilhelm and Hubert Henkel. Klavier. Kassel: Bärenreiter, 1994.

  2104. Riemann, Ludwig. "Das Wesen Des Klavierklanges Und Seine Beziehungen Zum Anschlag. Eine Akustisch-Ästhetische Untersuchung." The character of piano tone and its connection to touch. An acoustic-esthetic study Leipzig: Breitkopf & Härtel, 1911.

  2105. Righini, Pietro. "Accordature e Accordatori." Tunings and tuners Ancona: Bèrben, 1979.

  2106. Rimbault, Edward Francis. "Musical Instruments in British Manufacturing Industries."London, 1878.

  2107. ---. "The Pianoforte, Its Origin, Progress and Construction; With Some Account of Instruments of the Same Class Which Preceded It; Viz. the Clavichord, the Virginal, the Spinet, the Harpsichord, Etc; to Which Is Added a Selection of Interesting Specimens of Music Composed for Keyed-Stringed Instruments, by Blitheman, Byrd [and Others]."London: Robert Cocks and Co., 1860.

  2108. Rindlisbacher, Otto. "Das Klavier in Der Schweiz: Klavichord, Spinett, Cembalo, Pianoforte: Geschichte Des Schweizerischen Klavierbaus 1700-1900." Keyboard instruments in Switzerland: clavichord, spinet, harpsichord, pianoforte. History of Swiss piano building 1700-1900 Bern: Francke Verlag, 1972.

  2109. ---. A fortepiano with quadruple unisons Ein vierchöriger Hammerflügel.

  2110. ---. The fortepiano Der Hammerflügel.

  2111. ---. "Klavierbau Im Alten Zürich--Eine Chronik." Piano construction in old Zurich--a chronicle .

  2112. Ripin, Edwin M. "The Instrument Catalogs of Leopoldo Franciolini."Hackensack: Boonin, 1974.

  2113. ---. En route to the piano: a converted virginal.

  2114. ---. A Scottish encyclopedist and the piano forte.

  2115. Ripin, Edwin M. ed. "Keyboard Instruments: Studies in Keyboard Organology, 1500-1800."Edinburgh: Edinburgh University Press, 1972.

  2116. Ripin, Edwin M. Howard Schott John Barnes et al. "The New Grove Early Keyboard Instruments." The New Grove musical instruments series. New York: Norton, 1989.

  2117. Ripoll, Arbós Luis. Chopin and his pianos: the "Pleyel" of Mallorca Chopin y sus pianos: el "Pleyel" de Mallorca.

  2118. Risset, J. C. Analysis of Musical Instrument Tones.

  2119. Ritzenhein, Mark Steven. "Fortepiano Design and Construction [Hubbard Kit Construction].".

  2120. Roback, Frances. Advertising Canadian pianos and organs, 1850-1914.

  2121. Röber, A. Scheibler's investigations Scheiblers Untersuchungen. Leipzig: Barth, 1834.

  2122. Robert, Walter. "One Hundred Years "Bösendorfer" 1828-1928." Unpublished monograph .

  2123. Roberts, David. "The Calculating Technician."Kansas City: Piano Technicians Guild, 1990.

  2124. Robie, Virginia. Old pianos.

  2125. Robin, Michel. From the harpsichord action to the piano with double escapement De Clavecin méchanique au piano à double échappement. Paris, 1985.

  2126. Roddy, Joseph. Steinways and Steinwayism.

  2127. Roehl, Harvey N. "Player Piano Treasury. The Scrapbook History of the Mechanical Piano in America As Told in Story, Pictures, Trade Journal Articles and Advertising."Vestal, N.Y.: Vestal Press, 1961.

  2128. Roell, Craig H. "The Piano in America, 1890-1940."Chapel Hill: University of North Carolina Press, 1989.

  2129. Rohleder, Johann. "Erleichterung Des Klavierspielens Vermöge Einer Neuen Einrichtung Der Klaviatur...." Simplification of piano playing by means of a new arrangement of the keyboard... Königsberg: F. Nicolovius, 1792.

  2130. Rohloff, Ernst. "Über Die Innere Reibung Von Holz."Regarding the inner friction of wood. Greifswald, 1940.

  2131. Rohrer, Joseph. "Bemerkungen Auf Einer Reise Von Der Türkischen Gränze [Sic]...Nach Wien." Observations on a journey from the Turkish boarder..to Vienna Vienna: A. Pichler, 1804.

  2132. Rolle, Günter. 150 Years of Grotrian-Steinweg 150 Jahre Grotrian-Steinweg.

  2133. ---. 125 years of Pfeiffer pianos 125 Jahre Pfeiffer Klaviere.

  2134. ---. 100 years (of the Schimmel Co.) 100 Jahre (Schimmel Co.).

  2135. Röllig, Carl Leopold. "Orphica. Ein Musikalisches Instrument. Erfunden Von C. L. Röllig." The Orphica. A musical instrument invented by C. L. Röllig Vienna: A. Blumauer, 1795.

  2136. Romaine trade catalog collection, Library of the University of California Santa Barbara. "Trade Catalogs of Music, 1883-1976. Catalogs, Brochures, Price Lists, Periodicals, Treatises, and Other Ephemera Relating to Musical Instruments..." The collection contains information on: The American piano Co., Chickering & Sons, Emerson Piano Co., Miessner Piano Co., Steinway & Sons, The Jonas Chickering centennial celebration 1924, and Jonas Chickering (1798-1853) .

  2137. Roos, G. "Die Entwicklung Der Deutschen Klavierindustrie Nach Dem Weltkriege Bis Zur Aufhebung Der Außenhandelskontrolle Im September 1923." The development of the German piano industry after the world war until the suspension of export controls in September 1923 Berlin: Ph.D. dissertation, Humboldt University, Berlin, 1924.

  2138. Rose, Algernon Sidney. "'A439' Being the Autobiography of a Piano."London: Sands, 1900.

  2139. ---. "On Choosing a Piano."London: Walter Scott Co., 1904.

  2140. Rose, George. The evolution of the pianoforte.

  2141. Rose, Malcolm and David Law. "A Handbook of Historical Stringing Practice for Keyboard Instruments: 1671-1856."Lewes, East Sussex: W.E. Baxter, 1991.

  2142. Rosenblum, S. P. Pedaling the piano: a brief survey from the eighteenth century to the present.

  2143. Rostirolla, Giancarlo. "Strumenti e Costruttori Di Strumenti Nella Roma Dei Papi." Instruments and builders of instruments in Rome of the Popes Firenze: L.S. Olschki, 1986.

  2144. Rothman, Andrea. Buying a used Steinway? A few notes.

  2145. Rothstein, Edward. Don't shoot the piano.

  2146. ---. At Steinway, it's all craft.

  2147. ---. A conflict of cultures at Steinway.

  2148. ---. When the piano came of age: A sonic museum. A recording project traces the sound of the Steinway through 135 years, with special emphasis on an era of fast growth.

  2149. ---. For the piano, competition and chords of change.

  2150. ---. To make a piano of note it takes more than tools. At Steinway & Sons, it also takes about 12,000 individual parts, 135 years of experience and maybe some controversial new directions.

  2151. Rothstein, Edward and Bob Krist. A pianoforte was his forte [Heinrich Steinway].

  2152. Rottermund, Krzystof. Piano makers of Kaliscy in the 19th and the beginning of the 20th centuries Kaliscy fortepianmistrzowie z XIX i poczatku XX wieku.

  2153. Rottermund, Krzysztof. Constructional development of gtreat Poland's grand pianos and pianos in the 19th and the first half of the 20th centuries Rozwoj konstrukcji wielkopolskich fortepianow i pianin w XIX i pierwszej polowie XX wieku.

  2154. Roudier, Alain. John Broadwood--Sébastien Érard: The harpsichord shape John Broadwood-Sébastien Érard: La forme clavecin. Luxeuil-les-Bains: City Press, 1993.

  2155. ---. The origin of the Érard family Les origines de la famille Érard. Luxeuil-les-Bains: City Press, 1993.

  2156. Roussier, Pierre-Joseph. "Memoire Sur Le Nouveau Clavecin Chromatique De M. Delaborde."Paris: Philippe-Denis Pierre, 1782.

  2157. Rowland, David. "The History of Pianoforte Pedalling."Cambridge: Cambridge University Press, 1993.

  2158. Rowland, David ed. "The Cambridge Companion to the Piano."New York: Cambridge University Press, 1998.

  2159. Rubardt, Paul. "Führer Durch Das Musikinstrumentenmuseum Der Karl-Marx-Universität." Guide through the musical instrument museum of the Karl Marx University Leipzig: Breitkopf & Härtel, 1955.

  2160. Rubinsky, Jane. Business as usual--for 138 years Steinway & Sons builds Pianos the old fashioned way.

  2161. Rück, Ulrich. Mozart's fortepiano built by Anton Walter in Vienna. Technical studies, comparisons and proofs. Mozarts Hammerflügel erbaute Anton Walter in Wien. Technische Studien, Vergleiche und Beweise.

  2162. Rueger, Christoph. "Musical Instruments and Their Decoration: Historical Gems of European Culture."Cincinnati: Seven Hills Books, 1986.

  2163. Rühlmann, Julius. Gottfried Silbermann and his cimbal d'amour; The cimbal royal by J. E. Hänel and the invention of the pianoforte Gottfried Silbermann und sein Cimbal d'amour; das Cimbal royal von J. E. Hänel und die Erfindung des Pianoforte.

  2164. Ruken, Henk. Dutch fortepianos Nederlandse fortepiano's.

  2165. Rummenhöller, Peter. The piano as a pioneer instrument of recent western music history Das Klavier als Pionierinstrument der neueren abendländischen Musikgeschichte.

  2166. Rupprecht, Margarete. "Die Klavierbauerfamilie Schiedmayer; Ein Beitrag Zur Geschichte Des Klavierbaues." The Schiedmayer family of piano builders; A contribution to the history of piano building Ph.D. dissertation, Friedrich-Alexander-University of Erlangen, 1954.

  2167. Russel, Raymond. "The Harpsichord and Clavichord. An Introduction Study."London: Faber and Faber, 1973.

  2168. Ruth-Sommer, Hermann. "Alte Musikinstrumente; Ein Leitfaden Für Sammler." Antique musical instruments; a manual for collectors Berlin: R.C. Schmidt, 1920.

  2169. S., A. Industrie-Ausstellung der österreichischen Monarchie in musikalischer Beziehung (I) Clavier-Instrumente.

  2170. S., C. J. A series of letters on acoustics.

  2171. S., F. On the road. The B. Shoninger Co.

  2172. Sabel Piano Co. "Sabel Flügel- Und Pianofabrik Rorschach 1842-1942." Sabel grand and upright piano factory at Rorschach, 1842-1942 Rorschach: Sabel, 1942.

  2173. Sabine, Hale J. Decay characteristics of piano tones.

  2174. Sachs, Curt. "Das Klavier."Berlin: Julius Bard, 1923.

  2175. ---. "History of Musical Instruments."New York, 1940.

  2176. ---. "Real-Lexikon Der Musikinstrumente." Encyclopedia of musical instruments Berlin: J. Bard, 1913.

  2177. ---. "Sammlung Alter Musikinstrumente Bei Der Staatlichen Hochschule Für Musik Zu Berlin; Beschreibender Katalog." Collection of old musical instruments at the state conservatory of music in Berlin; descriptive catalogue Berlin: Julius Bard, 1922.

  2178. ---. Berlin instrument building at the exhibition of the Imperial Prussian Academy of Arts 1794-1844 Der Berliner Instrumentenbau auf den Ausstellungen der Königliche Preussische Akademie der Künste 1794-1844.

  2179. Sadie, Stanley ed. "The New Grove Dictionary of Musical Instruments."New York: The New Grove, 1984.

  2180. ---. "Piano."New York: Norton, 1988.

  2181. Sakka, Keisei. Beethoven's pianos. Piano building and Beethoven's artistic reaction Beethovens Klaviere. Der Klavierbau und Beethovens künstlerische Reaktion. Bonn: Beethoven-Haus, 1967.

  2182. Samoyault-Verlet, Colombe. "Les Facteurs De Clavecins Parisiens, Notices Biographiques Et Documents (1550-1793)." The makers of Parisian harpsichords, biographical notes and documents (1550-1793) Paris: Société français de musicologie, 1966.

  2183. Santis, Alberto De. "Costruzione e Funzionamento Delle Singole Parti Del Pianoforte; Sommarie Nozioni Ad Uso Degli Studiosi Dello Strumento." Construction and function of the individual parts of the pianoforte; general information for use by students of the instrument Roma: De Santis, 1950.

  2184. Santos, Ivone. History of the piano Història do Piano.

  2185. Sargent, George. Temperament.

  2186. ---. Eighteenth-century tuning directions: precise intervallic determination.

  2187. Sasse, Konrad. Observations on the sound of historic fortepianos in regard to the interpretation of Beethoven's piano music on modern instruments Bemerkungen zur Berücksichtigung des Klanges historischer Hammerflügel für die Interpretation Beethovenscher Klavierwerke auf modernen Instrumenten. Berlin, 1970.

  2188. ---. "Katalog Zu Den Sammlungen Des Händel-Hauses in Halle, Vol. 5: Besaitete Tasteninstrumente." Catalogue to the collections of the Handel-house in Halle, Vol. 5: Stringed keyboard instruments. Halle an der Saale, 1966.

  2189. ---. "Musikinstrumentensammlung. Besaitete Tasteninstrumente." Musical instrument collection: Stringed keyboard instruments Halle/Salle: Händel-Haus, 1966.

  2190. Sauter Piano Co. "Sauter: 160 Jahre Tradition Und Fortschritt in Der Kunst Klaviere Und Flügel Zu Bauen." Sauter: 160 years of tradition and progress in the art of piano making Spaichingen: Sauter, 1979.

  2191. Sauveur, Joseph. "Principes D'Acoustique Et De Musique." Principles of acoustics and music Paris, 1701.

  2192. Sawade, G. Contributions to the theory of old and new types of pianos. Experiments and results with regard to various types of striking mechanisms; time of contact between hammer and strings; energy relation in striking; sound characteristics of struck strings Beiträge zur Theorie alter und neuer Klavierformen.

  2193. Sceaury, Paul Loubet de. "Musiciens Et Facteurs D'Instruments De Musique, Statuts Corporatifs."Paris: A. Pedone, 1949.

  2194. Sch..., C. Industrial journal: Seuffert and Sohn exclusively priviliged, imperial and royal fortepiano factory in Vienna Industrielle Zeitung: Seuffert et Sohn, k. k. ausschl. priv. Fortepianofabrik in Wien (neue Wieden, Wienstraße Nr. 817).

  2195. Schaeffner, Andrè. "Origine Des Instruments De Musique."Paris: Payot, 1936.

  2196. Schafhäutl, Karl E. "Abt Georg Joseph Vogler--Sein Leben, Charakter Und Musikalisches System, Seine Werke, Seine Schule, Bildnisse & Co." Abbe Georg Joseph Vogler--his life, character, musical system, his work, his school, portraits and company Augsburg: Huttler, 1888.

  2197. ---. "Die Pianofortebaukunst Der Deutschen. Repräsentirt Auf Der Allgemeinen Deutschen Industrie-Ausstellung Zu München 1854. Aus Dem Berichte Der Beurtheilungs-Commission Über Die Musikalischen Instrumente." The German art of building pianofortes. Represented at the general, German industry exhibition at Munich in 1854. From the report of the judges' committee on musical instruments Munich: G. Franz, 1855.

  2198. Schall, Konrad. Biographical sources for Viennese musicians and instrument builders Biographische Quellen zu Wiener Musikern und Instrumentenmachern.

  2199. Schann, Richard. Phosphorous in antique iron music wire.

  2200. Scheib, Wilfried. The world's fair piano Das Weltausstellungs-Klavier.

  2201. Scheibler, Johann Heinrich. "Anleitung Die Orgel Vermittelst Der Stösse (Vulgo Schwebungen) Und Des Metronoms Correct Gleichschwebend Zu Stimmen." Instructions for correctly tuning the organ in equal temperament by means of beats and the metronome Krefeld: Schüller, 1834.

  2202. ---. "Der Physikalische Und Musikalische Tonmesser." Physical and musical measurement of sound Essen: G. D. Bädeker, 1834.

  2203. ---. "An Essay on the Theory and Practice of Tuning in General, and on Scheibler's Invention of Tuning Pianofortes and Organs by the Metronome in Particular."London: Cocks, 1853.

  2204. ---. "J. H. Scheibler's Schriften Über Musikalische Und Physikalische Tonmessung Und Deren Anwendung Auf Pianoforte- Und Orgelstimmung." J. H. Scheibler's writings about musical and physical pitch measurement and their application for piano and organ tuning Crefeld: Schüller, 1838.

  2205. ---. "Mitteilungen an Die Versammlung Der Deutschen Naturforscher in Bonn."Krefeld, 1835.

  2206. ---. "Mitteilungen Über Das Wesentliche Des Musikalischen Und Physikalischen Tonmessers."Krefeld, 1836.

  2207. Schelle, Edvard. "Musikalische Instrumente, Officieller Ausstellungs-Bericht Heraus, Durch Die General-Direction Der Weltausstellung 1873." Musical instruments, official report of the World's Fair at Vienna in 1873 Vienna: K. K. Hof- und Staats-Druckerei, 1873.

  2208. Schellenberg, Eugen. "Beizen Und Polieren." Staining and polishing Berlin: Fachverlag Otto Krause.

  2209. Schenk, Erich. Regarding the change in the ideal piano sound after Mozart Vom Wandel des Klavierklangideals nach Mozart.

  2210. Scheurwater, Wouter. "The Making and Restoring of Old Harpsichords."Buren: F. Knuf, 1977.

  2211. Schiassi, Filippo. "Del Temperamento Per L'Accordatura Del Gravicembalo e Dell'Organo...." Regarding the temperament for tuning the harpsichord and the organ Bologna: Olmo e Tiocchi, 1832.

  2212. Schiedmayer, Adolf. Mr. Adolf Schiedmayer's views. Translated from the Zeitschrift für Instrumentenbau.

  2213. Schiedmayer, Johann Lorenz and Carl Dieudonné. "Kurze Anleitung Zu Einer Richtigen Kenntnis Und Behandlung Der Forte-Pianos in Beziehung Und Erhalten Derselben, Besonders Derer, Welche in Der Werkstätte Von Dieudonné Und Schiedmayer in Stuttgart Verfertigt Werden." Brief instructions for correct knowledge and handling of the fortepiano in regard to maintaining it, particularly those manufactured in the work shops of Dieudonné and Schiedmayer in Stuttgart Stuttgart, 1824.

  2214. Schiedmayer & Söhne Co. "Moderne Pianos Auf Der Jubiläums-Ausstellung Von "Schiedmayer Pianofortefabrik" in Stuttgart." Modern pianos at the anniversary exhibit of the Schiedmayer piano factory at Stuttgart .

  2215. ---. "Schiedmayer & Söhne: Hof-Pianoforte Fabrick, Stuttgart." Schiemayer & Sons: Court pianoforte factory, Stuttgart Stuttgart: Schreiber, 1909.

  2216. Schiedmayr & Söhne Co. "150 Jahre Schiedmayer Und Söhne." 150 years of Schiedmayer and Sons Stuttgart: Schiedmayer, 1959.

  2217. Schilling, Gustav. "Encyclopädie Der Gesamten Musikalischen Wissenschaften."Stuttgart, 1840.

  2218. Schilling, J. B. "Adressenbuch Der Handlungs-Gremien Und Fabriken Der Kais. Kön. Haupt- Und Residenzstadt Wien Für Das Jahr 1833-1835." Adress book of the businesses and factories of the imperial and royal capital and residence city Vienna for the years 1833-1835 Vienna, 1832-1834.

  2219. Schimmel, Klaus & Heinz-Karl Herzog. "Piano-Nomenclatur. Ein Bildwörterbuch Der Teile Von Klavier Und Flügel: Deutsch, Englisch, Französisch, Italienisch Und Norwegisch." Piano nomenclature. An illustrated dictionary of the parts of the upright and grand piano: German, English, French, Italian and Norwegian Frankfurt am Main: Verlag das Musikinstrument, 1966.

  2220. Schimmel, Nikolaus. "Schimmel."Braunschweig: Aco-Druck, 1984.

  2221. Schimmel, Nikolaus and Günter Batel. "From the Musical Bow to the Piano."Braunschweig: Schimmel, 1987.

  2222. Schimmel Piano Co. 100 Years of excellence: The Schimmel story.

  2223. ---. "Schimmel Pianos. A Manufacturer Presents Itself."Braunschweig: Schimmel, 1984.

  2224. Schlegel, Maria. A sad end for the Burger & Jacobi company Ein trauriges Ende.

  2225. Schlosser, Julius. "Die Sammlung Alter Musikinstrumente, Beschreibendes Verzeichnis. Kunsthistorisches Museum in Wien." The collection of early musical instruments, a descriptive catalogue. Kunsthistorisches Museum, Vienna Vienna: Kunsthistorisches Museum, 1920.

  2226. Schlug, H. J. "Praxis Barocker Stimmungen Und Ihre Theoretischen Grundlagen." The practice of Baroque tunings and their theoretical foundations Berlin: Drescher, 1980.

  2227. Schmeckel, Carl D. "The Piano Owner's Guide. How to Buy and Care for a Piano."Chicago: Adams Press, 1971.

  2228. Schmid, Richard. The color piano- clavecin-oculaire. Side roads in the domain of instrument building Das Farben-Klavier-Clavecin oculaire. Seitenwege auf dem Gebiete des Instrumentenbaues.

  2229. Schmidt, August. Travel moments: (XIV) Cologne on the Rhein...pianoforte factory Reise-Momente: (XIV) Köln am Rhein.....Pianoforte-Fabrik.

  2230. ---. Travel moments (XIV) Cologne on the Rhein. Musical organisations--Eck and Co....Pianoforte factory Reise-Momente (XIV) Köln am Rhein. Musikalische Vereine--Eck et Comp. Musikalien-Leihanstalt und Pianoforte-Fabrik.

  2231. Schmidt-Flohr Co. "Schmidt-Flohr Flügel Und Pianofabrik Bern, Biographie-Sammlung Schweizer Musterbetriebe." Schmidt-Flohr grand and upright piano factory in Bern: Biographical collection of Swiss model factories Basel: Max Glättli, 1941.

  2232. Schmidt, Helmut F. W. and Heinz Notzold. "Technologie Der Holzbearbeitung." The technology of wood working Leipzig: Fachbuchverlag VEB, 1968.

  2233. Schmidt, W. R. Paul von Jankó's new keyboard, an epoch-making invention--Papillons, op. 16 Paul von Jankó's neue Klaviatur, eine epochemachende Erfindung--Papillons op. 16. Vienna, 1932.

  2234. Schmitz, Eugen. "Klavier, Klaviermusik Und Klavierspiel." The piano, piano music and piano playing Leipzig: Quelle & Meyer, 1919.

  2235. Schmitz, Heinrich. New soundboards for pianos in the U.S.A. Neuer Resonanzboden für Klaviere in den U.S.A.

  2236. ---. Establishment of a new training procedure for progressive piano builders Einrichtung eines neuen Lehrganges für vorwärtstrebende Klavierbauer.

  2237. Schneider, Wilhelm. "Gründliche Anleitung Zum Clavierstimmen Für Diejenigen Welches Ein Gutes Gehör Haben." Thorough introduction to piano tuning for those who have a good ear Leipzig, 1827.

  2238. ---. "Historisch-Technische Beschreibung Der Musicalischen Instrumente." Historical-technical description of musical instruments Leipzig: T. Hennings, 1832.

  2239. Scholz, Helmut R. ed. "Ehrbar--Tradition Der Wiener Klavierbaukunst. Festschrift Zum 185 Jährigen Firmenjubiläum." Ehrbar-- A tradition in the art of Viennese piano building. Festschrift for the 185th anniversary of the firm Vienna: Ehrbar, 1986.

  2240. Scholz, Martin. Bericht über die Restaurierungen von besaiteten Tasteninstrumenten aus den Instrumenten-Beständen in Basel. Basel: 1983.

  2241. ---. The early pianoforte and the expert's report Das "alte" Pianoforte und die Expertise. 1963.

  2242. ---. The early pianoforte and its appraisal.

  2243. Schönfeld, Johann Ferdinand von. "Jahrbuch Der Tonkunst Von Wien Und Prag." Yearbook of the art of music in Vienna and Prague Vienna: Schönfeldischen Verlag, 1796.

  2244. Schott, Howard. "Catalogue of Musical Instruments in the Victoria and Albert Museum."London: Her Majesty's Stationery Office, 1985.

  2245. ---. From harpsichord to pianoforte: A chronology and commentary.

  2246. ---. A visit to the Adlam-Burnett workshop.

  2247. Schott, Howard ed. "The Historical Harpsichord: a Monograph Series in Honor of Frank Hubbard."New York: Pendragon Press, 1984.

  2248. Schrimpf, J. k. k. Hof-Pianoverfertiger. Erwiderung [einer Notiz in der Wiener Zeitung, daß Schrimpf und Dirr das Pianoforte verbessert hätten, indem ersterer behauptet er habe die Pianofortes von Dirr hergestellt].

  2249. Schröters, Christoph Gottlieb. "Beschreibung Seines 1717 Erfundenen Clavier-Instruments, Auf Welchem Man in Unterschiedenen Graden Stark Und Schwach, Und So Leicht Als Auf Einem Clavichord Spielen Kann." Description of his keyboard instrument, invented in 1717, upon which one can play with different degrees of loudness and softness as easily as on a clavichord in Marpurg, F.W., Kritische Briefe über der Tonkunst. Berlin, 1764.

  2250. ---. "Lezte Beschäftigung Mit Musicalischen Dingen; Nebst Sechs Temperatur-Plänen Und Einer Noten-Tafel." Last endeavor with musical things; together with six temperament plans and a notation table Nordhausen, 1782.

  2251. ---. "Sendschreiben an....Lorenz Mizler, .....II. Einer Aufgabe Wegen Der Temperatur.." Letter to..Lorenz Mizler...II. an essay regarding temperament Nordhausen, 1738.

  2252. Schubart, Christian Friedrich Daniel. "Ideen Zu Einer Ästhetik Der Tonkunst."Vienna: 1806; Reprint: Leipzig, 1924.

  2253. Schubert Piano Co. "A Visit to the Warerooms and Factory of the Schubert Piano Co., 13th Catalogue."New York: Donaldson brothers, 1893.

  2254. Schulz, Ferdinand F. "Pianographie: Klavierbibliographie Der Lieferbaren Bücher Und Periodica Sowie Der Dissertationen in Deutscher, Englischer, Französischer Und Italienischer Sprache, 2d Ed." Pianographie. Pianobibliography of the available books, periodicals as well as dissertations in German, English, French and Italian. Frankfurt am Main: Verlag Das Musikinstrument, 1982.

  2255. Schulze, Richard Allen. "How to Build a Baroque Concert Harpsichord."New York: Pagean Press, 1954.

  2256. Schumann, Karl Bernhard. "Vorschläge Zu Einer Gründlichen Reform in Der Musik Durch Einführung Eines Höchst Einfachen Und Naturgemässen Ton- Und Noten Systems, Nebst Beschreibung Einer Nach Diesem System Construirten Tastatur Für Das Fortepiano." Recommendations for a thorough reform in music through the introduction of a highly simple and natural staff together with the description of a fortepiano keyboard constructed according to this system Berlin: Gsellius, 1859.

  2257. Schünemann, G. Ein Bildnis Bartolomeo Cristoforis.

  2258. Schurich, Hans. W.A. Mozart's original instruments in the Mozart museum in Salzburg W.A. Mozarts Original-Instrumente im Mozart-Museum zu Salzburg. Salzburg: Internationale Stiftung Mozarteum, 1960.

  2259. Schwabe, I. "Über Mathematische Stimmung." Regarding mathematical tuning Mainz, 1848.

  2260. Schwarz, Kerstin. Four surviving fortepianos by the brothers Johann Gottfried und Johann Wilhelm Grabner and their role in the history of German piano building at the end of the18th century Vier erhaltene Hammerflügel der Gebrüder Johann Gottfriend und Johann Wilhelm Grabner und ihre Rolle in der deutschen Klavierbaugeschichte Ende des 18. Jahrhunderts. Michaelstein/Blankenburg: Institut für Aufführungspraxis , 1996.

  2261. Schwarz, Vera. Josef Fischhof and the ideal Viennese sound around 1840 Josef Fischhof und das Wiener Klangideal um 1840. Graz: Akademische Druck und Verlagsanstalt, 1973.

  2262. Schwarz, Vera ed. "Bericht Der Internationalen Tagung Von Restauratoren Für Besaitete Tasteninstrumente." Report of the international meeting of restorers of stringed keyboard instruments Graz, 1973.

  2263. ---. "Der Klangliche Aspekt Beim Restaurieren Von Saitenklavieren. Bericht Der Internationalen Tagung Von Restauratoren Für Besaitete Tasteninstrumente Am Institut Für Aufführungspraxis."Graz: Akademische Druck und Verlagsanstalt, 1971.

  2264. Schwinning, Friedrich C. "Hülfsbüchlein Für Pianofortebesitzer, Um Instrumente Richtig Zu Behandelen." Manual for piano owners on the correct care of instruments Quedlinburg & Leipzig: C. F. Vieweg, 1837.

  2265. Scott, Jack K. "Samick Pianos. Technical Specifications and Regulation Procedures."La Puenta, California: Samick, 1986.

  2266. Scottish Arts Council. "The Concert Piano in Scotland: a Report."Edinburgh: Scottish Arts Council, 1972.

  2267. Scrinzi, G. The Jankó keyboard and simplification.

  2268. Sears, Roebuck & Co. "Beckwith Pianos."Chicago: Sears, 1903.

  2269. Segermann, Ephraim. Strong early iron wire.

  2270. Seidl, Helmut. "Frequenztafeln Cent-Hertz. Ein Handbuch Für Akustiker, Musiker Und Instrumentenbauer. Tabellierte Frequenzen." Frequency tables in cents and hertz. A handbook for acousticians, musicians, and instrument builders. Frankfurt: Verlag das Musikinstrument, 1970.

  2271. Senn, Georg F. The piano builder Mathias Schautz (1755-1831): (Part 2) The instruments Der Klavierbauer Mathias Schautz (1755-1831):(Teil 2) Die Instrumente.

  2272. Serkin, John. "The Anatomy of a Piano; How Your Grand Piano Works." Video tape Kansas City, MO: SH Productions, Inc., 1992.

  2273. Sevåg, Reidar. The Broadwood piano of 1801 in the Norsk Folkemuseum Tippoldemors Ungdomsklavier.

  2274. Seykora, Vojtech. Peculiarities of case finishing in piano building Zvlástbistu vyroby pianinovych skrini.

  2275. ---. On the trail of the Bohemian grand piano, socalled ala boemica Po stopách ceského kridla.

  2276. Shapiro, Bob. "The Book on Pianos, or, Everything (Almost) You Wanted to Know About Pianos but Didn't Know Who to Ask."Atlanta: IRS Systems, 1997.

  2277. Shayt, D. H. Elephant under glass: the piano key bleach house of Deep River, Connecticut.

  2278. Shead, Herbert A. "The Anatomy of the Piano. An Illustrated Dictionary."Old Woking, Surrey: Unwin Brothers, 1978.

  2279. ---. "The History of the Emanuel Moór Double Keyboard Piano."London: Emanuel Moór Double Keyboard Piano Institute, 1978.

  2280. Sheraton, Thomas. "The Cabinet Dictionary."London, 1803.

  2281. ---. "The Cabinet-Maker and Upholsterer's Drawing-Book."London, 1791-1793.

  2282. Shoninger, B. "Shoninger Grand and Upright Pianos."New Haven: B. Shoninger Co., 1892.

  2283. Shriver, Walter. The iron frame. Some interesting reminiscences by Mr. Walter Shriver.

  2284. Sichardt, Wolfgang. Two hundred years of the fortepiano Zweihundert Jahre Hammerklavier.

  2285. Sievers, Giacomo Ferdinando. "Atlante Della Guida Pratica Per La Costruzione De' Pianoforti." Atlas for the practical guide to piano building Napoli: Ghio, 1868.

  2286. ---. "Il Pianoforte, Guida Practica Per Costruttori, Accordatori, Dillettanti e Professori Di Pianoforte Con 300 Disegni." The pianoforte, practical guide for builders, tuners, amateurs and professors of piano with 300 drawings Napoli: Ghio, 1868.

  2287. Sievers, Heinrich. Clara and Robert Schumann's [Conrad Graf]piano Clara und Robert Schumanns [Conrad Graf] Klavier.

  2288. Silver, A. L. Leigh. "Notes on the Duodecimal Division of the Octave."London: Institute of Musical Instrument Technology, 1964.

  2289. Silverman, Robert Joseph. A report on a great piano company: Baldwin.

  2290. ---. A talk with John Steinway.

  2291. Simons, Carolyn Wood. "The History of Mechanically Bowed Keyboard Instruments.", 1996.

  2292. Singer, Aaron. "Labor Management Relations at Steinway & Sons, 1853-1896."New York: Garland, 1986.

  2293. Singleton, Esther. American pianos; of late old pianos are highly prized as antiques.

  2294. Sinn, Christoph Albert. "Die Aus Mathematischen Gründen Richtig Gestellete Musikalische Temperatura Practica, Das Ist: Grundrichtige Vergleichung Der Zwölff Semitoniorum in Der Octave, Wie Dieselbe Nach Anweisung Der Arithmetic Und Geometrie Ad Praxin, Fürnehmlich in Die Orgel-Wercke, Können Gebracht Werden..."Wernigerode: M.A. Struck, 1717.

  2295. Sittner, Hans. The double keyboard. Old and new attempts at reform Die Doppelklaviatur. Alte und neue Reformversuche.

  2296. Sjostrand, Funnar. "Pianot Och Pianisten--Kort Kurs Om Pianots Och Flygens Konstruktion Och Vard: Instrumentkontroller, Intonering, Stamning, Overtoner, Speltekniska Mojligheter, "Gor Det Sjalvservice", M.m." The piano and the pianist--A short course on the construction and importance of the piano and grand piano: Instrument inspection, intonation, tuning, overtones, playing techniques, "doing-it-yourself", etc. Klockrike: Noteria, 1987.

  2297. Skinner, William ed. "The Belle Skinner Collection of Old Musical Instruments."Holyoke, MA, 1933.

  2298. Skowroneck, Martin. For what purpose and goal and with what intention are historical musical instruments restored? Zu welchem Zweck und Ziel, mit welcher Absicht werden historische Musikinstrumente restauriert? Antwerpen, 1971.

  2299. ---. Practical considerations and observations regarding the question of string scaling on early fortepianos Praktische Überlegungen und Beobachtungen zur Frage der Saitenstärke von frühen Hammerflügeln. Tutzing: Hans Schneider, 1987.

  2300. Sloane, Carl. A brief survey of keyboard temperaments.

  2301. ---. An easy to tune method: 'the de Caus tuning'.

  2302. ---. Some thoughts on the Vallotti temperament.

  2303. ---. Werckmeister V temperament.

  2304. ---. A note on Scarlatti's harpsichord temperament.

  2305. Slonimsky, Nicholas. An eight-octave piano.

  2306. Smar, Joyce Michaelene Gorney and Jane Vial. Musical instruments.

  2307. Smeed, J. W. 'Süssertönenedes Klavier': Tributes to the early piano in poetry and song.

  2308. Smith, Eric. "Piano Care and Restoration."Guildford, Surrey: Lutterworth, 1980.

  2309. ---. "Pianos in Practice: An Owner's Manual."London: Scolar Press, 1978.

  2310. Smith, Fanny Morris. "A Noble Art: Three Lectures on the Evolution and Construction of the Piano."New York: De Vinne Press, 1892.

  2311. Smith, Hermann. "Art of Tuning the Pianoforte Upon a System Founded on the Theory of Equal Temperament."London & New York: Novello, Ewer & Co., 1893.

  2312. Smith, Nancy A. Boston nineteenth-century pianoforte manufacture: The contributions of Jonas Chickering.

  2313. ---. "Old Furniture: Understanding the Craftsman's Art."Indianapolis, 1975.

  2314. ---. Piano manufacturing in nineteenth century Boston.

  2315. Smith, Robert. "Harmonics; or the Philosophy of Musical Sounds.", 1966.

  2316. ---. "A Postscript to Dr. Smith's Harmonics, Upon the Changeable Harpsichord; Which Being Supplied With All the Useful Flat and Sharp Sounds and Tuned in the Best Manner, Is Made As Harmonious As Possible; and Yet the Execution of Music Upon This Perfect Instrument Is the Same As Upon the Common Harpsichord."London: T. & J. Merrill, 1762.

  2317. Smith Virgil E. Piano maintenance is more than tuning.

  2318. Smithsonian institution. "A Checklist of Keyboard Instruments at the Smithsonian Institution, 2d Ed."Washington, D.C.: Smithsonian Institution, 1975.

  2319. Sohlriede, F. A. "Das Pianoforte Historisch Und Technisch Betrachtet." The pianoforte viewed historically and technically Hannover: C. Bachmann, 1846.

  2320. Sohmer & Co. "Sohmer and Co. Manufacturers of Grand, Square and Upright Pianos."New York: Sohmer, 1885.

  2321. ---. "Sohmer Pianos and Welte-Mignon (Licensee) Reproducing Pianos."New York: Sohmer, 1925.

  2322. Sohn, Joseph. A plea for something higher in piano construction.

  2323. Solis-Cohen, Lita. Auctioning rare pianos.

  2324. Sommer, Jürgen. The electronic tuning device as an aid in tuning musical instruments Das elektronische Stimmgerät als Hilfe beim Stimmer von Musikinstrumenten. Frankfurt: Verlag Das Musikinstrument, 1966.

  2325. Sorgen, Georg Andreas. "Anweisung Zur Stimmung Und Temperatur Sowohl Der Orgelwerke, Als Auch Anderer Instrumente, Sonderlich Aber Des Claviers." Instruction in tuning and temperament for both the organ and other instruments, particularly the clavier Hamburg: Piscators Schriften, 1744.

  2326. ---. "Ausführliche Und Deutliche Anweisung Zur Rational-Rechnung Und Der Damit Verknüpften Ausmessung Und Abtheilung Des Monochords, Vermittelst Welcher Man Die Musikalische Temperatur...Nicht Nur...Ausrechnen, Sondern Auch...Ausmessen, Und Folglich Auf Orgeln Und Allerhand Andere Instrumente Bringen Kan[Sic]. Nebst Einer Ausführlichen Nachricht Von Dem Neuen Telemannischen Intervallen-Systems."Lobenstein: The author, 1749.

  2327. ---. "Gespräch Zwischen Einem Musico Theoretico Und Einem Studioso Musices Von Der Prätorianischen, Printzischen, Werckmeisterischen, Neidhardtischen Und Silbermannischen Temperatur, Wie Auch Von Dem Neuen Systemate Herrn Capellmeister Telemanns. Zu Beförderung Reiner Harmonic Entworffen."Lobenstein: The author, 1748.

  2328. ---. "Gründliche Untersuchung, Ob Die Im Dritten Theile Des Dritten Bandes Der Mizlerischen Musikalischen Bibliothek S. 457 Und 580 Befindliche Schröterische Clavier-Temperaturen Für Gleichschwebend Passiren Können, Oder Nicht.", 1754.

  2329. ---. "Zuverlässige Anweisung, Claviere Und Orgeln Behörig Zu Temperiren Und Zu Stimmen, Nebst Einem Kupfer, Welches Die Ausmessung Und Ausrechnung Der Temperatur, Wie Auch Das Telemannische Intervallen-System...Darstellet; Auf Veranlassung Herrn Barthold Fritzens...Herausgegebenen Mechanischen Art Zu Stimmen, Und Zur Vertheidigung Gegen Desselben Angrif Entworfen."Leipzig and Lobenstein: The author and G.F. Authenrieth, 1758.

  2330. Southgate, Thomas Lee. "The Evolution of the Pianoforte: English Music 1604-1904."London, 1906.

  2331. Spain, Henry. "Equal Temperament in Theory and Practice."London: Novello, 1932.

  2332. Spanbroek, A. F. De hedendaagse pianobouw.

  2333. ---. Het nieuwe product van de pianofabriek rippen te Den Haag.

  2334. Specter, Michael. The diskette at the keyboard.

  2335. Spencer, Michael. Harpsichord physics.

  2336. Sperry, A. E. Electrical Review and Western Electrician Possibilities of electric piano-player shown.

  2337. Speyer, Helmut. "Die Geschichte Der Klavierfabrik Rudolf Siegel [in] Stade."Stade: Friedrich Schaumburg, 1994.

  2338. Spice, John. "Piano and Early Keyboard Tuning.".

  2339. Spielmann, H. "Vom Klavier." About the piano Köln/Krefeld, 1951.

  2340. Spielmann, H. and F. Thienhaus. About the sound force of the clavichord, harpsichord and grand piano Zur Klangwirkung von Clavichord, Cembalo und Flügel.

  2341. Spillane, Daniel. Musical instruments-the piano-forte: The development of American industries since Columbus.

  2342. ---. "General History of the Music Trades in America."The evolution of a pianoforte. New York: Bill & Bill, 1891.

  2343. ---. "History of the American Pianoforte: Its Technical Development and the Trade."New York, 1890.

  2344. ---. "The Piano, or Tuner's Guide.".

  2345. ---. "The Piano; Scientific Technical and Practical Instructions Relating to Tuning, Regulating and Toning."New York: E.L. Bill, 1912.

  2346. ---. Musical instruments-orchestral musical instruments: The development of American industries since Columbus.

  2347. Spiller, M. The regency piano trade in Aberdeen.

  2348. Sprengel, Peter Nathanael. "P.N. Sprengels Handwerke Und Künste in Tabellen. Fünfte Bis Elfte Sammlung.."Berlin: Verlag der Buchhandlung der Realschule, 1770-1773.

  2349. Stadnicki, Edwin Kornel. "Walc Fortepianowy w Polsce w Latach 1800-1830."Kraków: Polskie Wydawn Muzyczne, 1962.

  2350. Stamm, Gustav W. "Piano Tuning Made Easy."Kalamazoo, Michigan, 1975.

  2351. Stander, Wilhelm. "Alte Musikinstrumente." Old musical instruments Braunschweig: Klinkhardt & Biermann, 1973.

  2352. Stanhope, Charles Earl of. Principles of the science of tuning instruments with fixed tones.

  2353. Stanwood, David C. "The Balance Weight System for the Grand Piano."Vineyard Haven, MA: The Author, 1990.

  2354. Stanwood, David C. The Stanwood action.

  2355. Starke, Friedrich. "Wiener Pianoforte-Schule, Mit Verbindung Einer Leichten Anweisung, Das Pianoforte Rein Zu Stimmen, Nebst Modulationsregeln Und Einer Kurzen Singmethode. Mit Benützung Der Besten Bisher Erschienen Systematischen Anweisungen...Op. 108, Erste Abteilung." Viennese pianoforte method in conjunction with easy instructions in pure tuning of the piano together with rules of modulation and a short singing method. With use of the best of the up-to-date systematic instructions, op. 108, part one. Wien: The author, 1820.

  2356. State Historical Society of Wisconsin. Archives Division: Iconography, Film and Recorded Sound. Jackson Piano Co. trade catalogue, The Meissner Piano (Milwaukee, 1921) Madison, Wisconsin.

  2357. Stauffer, Donald W. "Piano Tuning for Musicians & Teachers: an Easy, Straight Forward Method of Tuning to Assist the Musician and Music Teacher to Care for His Own Piano and to Gain a Better Perspective of the Enigma of Temperament."Birminham, Alabama: Stauffer Press, 1989.

  2358. Steblin, Rita. "A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries."Ann Arbor: UMI Research Press, 1983.

  2359. ---. Unbekannte Dokumente über Schubert und die Klavierwerkstatt von Conrad Graf in Währing: Der Tischlergeselle Johann Gottfried Schubert--ein Verwandter des Komponisten.

  2360. Steglich, Rudolf. Mozart's grand piano sounds again Mozarts Flügel klingt wieder. Lindberg, Allgäu: Schwarzdruck, 1937.

  2361. ---. Studies about Mozart's fortepiano Studien an Mozarts Hammerflügel.

  2362. ---. From the classic to the romantic piano sound Vom klassischen zum romantischen Klavierklang.

  2363. Stein, A. "Praktischer Rathgeber Zur Gründlichen Anweisung Sein Clavier, Fortepiano Und Orgel Selbst Rein Stimmen Zu Lernen." Practical advisor for thorough instruction to learn to tune his own clavichord, fortepiano and organ. Leipzig: J. G. Schladebach, 1830.

  2364. Stein, Helga. A square piano by Conrad Dionysius in the Roemer museum. Some comments on piano builders in Hildesheim Ein Tafelklavier von Conrad Dionysius im Roemer-Museum. Einige Bemerkungen zu Klavierbauern in Hildesheim. Hildesheim: Gebrüder Gerstenberg, 1989.

  2365. Stein, Johann Andreas. "Beschreibung Meiner Melodica, Eines Neuerfundenen Clavierinstruments." Description of my melodica, a newly invented keyboard instrument Augsburg: J.J. Lotter, 1772.

  2366. Steinert, Morris. "Catalogue of the M. Steinert Collection of Keyed and Stringed Instruments...Exhibited As a Loan Collection at the World's Columbian Exposition."New Haven: Tuttle, Morehouse and Taylor, 1893.

  2367. ---. History of the pianoforte and its prototypes, the clavichord, spinet and harpsichord, with reference to its manufacture and introduction. With illustrations from the W. Steinert collection of keyed instruments now at the national museum Washington, D.C. New York: Bill & Bill, 1891.

  2368. ---. "The M. Steinert Collection of Keyed and Stringed Instruments: With Various Treatises on the History of These Instruments, the Method of Playing Them, and Their Influences on Musical Art."Steinway Hall, New York: C.F. Tretbar, 1893.

  2369. ---. "Reminiscences of Morris Steinert."New York & London: Putnam's sons, 1900.

  2370. ---. "The Steinertone; Its History, Construction and Relation to the Pianoforte....With Diagrams and Explanations of the Various Pianoforte Actions, and the Steinertone."New York: Blumenberg Press, 1900.

  2371. Steingräber Piano Co. "Zum 75jährigen Bestehen Der Hofpianoforte- Und Flügelfabrik Steingräber & Söhne, Bayreuth." For the 75th anniversary of the foundation of the court upright and grand piano factory Steingräber & Sons in Bayreuth Bayreuth: Steingräber, 1927.

  2372. Steinway and Sons. "Typescript Inventory and Company Records 1853-1977." 175 linear feet of production records, serial number books, departmental control books covering lumber, veneering, finishing, plate, action, and key manufacturing, rim, case, soundboard making. Personal work logs, 1989-1942; personnel records, employee registers, 1880-1970. Dealer appointment letters, 1950-1978; Hamburg division records; concert artist files, war production files, sales records. Advertising records and scrapbooks; tear sheets, layouts, circulars and Steinway News 1939-1954. Photographs of the factory by Margaret Bourke-White, Jerry Cooke, and John Steinway; and miscellaneous family photographs. La Guardia Community College Archives, Long Island City, NY.

  2373. Steinway, C. F. Theodor. "Neue Erfindung Der Doppel-Scala Und Die Unwissenheit Des Herrn Bösendorfer in Wien. Duplex Scala (Doppelte Mensur) Patent No. 126,848 Vom 14. Mai 1872." New invention of the duplex scale and the ignorance of Mr. Bösendorfer in Vienna. Duplex scale patent no. 126,848 from May 14, 1872 New York: Steinway & Sons, n.d.

  2374. Steinway, Henry. German pianos in England and Steinway's rise to fame.

  2375. Steinway Piano Co. "The Care of Your Steinway."New York: Steinway & Sons, n.d.

  2376. Steinway & Sons. Archives of the piano-manufacturing firm, including the diary of William Steinway, minutes of board meetings and photographs. Long Island City, New York.

  2377. ---. Steinway & Sons Mitteilungen. Hamburg, 1953-.

  2378. ---. "Biographical Sketches of William Steinway, Henry E. Steinway, and C. F. Theodore Steinway."New York: Atlantic Publishing, 1895.

  2379. ---. "Book of Art Piano Cases."New York: Steinway, 1901.

  2380. ---. "A Brief History and Explanation of the Steinway System in Pianofortes."New York: Steinway & Sons, 1885.

  2381. ---. "Catalogue With Patents and Testimonials."New York: Steinway & Sons, 1888.

  2382. ---. "Der Masstab." The standard Hamburg: Steinway & Sons, n.d.

  2383. ---. "Illustrated Catalogue of Pianofortes." A French and German translation is bound with the original New York: Steinway & Sons, 1876.

  2384. ---. "Illustrated Catalogue of Pianos."New York: Green, 1875.

  2385. ---. "Illustrated Catalogue of Steinway & Sons' Pianos."New York: Steinway & Sons, 1882.

  2386. ---. "Inimitable Tone." "Price list & catalogue of pianos made by Steinway & Sons, Hamburg." Dated January 15, 1960 New York: Steinway, 1960.

  2387. ---. Ain't it grand: Steinway & Sons celebrates 135 years of celestial sound by building its 500,000th classic piano.

  2388. ---. "Mitteilungen Der Fabrik Von Steinway & Sons." Announcements from the factory of Steinway & Sons Hamburg: Steinway & Sons, 1918-1939.

  2389. ---. Steinway's landmark 500,000 piano. Unique case design reflects an inspired 135 year legacy.

  2390. ---. "Portraits of Musical Celebrities. A Book of Notable Testimonials."New York: Steinway & Sons, 1926.

  2391. ---. Revised procedure--Look over action centers. New York: Steinway, n.d.

  2392. ---. "Steinway: Family and Factory. 1986 LaGuardia Archives Calendar."New York: Fiorello H. LaGuardia Community College, 1985.

  2393. ---. "Steinway News."New York: Steinway & Sons, 1935-.

  2394. ---. Sostenuto regulation in Steinway & Sons vertical pianos.

  2395. ---. "Steinway Service Manual."Long Island City: Steinway, n.d.

  2396. ---. "Steinway & Söhne, Fabrikanten Von Piano Fortes." Steinway and Sons, makers of pianofortes New York: Steinway, 1877.

  2397. ---. "Steinway & Sons Pianofortes." Retrospective and Catalogue New York: Steinway & Sons, 1935.

  2398. ---. "Steinway & Sons Pianofortes." Illustrated Catalogue New York: Steinway, 1988.

  2399. ---. Steinway technical procedure number TP-2. Servicing permafree teflon action centers. New York: Steinway & Sons, 1984.

  2400. ---. "Yale University Library: Steinway Project." Includes 100 interviews with family members, employees, piano technicians, dealers and performers New Haven, Connecticut.

  2401. Steinway & Sons Co. Steinway & Sons acquired by Boston based investment group.

  2402. Steinway, Theodore E. "People and Pianos; a Century of Service to Music."New York: Steinway, 1953.

  2403. Steinway, William. Steinway & Sons. Mr. William Steinway states over his signature that his firm did not lose any money during 1891.

  2404. ---. Early days in the American piano industry.

  2405. Stephen, J. L. compiler. "Stephen Collection of Catalogues, Pamphlets, Broadsheets, Manuscript Notes, Letters, Trade Tallies, Blueprints, and Drawings Relating to the History and Construction of the Pianoforte.", 1900-1930.

  2406. Sterl, Raimund W. Musicians and instrument builders in the record books of Regensburg Musiker und Instrumentenbauer in den Bürgerbüchern Regensburgs.

  2407. Steup, H. C. "Méthode Pour Accorder Le Pianoforte." Method for tuning the pianoforte Amsterdam: The author, 1819.

  2408. Stevens, Floyd A. "A Complete Course in Electronic Piano Tuning."Chicago: Nelson-Hall Co., 1974.

  2409. ---. "A Complete Course in Professional Piano Tuning, Repair and Rebuilding."Chicago: Nelson-Hall, 1972.

  2410. Stevens, Frank M. The trade in Philadelphia (Henry F. Miller & Sons).

  2411. ---. The trade in Albany and Troy: Cluett & Sons, Boardman & Gray, Marshall & Wendell--They may undertake the manufacture of piano actions as well as pianos. R. W. Tanner & Son--they have given up the manufacture of piano plates and brackets. The McCammon piano Co.

  2412. ---. On the road. A trip to Westfield, Mass. C. N. Stimpson, the Veteran leg manufacturer. A day in Albany, The Grey brothers. Marshall & Wendell. Mr. Wendell defends the G. W. Lyon piano and proves that it is not a stencil instrument.

  2413. ---. On the road. The Guild Piano Co.

  2414. ---. Our Sketch Book. Henry N. Cornett (Cornett Piano Co.).

  2415. ---. Benjamin Starr (Starr Piano Co.).

  2416. ---. James M. Starr (Starr Piano Co.).

  2417. Stevens, Paran. "Report Upon Musical Instruments, Paris Universal Exposition 1867: Report of the U.S. Commissioners."Washington, D.C.: Government Printing Office, 1869.

  2418. Stewart, A. Bechstein and von Sauer: a legacy that lives.

  2419. Stewart, Madeau. Playing early pianos-a lost tradition.

  2420. Stieff, Frederick P. "Musical Instruments and Their Portrayal in Art."Baltimore's contribution to the development of the pianoforte. Baltimore: Baltimore museum of art, 1946.

  2421. Stieff Piano Co. "Catalogue."Washington, D.C., 1927.

  2422. Stierlin, Leonhard. "Das Fortepiano Und Seine Vorgänger." The fortepiano and its predecessors. Zürich: Orell, Füssli und Co., 1861.

  2423. Stimpson. "Stimpson's Boston Directory."Jonas Chickering. Boston, 1838.

  2424. Stingl, Gustav Ignaz. Appraisal of old and new pianos Bewertung von alten und neuen Klavieren.

  2425. Stöckels, H. F. U. "Handbuch Für Künstler, Lakkirliebhaber Und Dehlfarben-Anstreicher." Handbook for artists and amateur finishers Thiele, 1817.

  2426. Stoeckel, Alfred. "Der Blinde Klavierstimmer--Ein Faktor in Der Produktion." The blind piano tuner--a factor in manufacturing Frankfurt: Verlag das Musikinstrument, 1966.

  2427. Stöhr, Gerd. Business and personal news: Helmut Karl Pfeiffer Geschäfts-und Personal-Nachrichten: Helmut Karl Pfeiffer.

  2428. Stokes, A. W. Heavy touch.

  2429. ---. Regulating the piano action.

  2430. Storck, Karl. The piano, its history and construction Das Klavier, seine Geschichte und sein Bau.

  2431. Stradner, Gerhard. Viennese instrument building at the time of Maria Theresia Wiener Instrumentenbau zur Zeit Maria Theresias. Munich-Salzburg: Musikverlag Emil Katzbichler, 1984.

  2432. ---. "Musikinstrumente in Grazer Sammlungen." Musical instruments in collections in Graz Vienna: Österreichische Akademie der Wissenschaften, 1986.

  2433. Strauch Bros. Strauch Bros. on the value of certain patents in piano actions.

  2434. Strauch Brothers. "The Manufacture of the Pianoforte Action; Its Rise and Development."New York: Giles Co., 1891.

  2435. ---. Strauch Brothers new grand action.

  2436. Streich, R. Musical temperaments Musikalische Temperaturen.

  2437. Streicher, Andreas. "Kurze Bemerkungen Über Das Spielen, Stimmen Und Erhalten Der Fortepiano,Welche Von [Hs. Nannette Streicher Geborne] Stein in Wien, Verfertiget Werden. Ausschliessend Nur Für Die Besitzer Dieser Instrumente Aufgesetzt [Hs. , Von Andreas Streicher]." Concise observations regarding the playing, tuning and care of the fortepiano, which is built by [ms. Nannette Streicher, née ] Stein in Vienna. Printed only for the owners of these instruments [ms. by Andreas Streicher] Vienna: Streicher, 1801.

  2438. Streicher, F. B. Industrielle Zeitung: Ausschl. priv. Vorrichtung des Hrn. Ign. Stelzel, bürgl. Klavier-Instrumentenmacher (Landstrasse, Marokkanergasse Nr. 517) ein leichteres Stimmen der Klaviere bezweckend.

  2439. Streicher, J. B. Wie wären Clavier-Instrumente bei Industrie-Ausstellungen möglichst richtig zu beurtheilen?

  2440. Streicher, J. B. k. k. Hof-Pianoforte-Verfertiger. Warning [about the unauthorized imitation of Streicher instruments] Warnung [von dem unauthorisierten Nachmachen von Streicherschen Instrumenten].

  2441. Stulov, Anatoli. Hysteretic model of the grand piano hammer felt.

  2442. Sullivan, Anita. "The Seventh Dragon: The Riddle of Equal Temperament."Lake Oswego, Oregon: Metamorphous, 1985.

  2443. Summerhays, H. F. How your piano is made.

  2444. Sumner, William Leslie. "The Pianoforte."London: MacDonald and Jane's, 1966.

  2445. Sundberg, Johan. "The Science of Musical Sounds."San Diego: Academic Press, 1991.

  2446. Suterhland, David. The Florentine school of cembalo-making centered in the works of Bartolomeo Cristofori.

  2447. Sutherland, David. Domenico Scarlatti and the Florentine piano.

  2448. Sutton, George. "Richard Henry Sutton, Esq 1830-1876."Melbourne: Renwick Pride, 1954.

  2449. Suzuki, Hideo. Model analysis of a hammer-string interaction.

  2450. ---. Vibration and sound radiation of a piano soundboard.

  2451. Swan, Annalyn. "The Lives of the Piano, Edited by James R. Gaines."Enlightenment's gift to the age of romance: How the piano came to be. New York: Harper Colophon Books, 1983.

  2452. Swenson, Edward E. A stroke of luck; A fortepiano by Conrad Graf (No. 1594, Smithsonian Institution, Washington, D.C.) restored with particular consideration to the original stringing and dampers Ein Glücksfall Ein Fortepiano von Conrad Graf (Nr. 1594, Smithsonian Institution, Washington, D.C.), restauriert unter besonderer Berücksichtigung der originalen Besaitung und Dämpfung.

  2453. ---. Fortepiano building in Vienna as reflected in the dispute between Jakob Bleyer and Martin Seuffert.

  2454. ---. Restoring antique pianos: introduction and sources.

  2455. ---. Restoring antique pianos: documentation.

  2456. ---. Restoring antique pianos: cleaning.

  2457. ---. Restoring antique pianos: making looped strings, clamping and woodworking techniques.

  2458. ---. The battle between two early piano builders.

  2459. ---. Restoring antique pianos: stringing.

  2460. ---. The history of musical pitch in tuning the pianoforte.

  2461. ---. Conrad Graf, Beethoven's piano builder.

  2462. Swenson, Edward E. private collection. "Taped Interviews With the Directors of Famous Pianos Companies: Bechstein, Bösendorfer, Fazioli, Ibach, Hamurg and New York Steinway
    .", (February 1985).

  2463. Sypniewski, Jan. The Swiss and his piano Der Schweizer und sein Klavier.

  2464. Szekeres-Farkas, Marta. Documents on the activity of Ludwig Bösendorfer in Hungary Dokumente über Ludwig Bösendorfers Tätigkeit in Ungarn.

  2465. Szekeres-Farkas, Márta. A Hungarian piano maker in the 19th century: Lajos Beregszászy Ein ungarischer Klavierbauer im 19. Jahrhundert: Lajos Beregszászy.

  2466. Szoradova-Sefcikova, Eva. Production of string keyboard instruments in Slovakia Vyroba strunovyck klávesovych nástrojov na Slovensku.

  2467. Tagliavini, Luigi Ferdinando. Giovanni Ferrini and his harpsichord "a penne e a martelletti".

  2468. Tansur, William. "The Elements of Musick Display'd....III: The Structure of Musical Instruments."London: The author and his son, 1772.

  2469. Taylor, S. K. ed. "The Musician's Piano Atlas."Macclesfield: Omicron, 1981.

  2470. Teahan, J. A list of Irish instrument makers.

  2471. Tempelhof, Georg Friedrich. "Gedanken Über Die Temperatur Des Herrn Kirnberger, Nebst Einer Anweisung Orgeln, Claviere, Flügel...Auf Eine Leichte Art Zu Stimmen." Thoughts about the temperament of Mr. Kirnberger, together with a guide for tuning organs, clavichords and grands in an easy manner Berlin and Leipzig: George Jacob Decker, 1775.

  2472. Terse, Paul. "Studien Zur Verwendung Des Konzertflügels Im Opernorchester in Der Zeit Von Etwa 1930 Bis Etwa 1978." Studies on the use of the concert grand piano in the opera orchestra in the period from 1930 until about 1978 Regensburg: Bosse, 1982.

  2473. The International Piano Archives.

  2474. The Music Trades Magazine. Englewood, New Jersey, 1890.

  2475. Thibault, G. Jean Jenkins and Josiane Bran-Ricci. "Eighteenth-Century Musical Instruments: France and Britain."London: Victoria and Albert Museum, 1973.

  2476. Thibouville-Lamy, M. J. "Rapports Du Jury International Classe 13 Instruments De Musique--Exposition Universelle Internationale De 1889." Reports of the international jury , class 13, musical instruments. International, Universal Exposition 1889 Paris: Imprimerie Nationale, 1891.

  2477. Tholey, Peter. "Praxisorientierte Mensuration Mit Dem Computer: Analyse, Optimierung Und Konstruktion Von Pianobesaitungen, Ein Leitfaden Für Reparatur Und Neubau." Practical computer-aided mensuration: Analysis, optimization, and construction of piano stringing scales--A manual for repair and rebuilding Frankfurt am Main: Bochinsky, 1992.

  2478. Thomas, Fritz and Peter Kunze. "Alte Musik Aus Vier Jahrhunderten; Tasteninstrumente Im Deutschen Museum." Early music from four centuries; Keyboard instruments in the German Museum Munich, 1980.

  2479. Thomas, Michael. The fretted clavichord.

  2480. ---. The tunings and pitch of early clavichords.

  2481. ---. String gauges of old Italian harpsichords.

  2482. ---. "The Keyboard Instruments of Michael Thomas."London, 1976.

  2483. Thomas, William R. and J. J. K. Rhodes. Harpsichords and the art of wire-drawing.

  2484. Thomas, William R. & J. J. K. Rhodes. The string scales of Italian keyboard instruments.

  2485. Thomée, H. Investigation of wire gauge-plates Untersuchungen über Drahtlehren.

  2486. Thomma, Lothar. The slide-rule for calculating the complete stringing of pianos and harpsichords Der Rechenschieber zur Berechnung sämtlicher Saiten für Klaviere und Cembali.

  2487. Thomma, Lothar and Klaus Fenner. "Doppelrechenstab TF65; Zur Berechnung Aller Saiten Für Klaviere, Flügel, Cembali, Usw." Duplex slide rule TF 65; for figuring all strings for pianos, harpsichords, etc. Frankfurt am Main: Verlag Das Musikinstrument, 1962.

  2488. Thompson, Thomas Perronet. "On the Principles and Practice of Just Intonation: With a View to the Abolition of Temperament...As Illustrated on the Enharmonic Organ." The Newberry library in Chicago has two autograph letters from the author to Henry Ward Poole inserted in their copy of this book. London: E. Wilson, 1860.

  2489. Thon, Christian F. G. "Abhandlung Über Klavier-Saiten-Instrumente, Insonderheit Der Forte-Pianos Und Flügel, Deren Ankauf, Beurtheilung, Behandlung, Erhaltung Und Stimmung. Zweite Durchaus Umgearbeitete, Verbesserte Und Vermehrte Auflage." Treatise on stringed keyboard instruments, particularly on the fortepiano and grand piano, their purchase, assessment, treatment, maintenance and tuning. Second improved edition. Weimar: Voigt, 1902d.

  2490. ---. "Die Holzbeizkunst Oder Holzfärberei in Ihrem Ganzen Umfange...Nebst Einem Anhange, Elfenbein, Knochen Und Horn Zu Beizen Und Zu Poliren Auch Auf Verschiedene Weise Zu Verschönern...Für Ebenisten, Tischler, Instrumentenmacher, Drechsler..."Weimar: Voigt, 1840.

  2491. ---. "Ueber Klavierinstrumente, Deren Ankauf, Behandlung Und Stimmung. Ein Nothwendiges Handbuch Für Jeden Besitzer Dieser Art Metallsaiteninstrumente." Regarding keyboard instruments, their purchase, maintenance and tuning. An essential handbook for every owner of this type of instrument with metal strings Schwarza: B. F. Voigt, 1817.

  2492. ---. "Vollständige Anleitung Zur Lackirkunst, Oder...Gründliche Beschreibung Der Besten...Firnisse Und Lackfirnisse Auf Alle Nur Mögliche Gegenstände, Nebst Der Art Und Weise Solche Gehörige Aufzutragen Und Zu Trocknen, Zu Schleifen Und Zu Polieren...Vierte, Sehr Verbesserte Und Umgearbeitete Auflage."Weimar: Voigt, 1835.

  2493. Tiedemann, Agathe von. A folk piano in Sweden Ein Volksklavier in Schweden.

  2494. Tiella, Marco. Didattica della ricostruzione e del restauro degli strumenti musicali antichi. Florence: Olschki, 1986.

  2495. ---. The Cipollone fortepiano.

  2496. ---. Was the fortepiano built as a folk instrument?

  2497. Tiella, Marco and Tiziano Zanisi. "Contributi Allo Studio Del Restauro Degli Strumenti Musicali." Contributions to the study of the restoration of musical instruments Cremona: Turris, 1990.

  2498. Tiersch, Otto. "Über Tonsysteme Und Temperaturen." Regarding tonalities and temperaments Berlin, 1875.

  2499. Tiffany, J. B. Colonial art and its adaptability to modern pianos.

  2500. ---. Decorative art in piano cases with some Steinway examples.

  2501. Tillmann, Samuel D. "A Treatise on Musical Sounds, and an Explanation of the Tonometer."New York: Hoffmann & Pennal, 1860.

  2502. Timbrell, Charles. The international piano archives.

  2503. Tingry, Pierre François. "Handbuch Für Lakkirer.", 1804.

  2504. Tittle, Martin B. "A Performer's Guide Through Historical Keyboard Tunings."Ann Arbor: Anderson Press, 1987.

  2505. Toepfer, J. G. "Die Scheibler'Sche Stimm-Methode Leicht Fasslich Erklärt." The Scheibler tuning method, easily and thoroughly explained , 1842.

  2506. Toffolo, Stefano. "Antichi Strumenti Veneziani: 1500-1800, Quatro Secoli Di Liuteria e Cembalaria." Antique Venetian musical instruments: 1500-1800, four centuries of string and keyboard instrument building Venezia: Arsenale, 1987.

  2507. Tomek-Schumann, Sabine. "Akustische Untersuchungen Am Hammerflügel." Acoustical examinations of the fortepiano Dissertation, University of Hamburg, 1975.

  2508. Tonder, Friedrich. The purchase of a piano Der Kauf eines Klaviers.

  2509. Tonk, William. "Memoirs of a Manufacturer."Chicago & New York: Presto Co., 1926.

  2510. Töpfer, Johann Gottlob. "Abhandlung Über Den Saitenbezug Der Pianoforte's in Flügel- Und Tafel-Form." Treatise on the string tension of grand and square pianos Leipzig: Breitkopf & Härtel, 1842.

  2511. Tovey, Donald. The pianoforte of Emmanuel Moor.

  2512. Travis, John W. "A Guide to Restringing; Also, a Collection of Three Hundred and Forty-Nine Grand and Vertical Treble Stringing Scales."Middleburg,VA: Middleburg Press, 1961.

  2513. ---. "How to Restring a Grand Piano."Chicago: Schaff Piano Supply Co., 1955.

  2514. ---. "Let's Tune Up. A Study Course for Students of Piano Technology."Takoma Park, Maryland: The author, 1968.

  2515. Trendelenburg, Ferdinand. "Einführung in Der Akustik." Introduction to acoustics Berlin, 1939.

  2516. Trendelenburg, Ferdinand and F. Thienhaus. Regarding the sound effect of the clavichord, harpsichord and grand piano Zur Klangwirkung von Clavichord, Cembalo und Flügel.

  2517. Troeger, Richard Walter. Mozart's piano and the modern grand.

  2518. Trost, Alois. Liszt at the piano Liszt am Klavier.

  2519. Trouflaut. Lettre sur les clavecins en peau de buffle inventés par M. Pascal.

  2520. Trucco, Terry. Keyboard Virtuoso. Art-case pianos are custom-designed instruments and both old and new ones are building in popularity.

  2521. Tryon, Winthrop P. A quarter-tone piano.

  2522. Tuners Supply Co. "The Art of Wood Finishing."Boston: Tuners Supply, n.d.

  2523. ---. "Repairing and Regulating Grands and Spinets."Boston: Tuners Supply, 1963.

  2524. Turgan, R. "Les Grandes Usines De France: La Manufacture De Piano De MM. Pleyel, Wolf [Sic] Et Cie." The big factories in France: the Pleyel, Wolf and Co. manufactory of pianos Paris, 1862.

  2525. ---. "Les Grandes Usines En France, Manufacture Érard." The big factories in France, the Erard manufactory Paris: Hatier, 1888.

  2526. Türk, Daniel Gottlob. "Anleitung Zu Temperaturberechnungen." Introduction to temperament calculations Halle, 1808.

  2527. ---. "Klavierschule, Oder Anweisung Zum Klavierspielen." Piano method, or instruction for piano playing. (Includes a section on tuning.) Leipzig & Halle: For the author, 1789.

  2528. ---. "School of Clavier Playing."Lincoln: University of Nebraska Press, 1982.

  2529. Turner, Robert D. The repair of hitchpin rails.

  2530. Turner, W. J. The passing of the pianoforte.

  2531. Uchdorf, Hans-Jürgen. "Klavier. Praktisches Handbuch Für Klavierbauer Und Klavierspieler." The Piano. A practical handbook for piano builders and piano players Wilhelmshaven: Heinrichshofen, 1985.

  2532. Ucitel, Iakov Moiseevich. "Sovetskoe Fortepiano; Kratrii Istoricheskii Ocherk." The Soviet piano. A short historical outline Moskau and Leningrad: Muzyka, 1966.

  2533. Ulferts, Gert-Dieter. "Führer Durch Die Sammlung Historischer Musikinstrumente [Städtisches Museum Braunschweig]." Guide through the collection of historic musical instruments [City museum Braunschweig] Braunschweig: G. Spies, 1997.

  2534. Ulmann, L. Good management from America Wirtschaftliches aus Amerika.

  2535. Unger-Hamilton, Clive. "Keyboard Instruments."Oxford: Phaidon, 1981.

  2536. Unger, Johann Friedrich. "Entwurf Einer Maschine, Wodurch Alles, Was Auf Dem Clavier Gespielet Wird, Sich Von Selber in Noten Setzt. Im Jahre 1752 an Die Königl. Akademie Der Wissenschaften Zu Berlin Engesandt." Plan of a machine through which everything which is played on the keyboard is set automatically in notation. Sent in the year 1752 to the imperial academy of sciences in Berlin Braunschweig: Fürstl. Waisenhaus-Buchhandlung, 1774.

  2537. United States Bureau of foreign and domestic commerce. "Foreign Trade in Musical Instruments."Washington, D.C.: U.S. Government Printing Office, 1912.

  2538. United States Bureau of the Census. "Manufacture of Pianos and Organs; Summary Concerning the Industry."Washington, D.C.: Government Printing Office, 1914.

  2539. United States. Library of Congress. Division of Bibliography. "Brief List of References on the Piano and Piano Player Industry. December 20, 1921."Washington, D.C.: Government Printing Office, 1921.

  2540. United States National Recovery Administration. "Code of Fair Competition for the Piano Manufacturing Industry As Approved on November 4, 1933 by President Roosevelt."Washington, D.C.: Government Printing Office, 1934.

  2541. United States Patent Office. "Collection of Letters Patent Relating to the Construction of Pianos."Washington, D.C.: U.S. Government Printing Office, 1877-1901.

  2542. Unverricht, Hubert. Paul von Jankò and his keyboard Paul von Jankò und seine Klaviatur.

  2543. Val, Jean-Louis. A determination of the size of harpsichord strings used in France in the 18th century Une détermination de la taille des cordes de clavecin employés en France au 18e siècle.

  2544. Valdrighi, Luigi Francesco. "Nomocheliurgografia Antica e Moderna Ossia Elenco Di Fabbricatori Di Strumenti Armonici Con Note Esplicative e Documenti Estratti Dall'Archivio Di Stato in Modena." "Nomocheliurgografia" ancient and modern or a list of makers of musical instruments. (4,000 European makers from 1400-1850 are listed.) Modena: Coi tipi della Società tipografica, 1884.

  2545. ---. "Scrandola--Pianoforte--Salterio." Scrandola--pianoforte--psalter Modena: Tip. di C. Olivari, 1879.

  2546. Valente, Judith. Sour notes. In clash between art and efficiency, did Steinway pianos lose? New business-minded owners modernized production, forced out old managers. Firm calls criticism "hokum".

  2547. Vallance, Aymer. The decoration of the grand piano.

  2548. ---. The decoration of the upright pianos.

  2549. Valotaire, M. The piano as a modern piece of furniture.

  2550. Van Acht, Rob. "Harpsichords, Clavichords, Organs, Harmoniums. Checklist of the Musical Instruments Collection of the Haags Gemeentenmuseum."The Hague, 1989.

  2551. Van Acht, Robert. "Checklist of Technical Drawings of Musical Instruments in Public Collections of the World."Zelle: Moeck, 1992.

  2552. Van Atta, Harrison Louis ed. "A Treatise on the Piano and Player Piano; Explanation of Its Principles, the Care, Repair and Tuning; Prepared As a Text Book."Dayton, Ohio: Ohio Printing Co., 1914.

  2553. Van Barthold, Kenneth & David Buckton. "The Story of the Piano."London: British Broadcasting Corp., 1975.

  2554. Van Cleve, John S. The piano as a factor in musical art.

  2555. Van de Velde. "Le Méchanisme Du Piano." The piano action Saint-Amand, 1900.

  2556. Van der Vellen, Pascale. Piano design in Europe from its origins to 1850: Studies on decorative and mechanical aspects Le piano de style en Europe des origines à 1850: Études de éléments décoratifs et méchaniques. Liège: Mardaga, 1994.

  2557. Van Noorden, C. Freak pianos.

  2558. Van Slyck, J. D. "New England Manufacturers and Manufactories."Boston, 1879.

  2559. Vandervellen, Pascale. "Le Piano De Style En Europe: Des Origines à 1850: Étude Des Éléments Décoratifs Et Mécaniques."Liège: Mardaga, 1994.

  2560. Vant, Albert B. "Piano Scale Making With 22 Illustrations."New York: Albert Vant, 1927.

  2561. Vellekoop, Gerrit. The "clavinette," a new piano De clavinette, een nieuw klavier.

  2562. Verlet, Colombe. "Le Clavecin à Paris, Sa Facture Et Son Rôle Dans La Vie De Société à L'Époque Classique." The harpsichord in Paris, its construction and its role in the life of society during the classic period Paris: Thése, 1962.

  2563. Vernon, M. "Analogy of the Laws of Musical Temperament to the Natural Dissonance of Creation."London: Whittingham, 1867.

  2564. Viator. Our Sketch Books. P. J. Gildemeester.

  2565. Vier, Peter. Regarding the question of reconstructing historical tunings Zur Frage der Rekonstruktion historischer Stimmungen.

  2566. Vierling, Oskar. "Das Elektroakustische Klavier." The electro-acoustic piano. (Based on the author's Ph.D. dissertation, University of Berlin, 1935.) Berlin: VDI-Verlag, 1936.

  2567. ---. Concerning the vibrations of piano strings Über Klaviersaitenschwingungen.

  2568. Villanis, L. A. "L'Arte Del Pianoforte in Italia."Turin, 1901.

  2569. Vincent, H. "Mémoire Sur La Théorie Des Battements." Treatise on the theory of beats Paris, 1849.

  2570. Virdung, Sebastian. "Musica Getutscht Und Aussgezogen."Basel, 1511.

  2571. Virdung, Sebastian translated and edited by Beth Bullard. "Musica Getutscht: A Treatise on Musical Instruments (1511) by Sebastian Virdung."Cambridge: Cambridge University Press, 1993.

  2572. Vitale, Vincenzo. "Il Pianoforte a Napoli Nell'Ottocento." The piano in Naples in the 1800s Naples: Bibliopolis, 1983.

  2573. ---. The pianoforte in Naples in the 1800s: Francesco Lanza Il pianoforte a Napoli nell' 800: Francesco Lanza.

  2574. Vogel, Beniamin. "Budownictwo Fortepianów Na Ziemiach Polskich Do II Wojnyswiatowej." Piano making on Polish lands until World War II Warsaw: Warsaw University Press, 1988.

  2575. ---. "Instrumenty Muzyczne w Kulturze Królestwa Polskiego." Musical instruments in the culture of the Polish kingdom Cracow: Polish Music Publications, 1980.

  2576. ---. "Kolekcja Zabytkowych Fortepianów Filharmonii Pomorskiej." Old piano collection of the Pomeranian Philharmonic Bydgoszcz: Filharmonia Pomorska, 1987.

  2577. ---. The association or organ- and piano-makers in the kingdom of Poland, 1815-1918 Zgromadzenie organmistrzów i fortepianmistrzów w Królestwie Polskim 1815-1918.

  2578. ---. The tangent piano in Poland Fortepiany tangentowe w Polsce.

  2579. ---. The pianos of Chopin's time and performance practice today Fortepiany epoki Chopina a wspólczesna praktyka wykonawcza.

  2580. Vogel, Benjamin. Polish pianos: 19th- and 20th-century collections Polskie Fortepiany XIX-XX W. Kolekcja. Warsaw: Museum of Industrial History, 1994.

  2581. ---. The piano as a symbol of burgher culture in nineteenth-century Warsaw.

  2582. ---. Two tangent square pianos in Poland.

  2583. Vogel, Harald. Tuning and temperament in the North German school of the seventeenth and eighteenth centuries. Easthampton, Mass: Westfield Center for Early Keyboard Studies, 1986.

  2584. Vogel, Martin. The Kirnberger tuning before and after Kirnberger Die Kirnberger-Stimmung vor und nach Kirnberger. Bonn: Beethovenhaus, 1967.

  2585. ---. "Denkschrift Zum Bau Von Tasteninstrumenten in Reiner Stimmung." Memorandum on the building of keyboard instruments in pure tuning. Bonn: Verlag für systematische Musikwissenschaft, 1986.

  2586. ---. "Europiano-Kongress." Keyboard instruments in pure tuning Tasteninstrument in reiner Stimmung.

  2587. Vogler, Georg Joseph. "Gründliche Anleitung Zum Klavierstimmen." Thorough introduction to piano tuning Vienna: Steiner, 1815.

  2588. Voigt, Augustus. Pianoforte strings from platinum Pianoforte-Saiten von Platina.

  2589. Vose, Ellen F. "Robert Vose and His Descendants."Boston, 1932.

  2590. Vose, James W. Piano Co. "Catalogue of Piano-Fortes Manufactured by James W. Vose."Boston: E. N. Moore, 1859.

  2591. Vose, Piano Co. "The Vose Papers.".

  2592. Vuilleumier, Ruth. Tortoiseshell: Techniques for its processing and imitation Schildpatt: Verarbeitungstechniken und Imitationen.

  2593. ---. Materials of art carpentry. Ivory, bone, horn, mother of pearl, fish bone and fish skin Werkstoffe der Kunstschreinerei. Elfenbein, Knochen, Horn, Perlmutter, Fischbein und Fischhaut.

  2594. W. in F., and the editors. Concerning the tuning of fortepianos Ueber das Stimmen der Fortepianos.

  2595. W., M. Out Sketch Book. Hugo Sturz.

  2596. W., R. S. Editorial letter. [Winter travels in New England. Visit to the pianoforte manufactory of Boardman, Gray & Co.].

  2597. Wagner. "Was Muß Der Klaviermacher Und Händler Von Den Bestandteilen Wissen." What must the piano maker and dealer know about piano parts? Berlin: Euting, 1922.

  2598. Wagner, Charles A. "How to Select a Good Piano."Belding, Michigan: C.A. Wagner, 1915.

  2599. Wagner, Georg. "Cembalo- Und Clavichordbau-Bibliographie 1830-1985." Harpsichord and clavichord building--bibliography 1830-1985. In German and English Buren: Frits Knuf, 1989.

  2600. Wainwright, David. "Broadwood by Appointment, a History."London: Quiller Press, 1982.

  2601. ---. John Broadwood, the harpsichord and the piano.

  2602. ---. "The Piano Makers."London: Hutchinson & Co. Ltd., 1975.

  2603. Walker, Michael. Problems in fortepiano replica building Probleme des Nachbaus vom Hammerklavieren. Michaelstein/Blankenburg, Germany: Kultur- und Forschungsstätte Michaelstein, Institut für Aufführungspraxis der Musik des 18. Jahrhunderts.

  2604. Waller, Mary Desiree. "Chladni Figures, a Study in Symmetry."London: Bell, 1961.

  2605. Walsh, C. I. "An Economic and Social History of the Pianoforte in Mid- and Late-Victorian Britain."University of London: 1973.

  2606. Walter, Horst. Haydn's keyboard instruments Haydns Klaviere.

  2607. Warner, Robert A. Two early square pianos.

  2608. Warren, Ambrose. "The Tonometer: Explaining and Demonstrating by an Easy Method, in Numbers and Proportion, All the 32 Distinct and Different Notes, Adjuncts or Suppliments Contained in Each of Four Octaves Inclusive, of the Gamut, or Common Scale of Musick. With Their Exact Difference and Distance. Whereby the Practitioner on Any Key'd, or Fretted Instrument, May Easily Know How to Tune the Same...."London: Cluer, Campbell, Creake, 1725.

  2609. Warren, John. Tuning a piano.

  2610. Waters, Horace. "A Piano and Its Consequences."New York: Horace Waters Piano Co., 1868.

  2611. Watin, Jean Félix. "L'Art De Faire Et D'Employer Le Vernis, Ou L'Art Du Vernisseur." The art of making and using varnish, or the art of varnishing Paris: Chez Quillau, 1772.

  2612. Watkins, C. Malcolm. American pianos of the federal period.

  2613. Watson, John. A catalogue of antique instruments in the southeast.

  2614. ---. Claviers for Salem.

  2615. Watson, John R. Balancing physical integrity with aesthetic integrity: Ethical problems in the conservation of musical instruments.

  2616. ---. Historical musical instruments: A claim to use, an obligation to preserve.

  2617. Webb, F. Gilbert. The Emmanuel Moor new duplex coupler pianoforte.

  2618. Weber, Gottfried. Two words about three of the most recent improvements of the grand piano Zwei Worte über die drei neuesten Verbesserungen des Flügel-Pianoforte.

  2619. Weber, Marie-Christine and Jean François Weber. "J. K. Mercken. Premier Facteur Parisien De Forte-Piano." J. K. Mercken. The first Parisian fortepiano maker Paris: Flûte de Pan, 1986.

  2620. Weber-Robine, F. "Die Resonanz Des Klaviers. Beitrag Zur Entwicklungsgeschichte Der Tasteninstrumente." The resonance of the piano. A contribution to the evolutionary history of keyboard instruments Dresden: Pianoforteindustrieller Verlag, 1913.

  2621. Webster, M. P. What America has done for the modern pianoforte.

  2622. Wegerer, Kurt. Beethoven's grand piano and its pedals Beethovens Hammerflügel und ihre Pedale.

  2623. Wehran, August Heinrich. "An Essay on the Theory and Practice of Tuning in General, and on Scheibler's Invention of Tuning Pianos and Organs by the Metronome.", 1853.

  2624. Weil, Milton. Our Sketchbook: Simon Krakauer.

  2625. ---. The Antisell Piano Co. Something about their new factory, the making of their instruments and their patent steel wrest plank.

  2626. Weinmann, Alexander. Bösendorfer. Kassel: Bärenreiter, 1973.

  2627. Weinreich, Gabriel. The coupled motions of piano strings.

  2628. ---. How do the strings of a piano vibrate? Comment vibrent les cordes d'un piano?

  2629. Weise, Christian. "Versuch Eines Formularisch Und Tabellarisch Vorgebildeten Leitfadens Im Bezug Auf Die Quelle Des Harmonischen Tönungsausflusses; Ferner Auf Die Mechanisch Ausführbare Stimmungsübertragung Der Sowohl Rationalstimmung, Als Auch Ungleichschwebenden Fixen Temperaturstimmung Auf Der Orgel Und Den Tasteninstrument....Dem Meister Der Musikalischen Theorie Herrn Friedrich Wilhelm Marpurg Zugeeignet."Dresden: Hilscher, 1791.

  2630. Weise, Christian Ludwig Gustav Freiherr von. "Formularisches Handbuch Für Den Ausübenden Stimmer Des Tasteninstruments." Formal handbook for the practicing tuner of keyboard instruments Dresden: Hilscher, 1792.

  2631. Weise, Christian von. "Anweisung Der Mechanischen Behandlung Das Clavier Nach Einer Vorgeschlagenen Neuen Temperatur Zu Stimmen." Instruction on the mechanical manipulation of the piano, tuning according to a recommended new temperament Dresden: Hilscher, 1790.

  2632. Weitzmann, Karl Friedrich. "Geschichte Des Clavierspiels Und Der Clavierliteratur...Mit ..Einem Supplemente Enthaltend Die Geschichte Des Claviers Nach Den Neuesten Forschungen." A history of pianoforte-playing and pianoforte literature...with a supplement containing the history of the piano according to the latest research Stuttgart: J.G. Cotta, 1879.

  2633. Welcker von Gontershausen, Heinrich. "Der Clavierbau in Seiner Theorie, Technik Und Geschichte, Unter Hinweisen Seiner Beziehung Zu Den Gesetzen Der Akustik.
    ." Piano building in its theory, technique and history, with reference to its connections to the rules of acoustics Frankfurt am Main: C. Winter, 1864.

  2634. ---. "Der Flügel Oder Die Beschaffenheit Des Pianos in Allen Formen, Eine Umfassende Darstellung Der Fortepiano-Baukunst Vom Entstehen Bis Zu Den Neusten Verbesserungen." The grand piano or the characteristics of the piano in all forms. A comprehensive representation of the art of building pianos from its origins to the newest improvements Frankfurt am Main: H.L. Bronner, 1856.

  2635. ---. "Die Technischen Hölzer, Oder Specielle Beschreibung Aller Nutz- Und Werkhölzer Des In- Und Auslandes, Mit Einschluss Der Brauchbarsten Horn- Und Beinarten, Nebst Angabe Ihrer Heimat Und Bezugsquellen." The technical woods, or a special description of all imported and domestic manufacturing woods, with the inclusion of the most useful horn and bone types together with information about their sources Frankfurt am Main: C. Winter, 1854.

  2636. ---. "Neu Eröffnetes Magazin Musikalischer Tonwerkzeuge, Dargestellt in Technischen Zeichnungen Aller Saiten- Blas- Schlag- & Friktions-Instrumente...Nebst Geschichtlicher Uebersicht Der Musik Und Instrumente Vom Ersten Ursprung Bis in Die Jetztzeit Mit Specieller Beschreibung Ihres Baues, Tonumfang Und Fasslicher Angabe Ihrer Behandlung Und Erhaltung." Newly opened repository of tools for musical instruments Frankfurt am Main: Selbstverlag, 1855.

  2637. Weller, A. H. "Versuch Einer Anleitung, Klaviere Und Orgeln Auf Eine Leichtere Und Zuverlaessigere Art Als Die Gewoehnliche Zu Temperiren." An attempt at a method of tempering pianos and organs in an easier and more reliable manner than the usual one Leipzig: Peters, 1817.

  2638. Wells, Elizabeth. An early stringed keyboard instrument: The clavicytherium in the Royal College of Music, London.

  2639. Wenke, Wolfgang. The "clavecin roial" of the Dresden instrument maker Johann Gottlob Wagner (1774) Das "Clavecin roial" des Dresdener Instrumentenmachers Johann Gottlob Wagner von 1774.

  2640. Werckmeister, Andreas. "Musicalische Temperatur, Oder Deutlicher Und Warer [Sic] Mathematischer Unterricht, Wie Man Durch Anweisung Des Monochordi Ein Clavier, Sonderlich Die Orgel-Wercke, Positive, Regale, Spinetten Und Dergleichen Wol Temperirt Stimmen Könne, Damit Nach Heutiger Manier Alle Modi Ficti in Einer Angennehm- Und Erträglichen Harmonia Mögen Genommen Werden..." Musical temperament, or clear and true mathematical instruction on how, with the use of the monochord, one can tune a keyboard instrument.... Frankfurt and Leipzig: Theodor Philipp Calvisius, 1691.

  2641. Wessel, Nickel & Gross Co. "Wessell, Nickel & Gross, Piano Action Manufacturers, Illustrated Catalogue of Piano-Forte Actions."New York: Wessell, Nickel & Gross, 1893.

  2642. Weyer, Rolf-Dieter. Time-varying amplitude-frequency-structure in the attack transients of piano and harpsichord sounds.

  2643. ---. "Typical Sound Characteristics of Piano Sounds, Analysed on the Basis of Piano Sounds and Piano-Like Sounds."Paper read at the 44th convention of the Audio-Engineering Society, Central Europe Section. New York: Audio Engineering Society, 1973.

  2644. ---. "Untersuchungen an Instationären Musikalisch-Akustischen Schwingungsstrukturen Am Beispiel Der Klangeinsätze Von Klavier Und Cembalo."Dissertation, University of Cologne, 1974.

  2645. White, William Braid. The decline of the American piano industry.

  2646. ---. "The Human Element in Piano Tone Production.".

  2647. ---. "Klavierstimmen." Piano tuning Siegburg: Franz Schmitt-Verlag, 1970.

  2648. ---. "Modern Piano Tuning and Allied Arts."New York: Federated Business Publications, 1929.

  2649. ---. Re-stringing formulas.

  2650. ---. "Piano Playing Mechanisms and Piano Tuning and Allied Arts."New York: E. L. Bill, 1925.

  2651. ---. The soundboard of the piano. Reprinted: New York, Steinway & Sons, n.d.

  2652. ---. Sidelight on history.

  2653. ---. "Piano Tuning and Allied Arts."Boston: Tuners Supply Co., 1938.

  2654. ---. "The Player Piano, Up-to-Date. A Comprehensive Treatise on the Principles, Construction, Adjustment, Regulation and Use of Pneumatic Mechanisms for Piano-Playing..."New York: E.L. Bill, 1914.

  2655. ---. "Regulation and Repair of Piano and Player Mechanisms, Together With Tuning As Science and Art."New York: E.L. Bill, 1909.

  2656. ---. "Theory and Practice of Piano Construction: With a Detailed, Practical Method for Tuning."New York: Bill, 1906.

  2657. Whiting, A. Mechanical player.

  2658. Wicks, Don. "The Family Piano Doctor: a Step-by-Step Guide to the Repairing, Tuning and Renovating of the Family Piano."London: Batsford, 1991.

  2659. Wiedemann, Karl. "Hundert Jahre Pfeiffer-Flügel Und Klaviere 1862-1962." One hundred years of Pfeiffer grand and upright pianos 1862-1962 Stuttgart: Carl A. Pfeiffer, 1962.

  2660. Wienke, Gerhard. Historical piano tone Historischer Klavierklang.

  2661. Wier, Albert Ernest. "The Piano; Its History, Makers, Players and Music."London: Longmans, Green and Co., 1941.

  2662. Wiernsberger, J. "Le Piano Et Ses Prédécesseurs; Notice Historique." The piano and its predecessors; an historical review Paris: Costallat & Co., 1916.

  2663. Williams Organ & Piano Co. "A Book About Pianos in General and the Epworth in Particular." catalogue Chicago, 1911.

  2664. Willis, Aubrey. "Aubrey Willis Home Study Course in Piano Tuning and Repairing."Orlando, Florida, 1968.

  2665. Willson, Theodore Booth. "Historical Catalogue of the M. Steinert Collection of Musical Instruments."New Haven: Yale University Press, 1913.

  2666. Windisch-Graetz, Franz. Furniture. London: Elron Press and the Victoria and Albert Museum, 1979.

  2667. Wineberg, Susan. "The Allmendinger Piano and Organ Company. Guide to the Exhibit in the Lobby of the Allmendinger Building, South First St, Ann Arbor, Michigan."Ann Arbor: Jack Weiss, 1991.

  2668. Wing & Sons, Piano Co. Inc. "The Book of Complete Information About Pianos 1868-1918, a Full Half Century of Success, 50th Anniversary."New York: Wing & Son, 1918.

  2669. Winston, David. The restoration of Beethoven's 1817 Broadwood grand piano.

  2670. ---. Other voices, other rooms. An instrument [Beethoven's Broadwood] tells its own story.

  2671. Winter, Robert. The emperor's new clothes: nineteenth-century instruments revisited.

  2672. ---. Performing nineteenth-century music on nineteenth-century instruments.

  2673. ---. The limits of authenticity: a discussion.

  2674. ---. Striking it rich: The significance of striking points in the evolution of the Romantic piano.

  2675. ---. The 19th century keyboards. New York: Norton, 1989.

  2676. Winternitz, Emanuel. "Keyboard Instruments in the Metropolitan Museum of Art: A Picture Book."New York: Metropolitan Museum, 1961.

  2677. ---. The Crosby Brown collection: its origin and development.

  2678. ---. "Musical Instruments and Their Symbolism in Western Art."London, 1967.

  2679. Wit, Paul de. "Katalog Des Musikhistorischen Museums Von Paul De Wit, Leipzig."Leipzig: Paul de Wit, 1904.

  2680. ---. An upright fortepiano by Friederici Ein aufrechtes Hammerklavier von Friederici.

  2681. ---. A square fortepiano from the year 1742 Ein Hammerklavier in Tafelform aus dem Jahre 1742.

  2682. Witt-Döring, Christian. Viennese furniture fittings 1810-1835 Wiener Möbelbeschläge 1810-1835.

  2683. Witter, Jens-Uwe. "Das Klavier-Lexikon: 18,122 Namen Und Fabrikate Aus Dem Klavier-, Orgel- Und Harmoniumbau Sowie Handel Und Service Von 1788-1995. Teil I: Europa." The piano lexicon: 18,122 names and factories from piano, organ and harmonium building..1788-1995. Part I: Europe Schillingsfürst: Musik und Methodik Verlag Michael Kircheis, 1998.

  2684. Wittmayer, Kurt. "Der Flügel Mozarts. Versuch Einer Instrumentenbaugeschichtlichen Einordnung."Basel: Bärenreiter Verlag, 1992.

  2685. ---. Johann Evangelist Schmid, a piano builder for Mozart and Haydn in Salzburg Johann Evangelist Schmid, ein Klavierbauer für Mozart und Haydn in Salzburg.

  2686. Wohlfahrt, Heinrich. "Der Angehende Klavierstimmer--Anleitung Zum Selbstunterricht." The budding piano tuner--an introduction to self study Leipzig: Merseburger, 1891.

  2687. Wohnhaas, Theodor. Regarding the activity of Christoph Ehrlich as a piano builder in Bamberg Zur Tätigkeit Christoph Ehrlichs als Klavierbauer in Bamberg. Bamberg, 1968.

  2688. ---. About the family of the piano builder Biber from Ellingen Zur Familie der Klavierbauer Biber aus Ellingen.

  2689. ---. The piano builders Pfister in Würzburg Die Klavierbauer Pfister in Würzburg.

  2690. ---. Piano builders in Nuremberg in the first half of the 19th century Nürnberger Klavierbauer in der ersten Hälfte des 19. Jahrhunderts.

  2691. Wolf, Albrecht. Graphische Darstellung und funktionelle Systematik historischer musikalischer Temperaturen.

  2692. Wolf, D. and H. Muller. Normal vibrations of stiff strings.

  2693. Wolf, Werner. A new keyboard Eine neue Klaviatur.

  2694. Wolfe, George. "Piano Cartoons."Midland Park: The University Society, 1979.

  2695. Wolfenden, Samuel. "A Treatise on the Art of Pianoforte Construction."London: Unwin Brothers, 1916.

  2696. Wolfram, Victor. "The Sostenuto Pedal."Stillwater: Oklahoma State University Press, 1965.

  2697. Wollard, H. "The Making of a Modern Pianoforte.": J. Bale, 1915.

  2698. Wolters, Klaus. "Das Klavier. Eine Einführung in Geschichte Und Bau Des Instruments Und in Die Geschichte Des Klavierspiels." The piano. An introduction to the history and construction of the instrument and the history of piano playing Bern & Stuttgart: Hallwag, 1969.

  2699. Wood, A. "The Physics of Music."London: Methuen & Co., 1944.

  2700. Wood & Brooks Co. "Wood & Brooks Piano Action Catalogue."Buffalo & Rockford: Wood & Brooks, 1960.

  2701. Wood, James L. "Piano Tuning, Questions and Answers."Jupiter, Florida: Empire Publishing Co., 1985.

  2702. Wood, Lawrence R. "Pianos, Anyone?"New York: Vantage Press, 1977.

  2703. Woodcroft, Bennet. "Patents for Inventions. Abridgments of Specifications Relating to Music and Musical Instruments A.D. 1694-1866."London: George E. Eyre and William Spottiswoode, 1871.

  2704. Woodman, Henry Stauton. "How to Tune a Piano; How to Clean Your Piano and Keep It in Good Condition; How to Buy a Used Piano."Baycrest, New York: Corwood Publishers, 1966.

  2705. Worch, Hugo. "Piano Makers of the Evolutionary Period, a Brief Sketch by Hugo Worch. Illustrations of Rare English and American Square Pianos Exhibited at the National Music Show."Washington, D.C.: G.E. Howard, 1907.

  2706. ---. "Worch Pianos and a Brief Sketch of the History of the Pianoforte."Washington, D.C.: H. Worch, 1901.

  2707. Worchester, Horatio. "Worchester's Patent Hinged Plate Pianofortes."New York, 1862.

  2708. Wormsir, André. Pour le piano.

  2709. Wörsching, Joseph. "Die Historischen Seitenklaviere Und Der Moderne Clavichord- Und Cembalobau." Historic stringed keyboard instruments and modern clavichord and harpsichord building Mainz: Rheingold Verlag, 1946.

  2710. Wraight, Denzil. Cristofori's instruments.

  2711. ---. Strong iron wire and long scales in Italian harpsichords.

  2712. ---. "The Identification and Authentication of Italian Stringed Keyboard Instruments."Stuyvesant, NY: Pendragon Press, 1991.

  2713. ---. "The Stringing of Italian Keyboard Instruments C. 1500-c. 1650.", 1997.

  2714. Wrinkell, A. James & Holmstrom. Their transposing keyboard. Reprinted from The New York Recorder.

  2715. Wuellner, G. Janissary sounds for Mozart's Turkish rondo.

  2716. Wuellner, Guy. Janissary sounds for Mozart's "Turkish rondo".

  2717. Wulsin, Lucien. "Dwight Hamilton Baldwin (1821-1899) and the Baldwin Piano."New York: The Newcomen Society, 1953.

  2718. ---. A piano man looks back.

  2719. Wythe, Deborah. "Conrad Graf (1782-1851), Imperial Royal Court Fortepiano Maker in Vienna."New York University, 1990.

  2720. ---. The pianos of Conrad Graf.

  2721. Yamaha Co. Yamaha's first century.

  2722. Yamaha Corporation. "100: A Century of Excellence 1887-1987 Yamaha."Hamamatsu: Yamaha Corporation, 1987.

  2723. Yankovskii, B. Dissimilarity of the acoustic parameters of unseasoned and aged wood.

  2724. Yates, Peter. Tuning and temperament. London, Thames and Hudson.

  2725. Yorke, James. "Keyboard Instruments at the Victoria and Albert Museum."London: Victoria and Albert Museum, 1986.

  2726. Young, Philip T. "The Look of Music: Rare Musical Instruments."Seattle: University of Washington Press, 1980.

  2727. Young, R. W. Inharmonicity of piano strings.

  2728. Young, William Lyman. "Report to the Swedish Royal Academy of Music on the Discovery of Two Classical Scales and Their Natural Keyboard. Commemorating the Halberstadt Keyboard First Used in the Year of Our Lord 1361."San Francisco, 1961.

  2729. Zalta, E. N. Bulletin Board: a soft touch (McMorrow's light hammer tone regulation technique).

  2730. Zampieri, Giusto. "Il Pianoforte."Milano: Sonzogno, n.d.

  2731. Zarebski, Juliusz. "Le Piano à Claviers Reversés De MM Mangeot Frères Et Cie. Ses Ressources Au Point Du Vue De La Composition Et De La Virtuosité Avec Des Esemples." The piano with reverse keyboards by MM. Mangeot Frères and company. Its features from the point of view of composition and virtuosity with some examples. 1878.

  2732. Zelleke, Ghenete. Harmonizing form and function: Mackay Hugh Baillie Scott and the transformation of the upright piano.

  2733. Zeraschi, Helmut. Bartolomeo Cristofori's invention Bartolomeo Cristoforis Erfindung.

  2734. Zhu, W. D. and Mote C. D. Jr. Dynamics of the pianoforte string and narrow hammers.

  2735. Ziegler, Anton. "Adressen-Buch Von Tonkünstlern, Dilettanten, Hof- Kammer- Theater- Und Kirchen-Musikern, Vereinen, Lehr- Und Pensionsinstituten, Bibliotheken Zum Behufe Der Tonkunst, K. K. Privil. Kunst- Und Musikalien-Handlungen, Instrumentenmachern...in Wien." The address book of musicians....music shops and instrument makers in Vienna Vienna: Anton Strauss, 1823.

  2736. Zlinszky, Sternegg Maria. Two upright pianos from the collection of musical instruments Zwei aufrechte Flügel der Musikinstrumenten Sammlung. Budapest, 1965.

  2737. Zuckermann, Wolfgang Joachim. "The Modern Harpsichord. Twentieth-Century Instruments and Their Makers."New York: October House, 1969.

Publications submitted by Michael Latcham

  1. "Alternatives to the modern piano for the performance of Mozart", in: Jaarboek, Haags Gemeentemuseum I, 1991, 41–57.
  2. "Soundboards old & new", The Galpin Society Journal XLV, 1992, 50–8.
  3. "The check in some early pianos and the development of piano technique around the turn of the 18th century", Early Music XXI/1, February 1993, 28–42.
  4. "The sound of some late eighteenth-century keyboard instruments", in: Jaarboek, Haags Gemeentemuseum III, 1993, 30–41.
  5. "De Weense pianobouw tussen 1785 en 1820. Muziekinstrumenten als een kennisbron voor meubelstijlen", Antiek 27/8, March 1993, 385–95.
  6. "Hofmann, Ferdinand (c. 1756-1829)", in: Robert Palmieri (ed.), Encyclopedia of keyboard instruments, volume 1, the piano, New York & London 1994, 170–2.
  7. "Vanitas. On preserving and restoring old instruments", Early Music XXIII/4, November 1995, 731-3.
  8. "Authenticating and dating the pianos of Anton Walter", in: Peter Donhauser (ed.), Restaurieren, Renovieren, Rekonstruieren. Methoden für Hammerklaviere, Vienna 1997, 67–82.
  9. "Mozart and the pianos of Gabriel Anton Walter", Early Music XXV/3, August 1997, 382–400.
  10. "Mozart and the pianos of Johann Andreas Stein", The Galpin Society Journal LI, 1998, 114–53.
  11. "Een veelheid aan besnaarde klavierinstrumenten", in: Michael Latcham, Jos van Leeuwen and Jan Vermeulen, Wenen op vleugels. De pianoforte als kroniekschrijver van een kunstenstad - 1750–1880, Peer 1998, 71–102.
  12. "Sounding change. The pianos of Anton Walter", in: Jaarboek, Haags Gemeentemuseum IX & X, 1999–2000, 96–103.
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  14. The stringing, scaling and pitch of Hammerflügel built in the southern German and Viennese Traditions 1780–1820, Munich, Salzburg 2000.
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